WAS EXCLUSIVE PRE-SALE
1
Wally Badarou - Dance In The Dust
2
Wally Badarou - Amber Whispers
3
Wally Badarou - Where Were We
4
Wally Badarou - The Lights Of Kinshasa
5
Wally Badarou - Pictures Of You
6
Wally Badarou - Serendipity For Two
7
Wally Badarou - Smiles By The Millions
8
Wally Badarou - Higher Still
9
Wally Badarou - Oriental
10
Wally Badarou - Days To Wonder
11
Wally Badarou - Dawn Of Europa
12
Wally Badarou - Crystal Falls
13
Wally Badarou - Purple Lines
Territories: Worldwide no restrictions
Format Notes: First time vinyl release, 140g vinyl
Track List:
A1 Dance In The Dust
A2 Amber Whispers
A3 Where Were We
A4 The Lights Of Kinshasa
A5 Pictures Of You
----
B1 Serendipity For Two
B2 Smiles By The Millions
B3 Higher Still
B4 Oriental
B5 Days To Wonder
B6 Dawn Of Europa
B7 Crystal Falls
B8 Purple Lines
Release Notes:
Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.
Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of CFCF and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.
Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."
Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.
The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.
The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.
Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.
That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".
There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!
Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential. More
Format Notes: First time vinyl release, 140g vinyl
Track List:
A1 Dance In The Dust
A2 Amber Whispers
A3 Where Were We
A4 The Lights Of Kinshasa
A5 Pictures Of You
----
B1 Serendipity For Two
B2 Smiles By The Millions
B3 Higher Still
B4 Oriental
B5 Days To Wonder
B6 Dawn Of Europa
B7 Crystal Falls
B8 Purple Lines
Release Notes:
Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.
Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of CFCF and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.
Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."
Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.
The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.
The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.
Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.
That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".
There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!
Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential. More
1
The Mechanical Man - The Magic Number
2
Minimono - Grit Wave
3
Lucretio - Gradius
4
Queen Of Coins - Genesis
5
Miguel Herrnandez - Bad Renaissance
6
Twovi - Galassia Cosmica
7
Data Memory Access - Controller
8
Passarani - Bungy Bungy Bungy
9
Dj Rou - Milky Way
10
Lapucci - One 1st
11
Alexander Robotnick - It's So Easy
12
Feel Fly - Peach
The Stallions compilations have become a benchmark of Bosconi's position as one of the leading house and techno labels operating out of Italy. This third instalment marks a shift in sound which also comes full circle to the music that first inspired founder Fabio Della Torre as a DJ and producer around the turn of the millennium, when punchy electro production was driving European house and techno into new zones.
All the artists featured on Vol. III are Italian, holding true to Bosconi's commitment to supporting local talent from Florence and across the country. Amongst the familiar faces is Della Torre's own Minimono collaboration with Ennio Colaci, which indulges a proudly manic palette of tweaked bleeps and dirty low-end. Elsewhere, recent additions to the Bosconi fold include veritable legends Alexander Robotnick and Marco Passarani, who infuse their unpredictable approaches to electro-techno and italo disco with ear-snagging synth-pop and driving analogue box jams respectively to create vibrant, impassioned dancefloor monsters.
The Mechanical Man is an alias from Nicola Altieri, who leans in on a classic Italo arpeggio to create a seductive club sound which builds on his recent Bosconi EXV EP, while Cixxx J switches from the mood of his own Bosconi appearance for a new alias Queen Of Coins and a pivot towards heads-down electro-techno-trance with a whiff of International Deejay Gigolos. Lapucci builds on the promise of his 2021 Bosconi 12" with a sentimental fusion track which lands somewhere between old school Italo house, the snappy pulse of EBM and crisp 00s-era electro house. Meanwhile modern day Italian techno legend Lucretio of The Analogue Cops makes his first appearance on Bosconi with the playful video game stylings of 'Gradius'.
A great deal of space on Vol. III is given over to emergent talent, ranging from Miguel Herr's twitchy detroitian synth-pop braindance and Twovi's vocoder-charged electro funk to DJ Rou's jacking ghetto house flavour. Giammarco Orsini and Jacopo Latini appear as Data Memory Access and deliver an emotive, punchy strain of machine soul. Feel Fly rounds the compilation off in bombastic style with an epic, cinematic workout which draws on Moroder-inspired drama without losing the forthright peak-time focus which binds the whole collection together.
Even the artwork on Vol. III serves as an opportunity to celebrate Italian creativity, as pioneering crypto artist Niro Perrone builds on his accomplished work in the field of NFTs and a background in music production to respond intuitively to the vibrant, synthetic sound of the compilation. For all the futurism in the music though, there remains a strong sense of human feeling which has marked Bosconi out since the beginning. The label remains as inspired and inspiring as ever, celebrating the fertile crossover when people manipulate technology to express themselves in an honest, playful way. Independent of wider trends or fashions, Bosconi remains true to its own idiosyncratic passions, and so Bosconi Stallions Vol. III stands proud as a compilation like no other.
VITAL SALES POINTS:
It is the third Episode of the Bosconi Stalions Series each happening every 5 years
This is Bosconi 15th year Anniversary!
100% Italian artists
Includes tracks from: Alexander Robotnick, Passarani, Data Memory Access, Lucretio, Feel Fly, Minimono..
Artwork by one of the most famous Italian Digital artists Niro Perrone
A1. The Mechanical Man - The Magic Number 5:32
A2. Minimono - Grit Wave 5:14
A3. Lucretio - Gradius 4:14
B1. Queen Of Coins - Genesis 5:43
B2. Miguel Herrnandez - Bad Renaissance 5:29
B3. Twovi - Galassia Cosmica 4:57
C1. Data Memory Access - Controller 6:14
C2. Passarani - Bungy Bungy Bungy 4:52
C3. Dj Rou - Milky Way 4:43
D1. Lapucci - One 1st 5:18
D2. Alexander Robotnick - it's So Easy 5:00
D3. Feel Fly - Peach 5:36
More
All the artists featured on Vol. III are Italian, holding true to Bosconi's commitment to supporting local talent from Florence and across the country. Amongst the familiar faces is Della Torre's own Minimono collaboration with Ennio Colaci, which indulges a proudly manic palette of tweaked bleeps and dirty low-end. Elsewhere, recent additions to the Bosconi fold include veritable legends Alexander Robotnick and Marco Passarani, who infuse their unpredictable approaches to electro-techno and italo disco with ear-snagging synth-pop and driving analogue box jams respectively to create vibrant, impassioned dancefloor monsters.
The Mechanical Man is an alias from Nicola Altieri, who leans in on a classic Italo arpeggio to create a seductive club sound which builds on his recent Bosconi EXV EP, while Cixxx J switches from the mood of his own Bosconi appearance for a new alias Queen Of Coins and a pivot towards heads-down electro-techno-trance with a whiff of International Deejay Gigolos. Lapucci builds on the promise of his 2021 Bosconi 12" with a sentimental fusion track which lands somewhere between old school Italo house, the snappy pulse of EBM and crisp 00s-era electro house. Meanwhile modern day Italian techno legend Lucretio of The Analogue Cops makes his first appearance on Bosconi with the playful video game stylings of 'Gradius'.
A great deal of space on Vol. III is given over to emergent talent, ranging from Miguel Herr's twitchy detroitian synth-pop braindance and Twovi's vocoder-charged electro funk to DJ Rou's jacking ghetto house flavour. Giammarco Orsini and Jacopo Latini appear as Data Memory Access and deliver an emotive, punchy strain of machine soul. Feel Fly rounds the compilation off in bombastic style with an epic, cinematic workout which draws on Moroder-inspired drama without losing the forthright peak-time focus which binds the whole collection together.
Even the artwork on Vol. III serves as an opportunity to celebrate Italian creativity, as pioneering crypto artist Niro Perrone builds on his accomplished work in the field of NFTs and a background in music production to respond intuitively to the vibrant, synthetic sound of the compilation. For all the futurism in the music though, there remains a strong sense of human feeling which has marked Bosconi out since the beginning. The label remains as inspired and inspiring as ever, celebrating the fertile crossover when people manipulate technology to express themselves in an honest, playful way. Independent of wider trends or fashions, Bosconi remains true to its own idiosyncratic passions, and so Bosconi Stallions Vol. III stands proud as a compilation like no other.
VITAL SALES POINTS:
It is the third Episode of the Bosconi Stalions Series each happening every 5 years
This is Bosconi 15th year Anniversary!
100% Italian artists
Includes tracks from: Alexander Robotnick, Passarani, Data Memory Access, Lucretio, Feel Fly, Minimono..
Artwork by one of the most famous Italian Digital artists Niro Perrone
A1. The Mechanical Man - The Magic Number 5:32
A2. Minimono - Grit Wave 5:14
A3. Lucretio - Gradius 4:14
B1. Queen Of Coins - Genesis 5:43
B2. Miguel Herrnandez - Bad Renaissance 5:29
B3. Twovi - Galassia Cosmica 4:57
C1. Data Memory Access - Controller 6:14
C2. Passarani - Bungy Bungy Bungy 4:52
C3. Dj Rou - Milky Way 4:43
D1. Lapucci - One 1st 5:18
D2. Alexander Robotnick - it's So Easy 5:00
D3. Feel Fly - Peach 5:36
More
1
Gregor Tresher - Black Halo
2
Gregor Tresher - Phantom Dancer
Tracklist:
(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)
Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.
“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!
“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.
More
(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)
Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.
“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!
“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.
More
1
Various Artists - Sarco - Haich Ber Na & Oliver Torr 02:59
2
Various Artists - Pettels - Andriy Kostyukov & Timmi 03:52
3
Various Artists - The Darkness of the Captive - Jay Glass Dubs & Rlung 07:07
4
Various Artists - Caviar - Oliver Torr & Andriy Kostyukov 03:23
5
Various Artists - Nice & Simple - Jay Glass Dubs & Timmi 04:10
6
Various Artists - Sandy Dub - Jay Glass Dubs & Andriy Kostyukov 10:38
7
Various Artists - Köre - Jay Glass Dubs & Oliver Torr 03:27
8
Various Artists - Sequence 1009 - Haich Ber Na & Rlung 03:46
9
Various Artists - Dew On The Desert - Rlung & Timmi 05:10
10
Various Artists - Sniper Spear - Oliver Torr & Rlung 04:41
11
Various Artists - e-f-t-s - Oliver Torr & Timmi 07:18
WORLD EXCL. FRANCE
Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.
For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.
Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.
LP
Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.
For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.
Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.
Tracklist
1. Sarco - Haich Ber Na & Oliver Torr 02:59
2. Pettels - Andriy Kostyukov & Timmi 03:52
3. The Darkness of the Captive - Jay Glass Dubs & Rlung 07:07
4. Caviar - Oliver Torr & Andriy Kostyukov 03:23
5. Nice & Simple - Jay Glass Dubs & Timmi 04:10
6. Sandy Dub - Jay Glass Dubs & Andriy Kostyukov 10:38
7. Köre - Jay Glass Dubs & Oliver Torr 03:27
8. Sequence 1009 - Haich Ber Na & Rlung 03:46
9. Dew On The Desert - Rlung & Timmi 05:10
10. Sniper Spear - Oliver Torr & Rlung 04:41
11. e-f-t-s - Oliver Torr & Timmi 07:18
More
Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.
For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.
Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.
LP
Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.
For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.
Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.
Tracklist
1. Sarco - Haich Ber Na & Oliver Torr 02:59
2. Pettels - Andriy Kostyukov & Timmi 03:52
3. The Darkness of the Captive - Jay Glass Dubs & Rlung 07:07
4. Caviar - Oliver Torr & Andriy Kostyukov 03:23
5. Nice & Simple - Jay Glass Dubs & Timmi 04:10
6. Sandy Dub - Jay Glass Dubs & Andriy Kostyukov 10:38
7. Köre - Jay Glass Dubs & Oliver Torr 03:27
8. Sequence 1009 - Haich Ber Na & Rlung 03:46
9. Dew On The Desert - Rlung & Timmi 05:10
10. Sniper Spear - Oliver Torr & Rlung 04:41
11. e-f-t-s - Oliver Torr & Timmi 07:18
More
1
Dj Jauche - Second Of Silence
2
Dj Jauche - Rhythm Tribe
3
Dj Jauche - Connections On A Dance Floor
4
Dj Jauche - Darf Ich Bitten ( What´s Wrong)
Vinyl Only!
Part Two of the Album "Let Me Dance"
Oliver Marquardt aka Dj Jauche, one of the avant-gardists and pioneers of the Berlin techno and house scene, releases his new album "Let Me Dance".
During the last 3 years, he has incorporated influences and experiences from over 35 years - as a DJ, event organiser and clubber - into his album.
The idea to produce this album was born in the lock-down and with it the desire to make people dance again - house music, in all its facets.
TRACKLISTS:
A1. Dj Jauche - Second Of Silence (06.21 min)
A2. Dj Jauche - Rhythm Tribe (08.28 min)
B1. Dj Jauche - Connections On A Dance Floor (07.45 min)
B2. Dj Jauche - Darf Ich Bitten ( What´s Wrong) (07.12 min)
More
Part Two of the Album "Let Me Dance"
Oliver Marquardt aka Dj Jauche, one of the avant-gardists and pioneers of the Berlin techno and house scene, releases his new album "Let Me Dance".
During the last 3 years, he has incorporated influences and experiences from over 35 years - as a DJ, event organiser and clubber - into his album.
The idea to produce this album was born in the lock-down and with it the desire to make people dance again - house music, in all its facets.
TRACKLISTS:
A1. Dj Jauche - Second Of Silence (06.21 min)
A2. Dj Jauche - Rhythm Tribe (08.28 min)
B1. Dj Jauche - Connections On A Dance Floor (07.45 min)
B2. Dj Jauche - Darf Ich Bitten ( What´s Wrong) (07.12 min)
More
1
Bruce Brubaker - Music for Airports, 1/1 - 17:12
2
Bruce Brubaker - Music for Airports, 2/1 - 08:32
3
Bruce Brubaker - The Chill Air - 01:55
4
Bruce Brubaker - By This River - 03:31
5
Bruce Brubaker - Music for Airports, 2/2 - 06:07
6
Bruce Brubaker - Emerald and Stone - - 02:30
LP - Territory: WORLD EX France
Tracklist CD :
1_Music for Airports, 1/1 - 17:12
2_Music for Airports, 2/1 - 08:32
3_The Chill Air - 01:55
4_By This River - 03:31
5_Music for Airports, 2/2 - 06:07
6_Emerald and Stone - - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
Tracklist CD :
1_Music for Airports, 1/1 - 17:12
2_Music for Airports, 2/1 - 08:32
3_The Chill Air - 01:55
4_By This River - 03:31
5_Music for Airports, 2/2 - 06:07
6_Emerald and Stone - - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
1
Bruce Brubaker - Music for Airports, 1/1 - 17:12
2
Bruce Brubaker - By This River - 03:31
3
Bruce Brubaker - The Chill Air - 01:55
4
Bruce Brubaker - Music for Airports, 2/1 - 08:32
5
Bruce Brubaker - Music for Airports, 2/2 - 06:07
6
Bruce Brubaker - Emerald and Stone - 02:30
LP - Territory: WORLD EX France
Tracklist LP :
A SIDE (23 minutes)
A1_Music for Airports, 1/1 - 17:12
A2_By This River - 03:31
A3_The Chill Air - 01:55
B SIDE (21.30 minutes)
B1_Music for Airports, 2/1 - 08:32
B2_Music for Airports, 2/2 - 06:07
B3_Emerald and Stone - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
Tracklist LP :
A SIDE (23 minutes)
A1_Music for Airports, 1/1 - 17:12
A2_By This River - 03:31
A3_The Chill Air - 01:55
B SIDE (21.30 minutes)
B1_Music for Airports, 2/1 - 08:32
B2_Music for Airports, 2/2 - 06:07
B3_Emerald and Stone - 02:30
Short Info:
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."
'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.
In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.
Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.
In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.
The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
More
1
Lynxes - A1: Vacuum
2
Lynxes - A2: Distress
3
Lynxes - B1: Coping
4
Lynxes - B2: Distres (Lydia Eisenblätter Remix)
Special remarks : Marbled Vinyl in one color screenprinted PVC foil + Bandcamp Downloadcode
Tracklist 12":
A1: Vacuum
A2: Distress
B1: Coping
B2: Distres (Lydia Eisenblätter Remix)
Pressetext:
If you dare. Lynxes completes with Sloth a smattering of releases on the Berlin-based label. Vacuum is set in dark environs and picks up raving energy quickly with multiple layers dedicated to the iridescent journey before the unexpected breakthrough that longs for a ride into the unknown. Disstress follows steadily with ace tones and a punching clout that guides along the path. Alerting strikes of lightning will make your blood run cold along the right lines on Coping. Lydia Eisenblätter, head of Leipzig's OAM records and figuring prominently within the German techno scene, turns to the end with a Distress remix on a fast and floaty acid track. Hang in there!
Vital Sales Points:
- 100% upcycled marbled vinyl
- limited edition of 100 copies
More
Tracklist 12":
A1: Vacuum
A2: Distress
B1: Coping
B2: Distres (Lydia Eisenblätter Remix)
Pressetext:
If you dare. Lynxes completes with Sloth a smattering of releases on the Berlin-based label. Vacuum is set in dark environs and picks up raving energy quickly with multiple layers dedicated to the iridescent journey before the unexpected breakthrough that longs for a ride into the unknown. Disstress follows steadily with ace tones and a punching clout that guides along the path. Alerting strikes of lightning will make your blood run cold along the right lines on Coping. Lydia Eisenblätter, head of Leipzig's OAM records and figuring prominently within the German techno scene, turns to the end with a Distress remix on a fast and floaty acid track. Hang in there!
Vital Sales Points:
- 100% upcycled marbled vinyl
- limited edition of 100 copies
More
1
Bellofratto & Gentile - A1. Interplanetary Soccer
2
Bellofratto & Gentile - A2. Dream Cycles
3
Bellofratto & Gentile - A3. Watching UFOs in the Park
4
Bellofratto & Gentile - A4. The Moon At Halftime
5
Bellofratto & Gentile - B1. Liquid Roses
6
Bellofratto & Gentile - B2. Piacere
7
Bellofratto & Gentile - B3. Sunbathing with Venus
8
Bellofratto & Gentile - B4. Winter Reprise
LP, Limited
Genre: Balearic, Disco, Indie Dance, Electonic
Tracklist LP
A
1. Interplanetary Soccer
2. Dream Cycles
3. Watching UFOs in the Park
4. The Moon At Halftime
B
1. Liquid Roses
2. Piacere
3. Sunbathing with Venus
4. Winter Reprise
Short Info:
"Night Swim" is the debut LP from Bellofatto & Gentile, a collaboration that was founded on the soccer fields of Austin, Texas during the spring of 2019. The duo of Giovanni Bellofatto (an alias of Jesse Edwards) ) & Dan Gentile initially started exploring the melodies and textures of Italian dream house, but those experiments soon evolved to include modular synthesizers, breakbeats, and left-field samples.
Bellofatto's work dates back to the 90's and has credits on albums by Jessica Bailiff (Kranky), Odd Nosdam (Anticon), and His Name Is Alive. In the early 00's, he pioneered acoustic / electronic territories with his psychedelic project Red Morning Chorus. His forthcoming solo LP "The Otherworld" is due for release on Vancouver's Pacific Rhythm under the moniker C Thru. With 20 years of DJing under his belt, Gentile released his first house music productions as Time Zones in 2019 on Mystery Zone Records, with subsequent singles on Bay Area Disco and Moiss Music. He now lives in San Francisco, where he works as a journalist and creates visual art using a modular video synthesizer.
The legend John Beltran provides mixing treatments on half of "Night Swim" that will be released on Prins Thomas's balearic imprint Horisontal Mambo in 2023.
massage by
Prins Thomas.
Mambo HQ, Asker, September 2023
More
Genre: Balearic, Disco, Indie Dance, Electonic
Tracklist LP
A
1. Interplanetary Soccer
2. Dream Cycles
3. Watching UFOs in the Park
4. The Moon At Halftime
B
1. Liquid Roses
2. Piacere
3. Sunbathing with Venus
4. Winter Reprise
Short Info:
"Night Swim" is the debut LP from Bellofatto & Gentile, a collaboration that was founded on the soccer fields of Austin, Texas during the spring of 2019. The duo of Giovanni Bellofatto (an alias of Jesse Edwards) ) & Dan Gentile initially started exploring the melodies and textures of Italian dream house, but those experiments soon evolved to include modular synthesizers, breakbeats, and left-field samples.
Bellofatto's work dates back to the 90's and has credits on albums by Jessica Bailiff (Kranky), Odd Nosdam (Anticon), and His Name Is Alive. In the early 00's, he pioneered acoustic / electronic territories with his psychedelic project Red Morning Chorus. His forthcoming solo LP "The Otherworld" is due for release on Vancouver's Pacific Rhythm under the moniker C Thru. With 20 years of DJing under his belt, Gentile released his first house music productions as Time Zones in 2019 on Mystery Zone Records, with subsequent singles on Bay Area Disco and Moiss Music. He now lives in San Francisco, where he works as a journalist and creates visual art using a modular video synthesizer.
The legend John Beltran provides mixing treatments on half of "Night Swim" that will be released on Prins Thomas's balearic imprint Horisontal Mambo in 2023.
massage by
Prins Thomas.
Mambo HQ, Asker, September 2023
More
1
Hihats In Trees - Cedar Walk
2
Hihats In Trees - Steppestep
3
Hihats In Trees - AKA 88
4
Hihats In Trees - Knee Dip
5
Hihats In Trees - Meander
6
Hihats In Trees - Au Coeur Tendre
7
Hihats In Trees - C=N
8
Hihats In Trees - Miniatuur 6
9
Hihats In Trees - Icicle Icicle
10
Hihats In Trees - Stillness
Tracklist:
1. Cedar Walk
2. Steppestep
3. AKA 88
4. Knee Dip
5. Meander
6. Au Coeur Tendre
7. C=N
8. Miniatuur 6
9. Icicle Icicle
10. Stillness
Artefacts is the second part of the diptych of 2 albums by Hihats In Trees, pseudonym for Belgian drummer, producer Lander Gyselinck
HHIT’s unprecedented experiments with rhythm and acoustic textures on its debut album ‘Disleksikon’, released in 2019, was well received. On Artefacts HHIT takes it a step further. A truly sensational sonic realm is explored.
Hihats In Trees’ obsession with singular physical objects, materials of wood, stone, metal evokes a dark dystopian sentiment and a recurring melancholy. A poetic expression of the solid object. In Artefacts, through this language with materials, the physical objects come to life sonically. The 10 compositions revolve around this peculiar vocabulary of texture and rhythm, balancing between the dance floor and a solitary ritual, reminiscing on HHIT’s major influences of gqom, detroit techno, hiphop and experimental ambient.
Fashion designer Dries Van Noten was fascinated by HHIT’s musical experiments, This resulted in a collaboration with photographer Viviane Sassen for his Spring Summer collection in 2021 with music by HHIT, partly from Disleksikon, partly tracks later to be released on Artefacts.
Artefacts is released on the Brussels based label Maloca Records, run by dj, producer Le Motel.
More
1. Cedar Walk
2. Steppestep
3. AKA 88
4. Knee Dip
5. Meander
6. Au Coeur Tendre
7. C=N
8. Miniatuur 6
9. Icicle Icicle
10. Stillness
Artefacts is the second part of the diptych of 2 albums by Hihats In Trees, pseudonym for Belgian drummer, producer Lander Gyselinck
HHIT’s unprecedented experiments with rhythm and acoustic textures on its debut album ‘Disleksikon’, released in 2019, was well received. On Artefacts HHIT takes it a step further. A truly sensational sonic realm is explored.
Hihats In Trees’ obsession with singular physical objects, materials of wood, stone, metal evokes a dark dystopian sentiment and a recurring melancholy. A poetic expression of the solid object. In Artefacts, through this language with materials, the physical objects come to life sonically. The 10 compositions revolve around this peculiar vocabulary of texture and rhythm, balancing between the dance floor and a solitary ritual, reminiscing on HHIT’s major influences of gqom, detroit techno, hiphop and experimental ambient.
Fashion designer Dries Van Noten was fascinated by HHIT’s musical experiments, This resulted in a collaboration with photographer Viviane Sassen for his Spring Summer collection in 2021 with music by HHIT, partly from Disleksikon, partly tracks later to be released on Artefacts.
Artefacts is released on the Brussels based label Maloca Records, run by dj, producer Le Motel.
More
Label:Modern Obscure Music
Cat-No:MOM043
Release-Date:20.10.2023
Genre:Electronica
Configuration:LP Excl
Label:Modern Obscure Music
Cat-No:MOM043
Release-Date:20.10.2023
Genre:Electronica
Configuration:LP Excl
1
Raul Refree & Pedro Vian - La vera pau I
2
Raul Refree & Pedro Vian - La vera pau II
3
Raul Refree & Pedro Vian - La vera pau III
4
Raul Refree & Pedro Vian - La vera pau IV
5
Raul Refree & Pedro Vian - La vera pau V
6
Raul Refree & Pedro Vian - La vera pau VI
7
Raul Refree & Pedro Vian - La vera pau VII
8
Raul Refree & Pedro Vian - La vera pau VIII
9
Raul Refree & Pedro Vian - La vera pau IX
World excl. UK
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Label:Modern Obscure Music
Cat-No:MOM043CD
Release-Date:20.10.2023
Genre:Electronica
Configuration:CD Excl
Label:Modern Obscure Music
Cat-No:MOM043CD
Release-Date:20.10.2023
Genre:Electronica
Configuration:CD Excl
1
Raul Refree & Pedro Vian - La vera pau I
2
Raul Refree & Pedro Vian - La vera pau II
3
Raul Refree & Pedro Vian - La vera pau III
4
Raul Refree & Pedro Vian - La vera pau IV
5
Raul Refree & Pedro Vian - La vera pau V
6
Raul Refree & Pedro Vian - La vera pau VI
7
Raul Refree & Pedro Vian - La vera pau VII
8
Raul Refree & Pedro Vian - La vera pau VIII
9
Raul Refree & Pedro Vian - La vera pau IX
World excl. UK
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker
All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.
©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.
Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.
1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX
More
1
Combo Aspik, Magic Manfred - Unisun
2
Combo Aspik, Magic Manfred - Ella
3
Combo Aspik, Magic Manfred - Diskotopia
4
Combo Aspik, Magic Manfred - Dusk
5
Combo Aspik, Magic Manfred - OP32
6
Combo Aspik, Magic Manfred - Officer Chimes
7
Combo Aspik, Magic Manfred - Madvember
8
Combo Aspik, Magic Manfred - Syrakus
9
Combo Aspik, Magic Manfred - Outro Lado
Combo Aspik is a session band project founded and led by musician, producer and DJ Magic Manfred. The bass player teamed up with some of Berlin’s finest session musicians to produce a self-titled debut album fusing live music and club culture. The tunes are heavily influenced by Boogie and Jazzfunk of the late 70s and early 80s such as the music of Bernard Wright, Don Blackman or any underground Disco gems.
VITAL SALES POINTS:
• tracks are almost fully improvised, all were born out of jams
• the whole album has been created within 5 months from writing sessions to mastering, some of the
• idea was born 8 years ago and went through different projects and line-ups in London and Berlin
• the quintet recorded simultaneously without the use of click tracks –> reference to late 70s
• Adapting the sound of the late 70s/early 80s to the present
• the album already received substantial support by DJs prior to release
• two music videos will be released
• debut album from Magic Manfred and Combo Aspik
Tracklist:
A1 Unisun
A2 Ella
A3 Diskotopia
A4 Dusk
B1 OP32
B2 Officer Chimes
B3 Madvember
B4 Syrakus
B5 Outro Lado More
VITAL SALES POINTS:
• tracks are almost fully improvised, all were born out of jams
• the whole album has been created within 5 months from writing sessions to mastering, some of the
• idea was born 8 years ago and went through different projects and line-ups in London and Berlin
• the quintet recorded simultaneously without the use of click tracks –> reference to late 70s
• Adapting the sound of the late 70s/early 80s to the present
• the album already received substantial support by DJs prior to release
• two music videos will be released
• debut album from Magic Manfred and Combo Aspik
Tracklist:
A1 Unisun
A2 Ella
A3 Diskotopia
A4 Dusk
B1 OP32
B2 Officer Chimes
B3 Madvember
B4 Syrakus
B5 Outro Lado More
LP, 180G
Biography
French producer and DJ Nathan Melja returns with his debut album, "With Dan!", out via his own imprint Parodia, the follow-up to a series of breakthrough releases on cult labels Mister Saturday Night, Technicolour, Antinote, Kalahari Oyster Cult and more.
Produced and recorded over the past two years hand-in-hand with his father Dan, a seasoned guitarist and sound engineer, this album is his most personal project to date and holds a true feeling of spontaneity, juggling between genres and driven by Nathan's characteristic unrestrained creative approach.
Over the course of its ten tracks, Nathan gently steps away from his previous dance offerings in favor of exploring new paces and rhythms, while consistently delivering a refreshed take on his trademark hybrid sound palette and textures. On "With Dan!", he embarks an array of local and international friends on vocals, which bring yet another dimension to his rich, at times lush, at others challenging music.
Forget what you know! We don't know nothing!
TRACKLIST
A1 - Liquid
A2 - Easy (feat. Jon Beige)
A3 - Ten Yrs Later
A4 - Out Of House
A5 - Sunday Party 404
B1 - Son (feat. Edward Reilly)
B2 - Stuntin Like My
B3 - Melting
B4 - Assume (feat. AnNie .Adaa)
B5 - Magna Mater
More
Biography
French producer and DJ Nathan Melja returns with his debut album, "With Dan!", out via his own imprint Parodia, the follow-up to a series of breakthrough releases on cult labels Mister Saturday Night, Technicolour, Antinote, Kalahari Oyster Cult and more.
Produced and recorded over the past two years hand-in-hand with his father Dan, a seasoned guitarist and sound engineer, this album is his most personal project to date and holds a true feeling of spontaneity, juggling between genres and driven by Nathan's characteristic unrestrained creative approach.
Over the course of its ten tracks, Nathan gently steps away from his previous dance offerings in favor of exploring new paces and rhythms, while consistently delivering a refreshed take on his trademark hybrid sound palette and textures. On "With Dan!", he embarks an array of local and international friends on vocals, which bring yet another dimension to his rich, at times lush, at others challenging music.
Forget what you know! We don't know nothing!
TRACKLIST
A1 - Liquid
A2 - Easy (feat. Jon Beige)
A3 - Ten Yrs Later
A4 - Out Of House
A5 - Sunday Party 404
B1 - Son (feat. Edward Reilly)
B2 - Stuntin Like My
B3 - Melting
B4 - Assume (feat. AnNie .Adaa)
B5 - Magna Mater
More
1
Wolfram & Josh Ludlow - Yo Yo Disco
2
Wolfram & Josh Ludlow - Yo Yo Disco (Extended)
Format 12” (Vinyl Only)
Tracklist:
A1) Yo Yo Disco
B1) Yo Yo Disco (Extended)
Short info:
Text
ALARM. Wolfi & Josh take you to the Disco. ALARM
More
Tracklist:
A1) Yo Yo Disco
B1) Yo Yo Disco (Extended)
Short info:
Text
ALARM. Wolfi & Josh take you to the Disco. ALARM
More
1
SEAN LA’BROOY - Snow Storm
2
SEAN LA’BROOY - Cargo
3
SEAN LA’BROOY - Pilot (feat. Joseph Batrouney)
4
SEAN LA’BROOY - Storage Room (feat. Leo Yucht)
5
SEAN LA’BROOY - Helipad
GENRE/S:
Electronica, Ambient, Deep House, Lo-Fi House
TRACKLISTS:
A1. Snow Storm
A2. Cargo
B1. Pilot (feat. Joseph Batrouney)
B2. Storage Room (feat. Leo Yucht)
B3. Helipad
SHORT INFO:
Sean La’Brooy is an Australian producer and composer currently based in New York, who’s work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La’Brooy has hooked up with the Scissor and Thread label to put out Merchant - five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. Snow Storm starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. Cargo is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. Pilot is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. Storage too features a guest—New York based drummer Leo Yucht—who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is Helipad, a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.
More
Electronica, Ambient, Deep House, Lo-Fi House
TRACKLISTS:
A1. Snow Storm
A2. Cargo
B1. Pilot (feat. Joseph Batrouney)
B2. Storage Room (feat. Leo Yucht)
B3. Helipad
SHORT INFO:
Sean La’Brooy is an Australian producer and composer currently based in New York, who’s work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La’Brooy has hooked up with the Scissor and Thread label to put out Merchant - five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. Snow Storm starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. Cargo is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. Pilot is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. Storage too features a guest—New York based drummer Leo Yucht—who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is Helipad, a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.
More
Label:Smallville Records
Cat-No:smallvillelp16
Release-Date:24.11.2023
Genre:Deephouse
Configuration:2LP Excl
Label:Smallville Records
Cat-No:smallvillelp16
Release-Date:24.11.2023
Genre:Deephouse
Configuration:2LP Excl
1
Joe Davies - Hi Life (feat. Ossia)
2
Joe Davies - Echo Form
3
Joe Davies - Two Hours Earth Room
4
Joe Davies - Smile And Wave
5
Joe Davies - Cygnus (feat. Space Drum Meditation)
6
Joe Davies - AMY (feat. Johan Kaseta)
7
Joe Davies - Movement In The Breach
8
Joe Davies - Nefyn
Tracklist 2LP:
01/ A1 Hi Life (feat. Ossia)
02/ A2 Echo Form
03/ B1 Two Hours Earth Room
04/ B2 Smile And Wave
05/ C1 Cygnus (feat. Space Drum Meditation)
06/ C2 AMY (feat. Johan Kaseta)
07/ D1 Movement In The Breach
08/ D2 Nefyn
DJ Assam delivers his inaugural project under his own name Joe Davies this November. Entitled ‘Shields In Full Sunlight’ and comprising eight original cuts, his debut album is full of beautiful shades, unexpected twists and twirling melodies.
The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Record sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond. We are very happy to have him appearing under his own name- Joe Davies- to our main Smallville imprint with some serious longplayer material.
Through the project, Davies offers up textural ethereal numbers like opener ‘Hi Life’ (featuring his brother Daniel aka Ossia, ‘Smile and Wave’ and closing track ‘Nefyn’. Also on offer is the more signature deep and dubby Smallville house sound with tracks like ‘Two Hours Earth Room’, ‘Cygnus’ (featuring Space Drum Meditation) and ‘AMY' (featuring Johan Kaseta), while the likes of ‘’Echo Form’ sees Davies deviate into Bruk with broken rhythms and jazzy melodies or ‘Movement Into The Breach’, which embraces a more mystical, Balearic-tinged aesthetic.
Once again Smallville delivers raw deep and understated music for the heads with Joe Davies ‘Shields In Full Sunlight’ LP out this November.
Full cover artwork by Stefan Marx.
All tracks written & produced by Joe Davies, 2017 - 2023
Plus additional production on A1 by Daniel Davies, on B1 by Lucas Gloe, on C1 by Eddie Ness & Lars Krug, on C2 by Hannes Hehemann
Additional mixing by Gentle Soul, Ossia
Cover Artwork by Stefan Marx
Mastering by Helmut Erler
Vinyl Cut by Lathesville
Distributed by Wordandsound
Smallville 2023
More
01/ A1 Hi Life (feat. Ossia)
02/ A2 Echo Form
03/ B1 Two Hours Earth Room
04/ B2 Smile And Wave
05/ C1 Cygnus (feat. Space Drum Meditation)
06/ C2 AMY (feat. Johan Kaseta)
07/ D1 Movement In The Breach
08/ D2 Nefyn
DJ Assam delivers his inaugural project under his own name Joe Davies this November. Entitled ‘Shields In Full Sunlight’ and comprising eight original cuts, his debut album is full of beautiful shades, unexpected twists and twirling melodies.
The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Record sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond. We are very happy to have him appearing under his own name- Joe Davies- to our main Smallville imprint with some serious longplayer material.
Through the project, Davies offers up textural ethereal numbers like opener ‘Hi Life’ (featuring his brother Daniel aka Ossia, ‘Smile and Wave’ and closing track ‘Nefyn’. Also on offer is the more signature deep and dubby Smallville house sound with tracks like ‘Two Hours Earth Room’, ‘Cygnus’ (featuring Space Drum Meditation) and ‘AMY' (featuring Johan Kaseta), while the likes of ‘’Echo Form’ sees Davies deviate into Bruk with broken rhythms and jazzy melodies or ‘Movement Into The Breach’, which embraces a more mystical, Balearic-tinged aesthetic.
Once again Smallville delivers raw deep and understated music for the heads with Joe Davies ‘Shields In Full Sunlight’ LP out this November.
Full cover artwork by Stefan Marx.
All tracks written & produced by Joe Davies, 2017 - 2023
Plus additional production on A1 by Daniel Davies, on B1 by Lucas Gloe, on C1 by Eddie Ness & Lars Krug, on C2 by Hannes Hehemann
Additional mixing by Gentle Soul, Ossia
Cover Artwork by Stefan Marx
Mastering by Helmut Erler
Vinyl Cut by Lathesville
Distributed by Wordandsound
Smallville 2023
More
1
Oscean - ChronoRebel 05:56
2
Oscean - Neon Harmonies 04:37
3
Oscean - Blaster Imploder 05:40
4
Oscean - Echoes of Chaos 05:56
5
Oscean - DX Random Destiny 05:12 (Digital only)
6
Oscean - DX Neon Harmonies (The Other Version) 05:34 (Digital only)
7
Oscean - DX Who Holds the Key? 05:36 (Digital only)
Territories: World excl. UK + North America
FORMAT 180g 12" vinyl, full pantone printed sleeve, download code incl all seven tracks
TRACKLIST
1 / A1 ChronoRebel 05:56
2 / A2 Neon Harmonies 04:37
3 / B1 Blaster Imploder 05:40
4 / B2 Echoes of Chaos 05:56
Digital only
5 / DX Random Destiny 05:12
6 / DX Neon Harmonies (The Other Version) 05:34
7 / DX Who Holds the Key? 05:36
Argentinian producers Oscean return to Tresor with Chronium Radiance, their longest release so far, in which the duo continue the evolution of their sound, coalescing the elemental ideas explored in their first two releases and yielding sublime results.
This landmark release will no doubt be seen as the point at which Oscean crystalised a trademark sound, balancing complex percussive rhythms with pulsing and cadenced music in which a universe of often oxymoronic ideas can be found, melded together with a deft touch to create a blissful sonic whole.
There is a sense of space and airiness to side A of the record as synth parts drift across the more solid-feeling landscape of the basslines and percussion: Opening track ChronoRebel is a propulsive trance induction that brings forth cinematic images of billowing clouds. This nebulous quality is continued on Neon Harmonies where the highly syncopated drum track weaves through a haze of colourful synths that while lower tempo than the previous track somehow has an energy of a faster piece.
The flip side has a denser, darker quality to it beginning with Blaster Imploder, a deep and funky track that continues the convention-defying theme by being powerful and frenetic whilst also having a soft and exultant sheen. This is followed by Echoes of Chaos which closes out the 12” with a dynamic beat and spacious, sweeping synths that feel as though we are passing through the atmosphere heading towards some distant nebula.
Alongside the tracks on the vinyl release, three digital tracks expand on the universe Oscean have built with a truly ecstatic love theme, a retelling of Neon Harmonies that unveils a river of dub, and a low tempo, drifting yet no-less affecting piece acting as the closing titles to our voyage to this Osceanic world. More
FORMAT 180g 12" vinyl, full pantone printed sleeve, download code incl all seven tracks
TRACKLIST
1 / A1 ChronoRebel 05:56
2 / A2 Neon Harmonies 04:37
3 / B1 Blaster Imploder 05:40
4 / B2 Echoes of Chaos 05:56
Digital only
5 / DX Random Destiny 05:12
6 / DX Neon Harmonies (The Other Version) 05:34
7 / DX Who Holds the Key? 05:36
Argentinian producers Oscean return to Tresor with Chronium Radiance, their longest release so far, in which the duo continue the evolution of their sound, coalescing the elemental ideas explored in their first two releases and yielding sublime results.
This landmark release will no doubt be seen as the point at which Oscean crystalised a trademark sound, balancing complex percussive rhythms with pulsing and cadenced music in which a universe of often oxymoronic ideas can be found, melded together with a deft touch to create a blissful sonic whole.
There is a sense of space and airiness to side A of the record as synth parts drift across the more solid-feeling landscape of the basslines and percussion: Opening track ChronoRebel is a propulsive trance induction that brings forth cinematic images of billowing clouds. This nebulous quality is continued on Neon Harmonies where the highly syncopated drum track weaves through a haze of colourful synths that while lower tempo than the previous track somehow has an energy of a faster piece.
The flip side has a denser, darker quality to it beginning with Blaster Imploder, a deep and funky track that continues the convention-defying theme by being powerful and frenetic whilst also having a soft and exultant sheen. This is followed by Echoes of Chaos which closes out the 12” with a dynamic beat and spacious, sweeping synths that feel as though we are passing through the atmosphere heading towards some distant nebula.
Alongside the tracks on the vinyl release, three digital tracks expand on the universe Oscean have built with a truly ecstatic love theme, a retelling of Neon Harmonies that unveils a river of dub, and a low tempo, drifting yet no-less affecting piece acting as the closing titles to our voyage to this Osceanic world. More
1
MKWAJU ensemble (Midori Takada) - Mkwaju
2
MKWAJU ensemble (Midori Takada) - Shak Shak
3
MKWAJU ensemble (Midori Takada) - Lemore
4
MKWAJU ensemble (Midori Takada) - Tira-Rin
5
MKWAJU ensemble (Midori Takada) - Pulse In The Mind
6
MKWAJU ensemble (Midori Takada) - Flash-Back
- Beautiful 1 LP Edition CLASSIC with 350g cardboard sleeve, Sticker Noen in a 2023 Repress Edition in BioVinyl (co2 neutral in zteh Vinyl Production process)
- THE holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble
WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.
Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi, Colored Music self-titled LP and many more) MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe Hisaishi, the man behind most of of Hayao Miyazaki's Studio Ghibli anime soundtracks and over 100 other films scores, including Takeshi Kitano's Sonatine, Hana-Bi, and Kikujiro. The ensemble's transcendental wonder is, in fact, the first-ever Midori Takada album and the first-ever Joe Hisaishi-produced album. Historic.
Led by Midori Takada on marimba, gong, vibraphone, and tom tom, MKWAJU is an inventive and riveting take on Eastern and Western minimalist traditions, African rhythms, and early electronica. Drawing from its jazz-rooted polyrhythmic improvisations in the most inventive ways, the album covers a wide spectrum of sounds, from colorful dance floor-ready percussion pieces that stand somewhere between proto-techno and experimental synth-pop, to cinematic ambient landscapes and ethereal drone delicacies. The feverishly sought-after full-length is a stepping-stone in Midori Takada's career and an all-around pioneering album.
Alongside Takada and Hisaishi (who not only produced the album but also played synthesizers), personnel on MKWAJU includes famed Japanese musicians Yoji Sadanari and Hideki Matsutake of KI-Motion fame, Junko Arase (heard on Satoshi Ashikawa's legendary Still Way - Wave Notation 2), and Pecker (whose stacked resume boasts collaborations with Ryuichi Sakamoto and Jun Fukamachi).
Tracklisting Vinyl LP
A1. Mkwaju
A2. Shak Shak
A3. Lemore
B1. Tira-Rin
B2. Pulse In The Mind
B3. Flash-Back
NO SALES TO JAPAN! More
- THE holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble
WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.
Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi, Colored Music self-titled LP and many more) MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe Hisaishi, the man behind most of of Hayao Miyazaki's Studio Ghibli anime soundtracks and over 100 other films scores, including Takeshi Kitano's Sonatine, Hana-Bi, and Kikujiro. The ensemble's transcendental wonder is, in fact, the first-ever Midori Takada album and the first-ever Joe Hisaishi-produced album. Historic.
Led by Midori Takada on marimba, gong, vibraphone, and tom tom, MKWAJU is an inventive and riveting take on Eastern and Western minimalist traditions, African rhythms, and early electronica. Drawing from its jazz-rooted polyrhythmic improvisations in the most inventive ways, the album covers a wide spectrum of sounds, from colorful dance floor-ready percussion pieces that stand somewhere between proto-techno and experimental synth-pop, to cinematic ambient landscapes and ethereal drone delicacies. The feverishly sought-after full-length is a stepping-stone in Midori Takada's career and an all-around pioneering album.
Alongside Takada and Hisaishi (who not only produced the album but also played synthesizers), personnel on MKWAJU includes famed Japanese musicians Yoji Sadanari and Hideki Matsutake of KI-Motion fame, Junko Arase (heard on Satoshi Ashikawa's legendary Still Way - Wave Notation 2), and Pecker (whose stacked resume boasts collaborations with Ryuichi Sakamoto and Jun Fukamachi).
Tracklisting Vinyl LP
A1. Mkwaju
A2. Shak Shak
A3. Lemore
B1. Tira-Rin
B2. Pulse In The Mind
B3. Flash-Back
NO SALES TO JAPAN! More
1
Danny Scott Lane - Three Is Company
2
Danny Scott Lane - A Shower At Six
3
Danny Scott Lane - Share
4
Danny Scott Lane - Must Have
5
Danny Scott Lane - Star Thing
6
Danny Scott Lane - Spy On Me
7
Danny Scott Lane - Shower Dance
8
Danny Scott Lane - 11PM
9
Danny Scott Lane - Smells Like Flowers
10
Danny Scott Lane - Showering Sad
WORLDWIDE
LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad
Info
WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.
- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.
More
LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad
Info
WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.
- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.
More
WAS EXCLUSIVE RELEASES - OUT THIS WEEK
Label:A.r.t.less
Cat-No:A.R.T.LESS2172
Release-Date:15.09.2023
Genre:Detroit Techno
Configuration:12" Excl
Label:A.r.t.less
Cat-No:A.R.T.LESS2172
Release-Date:15.09.2023
Genre:Detroit Techno
Configuration:12" Excl
1
Viktor Apo - A1 - Flow
2
Viktor Apo - A2 - Royal S
3
Viktor Apo - B1 - Regenerate
4
Viktor Apo - B2 - Aerial Scape
12" non retournable!
Special remarks:
limited 12" vinyl in screen-printed cover
Genre: Techno, Detroit Techno
Tracklist 12":
A1 - Flow
A2 - Royal S
B1 - Regenerate
B2 - Aerial Scape
Short Info:
Next up on a.r.t.less is Viktor Apo with his Regenerate EP hailing from Skopje, with four tracks of finest Detroit Techno made in Macedonia, needless to say his mentor and fellow music friend Stojche can't be prouder about this debut 12". Enjoy the music! Limited edition in hand-pulled screen-printed cover.
Vital Sales Points:
(add some important short facts as below)
- limited edition
- collectable hand screen-printed cover
More
Special remarks:
limited 12" vinyl in screen-printed cover
Genre: Techno, Detroit Techno
Tracklist 12":
A1 - Flow
A2 - Royal S
B1 - Regenerate
B2 - Aerial Scape
Short Info:
Next up on a.r.t.less is Viktor Apo with his Regenerate EP hailing from Skopje, with four tracks of finest Detroit Techno made in Macedonia, needless to say his mentor and fellow music friend Stojche can't be prouder about this debut 12". Enjoy the music! Limited edition in hand-pulled screen-printed cover.
Vital Sales Points:
(add some important short facts as below)
- limited edition
- collectable hand screen-printed cover
More
1
Guy Pedersen - Prétexte Pour Indicatifs (3:29)
2
Guy Pedersen - Purgatoire Mood (Interlude) (0:25)
3
Guy Pedersen - Purgatoire Mood 1 (3:55)
4
Guy Pedersen - Purgatoire Mood 2 (4:12)
5
Guy Pedersen - Christophus Colombus (3:57)
6
Guy Pedersen - Bass In Love (2:39)
7
Guy Pedersen - Sing Song Bass (2:31)
8
Guy Pedersen - Petit Moujik De Nuit (2:57)
9
Guy Pedersen - Kermesse Non Héroique (13:15)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Prétexte Pour Indicatifs 3:29
A2 Purgatoire Mood (Interlude) 0:25
A3 Purgatoire Mood 1 3:55
A4 Purgatoire Mood 2 4:12
A5 Christophus Colombus 3:57
A6 Bass In Love 2:39
B1 Sing Song Bass 2:31
B2 Petit Moujik De Nuit 2:57
B3 Kermesse Non Héroique 13:15
Release Notes:
Guy Pedersen's magical Maxi Music, originally released on cult Parisian library label tele Music in 1972, is psyche-rock and jazz-funk gold. It's a vital Pederson outing, oscillating between the rough and the smooth, but always with those hypnotic grooves. It's a start-to-finish winner, yet the final 13-minute-long opus will blow minds. Trust!
Stirring opener, "Prétexte Pour Indicatifs" is so mighty, it was covered by Keith Mansfield on "Hot Property" from Big Business/Wind Of Change on KPM. It's a track in 4 deliberate parts, the first a rapid tour de force, the second and third presenting organ-and-wah-wah-drenched slo-mo funk workouts and the fourth a return to the frenetic energy of the opening bars. Phew, pretty sensational. "Purgatoire Mood (Interlude)" is a beautiful segue into the stunning horn-laced, swift-paced aggressive jazzy excellence of "Purgatoire Mood 1" and the more poetic "Purgatoire Mood 2". Fast-paced funk beats and dramatic interplay!
"Christophus Colombus" is another song with multiple sections; the intro a rapid wah-wah-enhanced psych-rock statement that truly thrills before settling into a more steady yet no-less unrelenting guitar-funk showcase with wordless vocals and, later, reflective guitar and piano in gorgeous harmony. Closing out this electrifying side, the elegant "Bass In Love" is a soft'n'sultry slo-mo funk instrumental, as rough cello, jazzy piano and salacious, breathy vocals combine to create the scent of lingering heat to pretty rousing effect.
Ushering in Side B, "Sing Song Bass" is a slow starter but, once the drums kick in brilliantly, we're treated to a deeply melodic, propulsive, organ-flute-piano-bass gem - it's truly memorable and absolutely fantastic. The wonky, delirious psych-pop of "Petit Moujik De Nuit" is a curiously compelling number but it serves, for us at least, only as the pre-curser to the phenomenal closing track. An absolute beast that totally slays all before it!
Yes, despite Maxi Music being that rarest of library records - a record that can stand up on its own from front to back - it really does contain that *one* absolute killer track. And Peterson saved the best until last. The real highlight - can you imagine there's better?! - is the blazing psych-rock funky burner that is the infamous 13 minute thriller "Kermesse Non Héroique". Containing a wicked flute solo it genuinely sounds like something off the first Dungen album. Yes, that good. What a way to go out!
The audio for Maxi Music has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
More
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Prétexte Pour Indicatifs 3:29
A2 Purgatoire Mood (Interlude) 0:25
A3 Purgatoire Mood 1 3:55
A4 Purgatoire Mood 2 4:12
A5 Christophus Colombus 3:57
A6 Bass In Love 2:39
B1 Sing Song Bass 2:31
B2 Petit Moujik De Nuit 2:57
B3 Kermesse Non Héroique 13:15
Release Notes:
Guy Pedersen's magical Maxi Music, originally released on cult Parisian library label tele Music in 1972, is psyche-rock and jazz-funk gold. It's a vital Pederson outing, oscillating between the rough and the smooth, but always with those hypnotic grooves. It's a start-to-finish winner, yet the final 13-minute-long opus will blow minds. Trust!
Stirring opener, "Prétexte Pour Indicatifs" is so mighty, it was covered by Keith Mansfield on "Hot Property" from Big Business/Wind Of Change on KPM. It's a track in 4 deliberate parts, the first a rapid tour de force, the second and third presenting organ-and-wah-wah-drenched slo-mo funk workouts and the fourth a return to the frenetic energy of the opening bars. Phew, pretty sensational. "Purgatoire Mood (Interlude)" is a beautiful segue into the stunning horn-laced, swift-paced aggressive jazzy excellence of "Purgatoire Mood 1" and the more poetic "Purgatoire Mood 2". Fast-paced funk beats and dramatic interplay!
"Christophus Colombus" is another song with multiple sections; the intro a rapid wah-wah-enhanced psych-rock statement that truly thrills before settling into a more steady yet no-less unrelenting guitar-funk showcase with wordless vocals and, later, reflective guitar and piano in gorgeous harmony. Closing out this electrifying side, the elegant "Bass In Love" is a soft'n'sultry slo-mo funk instrumental, as rough cello, jazzy piano and salacious, breathy vocals combine to create the scent of lingering heat to pretty rousing effect.
Ushering in Side B, "Sing Song Bass" is a slow starter but, once the drums kick in brilliantly, we're treated to a deeply melodic, propulsive, organ-flute-piano-bass gem - it's truly memorable and absolutely fantastic. The wonky, delirious psych-pop of "Petit Moujik De Nuit" is a curiously compelling number but it serves, for us at least, only as the pre-curser to the phenomenal closing track. An absolute beast that totally slays all before it!
Yes, despite Maxi Music being that rarest of library records - a record that can stand up on its own from front to back - it really does contain that *one* absolute killer track. And Peterson saved the best until last. The real highlight - can you imagine there's better?! - is the blazing psych-rock funky burner that is the infamous 13 minute thriller "Kermesse Non Héroique". Containing a wicked flute solo it genuinely sounds like something off the first Dungen album. Yes, that good. What a way to go out!
The audio for Maxi Music has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
More
1
Guy Pedersen - Indian Pop Bass (2:35)
2
Guy Pedersen - Prélude À Une Angoisse (2:20)
3
Guy Pedersen - Patio Bass (2:30)
4
Guy Pedersen - Tension Nerveuse (2:10)
5
Guy Pedersen - Amour, Délices Et Contrebasse (2:30)
6
Guy Pedersen - Percussion Bass (2:50)
7
Guy Pedersen - Obsession Diabolique (2:02)
8
Guy Pedersen - Les Copains De La Basse (2:32)
9
Guy Pedersen - Doucement La Basse (2:22)
10
Guy Pedersen - Bass Session (2:25)
11
Guy Pedersen - Bass After Love (2:06)
12
Guy Pedersen - Ballade Pour Une Basse (2:02)
13
Guy Pedersen - Cosmic Bass (2:55)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02
B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55
Release Notes:
Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.
"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.
Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".
The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02
B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55
Release Notes:
Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.
"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.
Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".
The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Label:Be With Records
Cat-No:bewith148lp
Release-Date:15.09.2023
Genre:Electronica
Configuration:LP Excl
Label:Be With Records
Cat-No:bewith148lp
Release-Date:15.09.2023
Genre:Electronica
Configuration:LP Excl
1
Michel Gonet - Moon To Light (Number II) - A (3:22)
2
Michel Gonet - Moon To Light (Number II) - B (3:30)
3
Michel Gonet - Soul Cathedral (Number II) - A (3:06)
4
Michel Gonet - Soul Cathedral (Number II) - B (3:06)
5
Michel Gonet - Light In The Rains (Number II) - A (1:38)
6
Michel Gonet - Light In The Rains (Number II) - B (1:32)
7
Michel Gonet - Mondial Scoop (Number II) (2:03)
8
Michel Gonet - Mecanic Bird Song (2:58)
9
Michel Gonet - Mephisto Jet (Number II) - A (2:19)
10
Michel Gonet - Mephisto Jet (Number II) - B (2:18)
11
Michel Gonet - Mephisto Jet (Number II) - C (1:03)
12
Michel Gonet - Phasing News - A (2:01)
13
Michel Gonet - Phasing News - B (2:56)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Moon To Light (Number II) - A 3:22
A2 Moon To Light (Number II) - B 3:30
A3 Soul Cathedral (Number II) - A 3:06
A4 Soul Cathedral (Number II) - B 3:06
A5 Light In The Rains (Number II) - A 1:38
A6 Light In The Rains (Number II) - B 1:32
B1 Mondial Scoop (Number II) 2:03
B2 Mecanic Bird Song 2:58
B3 Mephisto Jet (Number II) - A 2:19
B4 Mephisto Jet (Number II) - B 2:18
B5 Mephisto Jet (Number II) - C 1:03
B6 Phasing News - A 2:01
B7 Phasing News - B 2:56
Release Notes:
European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.
Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.
"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.
The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.
*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.
To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.
The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Moon To Light (Number II) - A 3:22
A2 Moon To Light (Number II) - B 3:30
A3 Soul Cathedral (Number II) - A 3:06
A4 Soul Cathedral (Number II) - B 3:06
A5 Light In The Rains (Number II) - A 1:38
A6 Light In The Rains (Number II) - B 1:32
B1 Mondial Scoop (Number II) 2:03
B2 Mecanic Bird Song 2:58
B3 Mephisto Jet (Number II) - A 2:19
B4 Mephisto Jet (Number II) - B 2:18
B5 Mephisto Jet (Number II) - C 1:03
B6 Phasing News - A 2:01
B7 Phasing News - B 2:56
Release Notes:
European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.
Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.
"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.
The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.
*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.
To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.
The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
1
Michel Gonet - Mondial Scoop (Number III) (2:04)
2
Michel Gonet - Phasing Percussions A (2:23)
3
Michel Gonet - Phasing Percussions B (1:41)
4
Michel Gonet - Phasing Percussions C (1:27)
5
Michel Gonet - Phasing Percussions D (1:59)
6
Michel Gonet - Phasing Leitmotive A (2:40)
7
Michel Gonet - Phasing Leitmotive B (1:10)
8
Michel Gonet - Phasing March (2:07)
9
Michel Gonet - Devil Dance A (2:31)
10
Michel Gonet - Devil Dance B (2:30)
11
Michel Gonet - Flower Dance A (2:42)
12
Michel Gonet - Flower Dance B (1:08)
13
Michel Gonet - Happy Smith (Number II) (1:14)
14
Michel Gonet - Phasing Cymbals (1:56)
15
Michel Gonet - Phasing Winds (0:51)
16
Michel Gonet - Phasing Suspense A (1:46)
17
Michel Gonet - Phasing Suspense B (1:23)
Territories: Worldwide no restrictions
Format Notes:
Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Mondial Scoop (Number III) 2:04
A2 Phasing Percussions A 2:23
A3 Phasing Percussions B 1:41
A4 Phasing Percussions C 1:27
A5 Phasing Percussions D 1:59
A6 Phasing Leitmotive A 2:40
A7 Phasing Leitmotive B 1:10
A8 Phasing March 2:07
B1 Devil Dance A 2:31
B2 Devil Dance B 2:30
B3 Flower Dance A 2:42
B4 Flower Dance B 1:08
B5 Happy Smith (Number II) 1:14
B6 Phasing Cymbals 1:56
B7 Phasing Winds 0:51
B8 Phasing Suspense A 1:46
B9 Phasing Suspense B 1:23
Release Notes:
Every once in a while, a library record's absurd level of perfection will be enough to throw up your hands and pack it all in. "How will I ever find this record in the wild?!", you may despair. And, yes, up until now, Michel Gonet's Phasing News Volume 2 was such a work of this ridiculous standard. Not just hyper-rare, but hyper-brilliant. Its high points transcend the "library" genre. This is a record that has always been so so hot on secondary markets. And it's easy to hear why! It's a big big French library classic with mad crazy demand.
Opening with "Mondial Scoop (Number III)", it continues on from where the dramatic tracks of Phasing News Volume 1 left off. The group of "Phasing Percussions" get under your skin, sample material for days here. "Phasing Leitmotive A" and "Phasing Leitmotive B" hypnotise with their analogue synth loops. Yet it's "Phasing March", closing out the side, that is absolutely sensational. Timpani drums merge with open breaks making for an irresistible neck-snapping tour de force.
Side B starts with "Devil Dance A", an unbelievably infectious bass instrumental whilst "Devil Dance B" adds more percussion and bass flourishes and is all the more funky for it.
And now for the main event. "Flower Dance A". What can we even say? An instantly captivating, sparkling keys loop and glittering percussion neatly arranged atop a very strong bassline and drums, all lean and potent. The melody was lifted wholesale by The Soulsavers for "Rumblefish" back in 2002 and you can't really blame them. "Flower Dance B" removes the bassline for a lighter feel but that loop still burrows inside your brain. It's perfect.
"Happy Smith (Number II)" was used by Madlib for Erykah's "My People" (!!!) whilst the set closes out with a group of tense, phased workouts.
The audio for Phasing News Volume 2 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes:
Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Mondial Scoop (Number III) 2:04
A2 Phasing Percussions A 2:23
A3 Phasing Percussions B 1:41
A4 Phasing Percussions C 1:27
A5 Phasing Percussions D 1:59
A6 Phasing Leitmotive A 2:40
A7 Phasing Leitmotive B 1:10
A8 Phasing March 2:07
B1 Devil Dance A 2:31
B2 Devil Dance B 2:30
B3 Flower Dance A 2:42
B4 Flower Dance B 1:08
B5 Happy Smith (Number II) 1:14
B6 Phasing Cymbals 1:56
B7 Phasing Winds 0:51
B8 Phasing Suspense A 1:46
B9 Phasing Suspense B 1:23
Release Notes:
Every once in a while, a library record's absurd level of perfection will be enough to throw up your hands and pack it all in. "How will I ever find this record in the wild?!", you may despair. And, yes, up until now, Michel Gonet's Phasing News Volume 2 was such a work of this ridiculous standard. Not just hyper-rare, but hyper-brilliant. Its high points transcend the "library" genre. This is a record that has always been so so hot on secondary markets. And it's easy to hear why! It's a big big French library classic with mad crazy demand.
Opening with "Mondial Scoop (Number III)", it continues on from where the dramatic tracks of Phasing News Volume 1 left off. The group of "Phasing Percussions" get under your skin, sample material for days here. "Phasing Leitmotive A" and "Phasing Leitmotive B" hypnotise with their analogue synth loops. Yet it's "Phasing March", closing out the side, that is absolutely sensational. Timpani drums merge with open breaks making for an irresistible neck-snapping tour de force.
Side B starts with "Devil Dance A", an unbelievably infectious bass instrumental whilst "Devil Dance B" adds more percussion and bass flourishes and is all the more funky for it.
And now for the main event. "Flower Dance A". What can we even say? An instantly captivating, sparkling keys loop and glittering percussion neatly arranged atop a very strong bassline and drums, all lean and potent. The melody was lifted wholesale by The Soulsavers for "Rumblefish" back in 2002 and you can't really blame them. "Flower Dance B" removes the bassline for a lighter feel but that loop still burrows inside your brain. It's perfect.
"Happy Smith (Number II)" was used by Madlib for Erykah's "My People" (!!!) whilst the set closes out with a group of tense, phased workouts.
The audio for Phasing News Volume 2 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
1
NTFO - UNM
2
NTFO - Evbody
3
NTFO - Neptunes (Vinyl Only)
4
NTFO - Breach Surge (Vinyl Only)
Special remarks: 2 VINYL ONLY TRACKS // 180G VINYL // LIMITED COPIES // CRYSTAL CLEAR VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 UNM
A2 Evbody
B1 Neptunes (Vinyl Only)
B2 Breach Surge (Vinyl Only)
Release Info:
Romanian duo Dani and Robert aka NTFO delivering a fresh four track EP on Bondage-Music, a minimal house banger release. The vinyl comes as 180g limited crystal-clear vinyl and includes 2 vinyl only tracks on the B-side.
More
Tracklist 12":
A1 UNM
A2 Evbody
B1 Neptunes (Vinyl Only)
B2 Breach Surge (Vinyl Only)
Release Info:
Romanian duo Dani and Robert aka NTFO delivering a fresh four track EP on Bondage-Music, a minimal house banger release. The vinyl comes as 180g limited crystal-clear vinyl and includes 2 vinyl only tracks on the B-side.
More
1
Iori Wakasa - Side A. The Pure Land (Original Mix)
2
Iori Wakasa - Side AA. Lunar Down (Original Mix)
12"
- First release from BOTANICA based in Tokyo, Japan by Iori Wakasa.
- He regularly DJs in Japan as well as around the world and in the past, has performed at a number of parties
and festivals throughout Japan as well as done 2 successful European tours and has gone to a number of Asian
countries such as Indonesia,Vietnam, and South Korea.
- Botanica's main priority is to put an emphasis in releasing top quality 12 Inches on vinyl with highly artistically
captivating designs.
GENRES: Deep House / Minimal House / Ethnic / Techno
TRACKLISTS:
Side A. The Pure Land (Original Mix)
Side AA. Lunar Down (Original Mix)
SHORT INFO:
BOTANICA is the newly established Japanese label created by DJ/ Producer, Iori Wakasa. It was
formed for him to utilize it as a foundation for the realization of his own unique, artistic expression.
And now, he has the pleasure to announce his label’s inaugural title with the release of his own
BOTANICA EP.
Born in 1988 in a rural Japanese city surrounded by mountains and the sea with a mild climate, Iori
grew up playing RPGs with a father who was a devoted game aficionado. And he was introduced to
electronic music through game music from an early age and formed his musical sensibilities through
playing the classical piano around the same time.
Influenced by the spirituality and idiosyncrasies of punk rock and ethnic and indigenous music in his
youth, also gradually influenced by the Tokyo club scene and the music, it didn't take him long before
he made the choice to start DJing at the age of 17 and soon afterwards, started exploring the path of
music production as a form of self-expression.
Iori set up Botanica to convey 2 main concepts of 'presenting music that provides each listener with
their own viewpoint' and ‘to construct a fusion between 'nature' and 'man-made objects and human
activity’. Through the experience of traveling around Japan, Europe and Asia and connecting with
people of different languages and cultures, he became to appreciate that music transcends all languages and grooves, and the framework in which he would like to shape his perspective and embody
it as his way of life is what he envisions as the vital expression for BOTANICA,
The two tracks and the artwork included in this first EP are the first steps towards hopefully chronicling the story of the vortex that he resides in now and the new forest that he plans to weave in the
future with his label.
'The Pure Land' means in Japanese 'Gokuraku-Jodo (= a space where you can live in bliss)', but in
English it is closer to 'utopia' or 'paradise'. However, 'The Pure Land' is a musical work that evokes a
hypnotic and pleasant euphoria through the gradual layering of multiple rhythms and soft particles of
spatial sound design. It is also shaped with the aim of liberating the listener and guiding them towards
their primal self.
In contrast, 'Lunar Down' expresses the changes that occur in the human state of mind during the extended period from moonrise to moonset especially when the moon sets from its zenith and is completed with a focus on maximum dance floor impact via an inner voice that resonates in the brain that echoes throughout a well-textured bass line and rhythm track.
The artwork for the front cover of this EP was created by SHINOZAKI HILOSHI, an illustrator who
has been traveling and painting to express his true way of life that he learnt in the 10+ years of
commuting between Tokyo (the end) and the Hawaii Islands (the beginning), and the graphic designer
hiro, who stands by Iori`s side as his life partner and as the person who understands him the best.
Iori`s first steps are complemented by the label design and art direction by graphic designer hiro, who
stands by his side as his life partner and most understanding partner, and the proof is the physical
cut, which is presented as the foundation for the future.
VITAL SALES POINTS:
- First release from BOTANICA based in Tokyo, Japan by Iori Wakasa.
- He regularly DJs in Japan as well as around the world and in the past, has performed at a number of parties
and festivals throughout Japan as well as done 2 successful European tours and has gone to a number of Asian
countries such as Indonesia,Vietnam, and South Korea.
- Botanica's main priority is to put an emphasis in releasing top quality 12 Inches on vinyl with highly artistically
captivating designs.
- Iori Wakasa has previously released his works on Steve Bug's Dessous, Satoshi Tomiie's Saw Recordings, Get
Physical, Highgrade, Sound Of Vast, Vaal's Baastard, Unknown Season.
- He has also done remixes for prominent producers such as Satoshi Tomiie, Rick Wade, Zoe Xenia, Vaal, Foog,
Tom Conrad, Satoshi Fumi, Ben Hoo, Guido Nemola, Franco Bianco and others.
- Iori`s past releases has also been supported by Radio Slave, Steve Bug, Move D, Ame, Dixon, Trus'Me, Satoshi
Tomiie, Chateau Flight, Sis, Pezzner, Sleep D, Gonno, Atjazz, Ben Watt, Levon Vincent, Luke Hess, Matthew
Dear, Rick Wade, Delano Smith, John Digweed, Richie Hawtin, Osunlade, Nic Fanciulli, Luciano, Kerri Chandler,
Dyed Soundorom, Alex Celler, Dubfire, DJ T, Reboot, Robert Owens, Steve Lawler, Jimpster, Peter Dundov,
Daniel Wang, Gorge, Shur-i-kan, Robert Babicz, Vaal, Joris Voorn, Andre Crom, Don WIlliams, M.A.N.D.Y, Ray
Okpara, Ian Pooley, Stacey Pullen, Matt Tolfrey, Chida, Satoshi Fumi and others. More
- First release from BOTANICA based in Tokyo, Japan by Iori Wakasa.
- He regularly DJs in Japan as well as around the world and in the past, has performed at a number of parties
and festivals throughout Japan as well as done 2 successful European tours and has gone to a number of Asian
countries such as Indonesia,Vietnam, and South Korea.
- Botanica's main priority is to put an emphasis in releasing top quality 12 Inches on vinyl with highly artistically
captivating designs.
GENRES: Deep House / Minimal House / Ethnic / Techno
TRACKLISTS:
Side A. The Pure Land (Original Mix)
Side AA. Lunar Down (Original Mix)
SHORT INFO:
BOTANICA is the newly established Japanese label created by DJ/ Producer, Iori Wakasa. It was
formed for him to utilize it as a foundation for the realization of his own unique, artistic expression.
And now, he has the pleasure to announce his label’s inaugural title with the release of his own
BOTANICA EP.
Born in 1988 in a rural Japanese city surrounded by mountains and the sea with a mild climate, Iori
grew up playing RPGs with a father who was a devoted game aficionado. And he was introduced to
electronic music through game music from an early age and formed his musical sensibilities through
playing the classical piano around the same time.
Influenced by the spirituality and idiosyncrasies of punk rock and ethnic and indigenous music in his
youth, also gradually influenced by the Tokyo club scene and the music, it didn't take him long before
he made the choice to start DJing at the age of 17 and soon afterwards, started exploring the path of
music production as a form of self-expression.
Iori set up Botanica to convey 2 main concepts of 'presenting music that provides each listener with
their own viewpoint' and ‘to construct a fusion between 'nature' and 'man-made objects and human
activity’. Through the experience of traveling around Japan, Europe and Asia and connecting with
people of different languages and cultures, he became to appreciate that music transcends all languages and grooves, and the framework in which he would like to shape his perspective and embody
it as his way of life is what he envisions as the vital expression for BOTANICA,
The two tracks and the artwork included in this first EP are the first steps towards hopefully chronicling the story of the vortex that he resides in now and the new forest that he plans to weave in the
future with his label.
'The Pure Land' means in Japanese 'Gokuraku-Jodo (= a space where you can live in bliss)', but in
English it is closer to 'utopia' or 'paradise'. However, 'The Pure Land' is a musical work that evokes a
hypnotic and pleasant euphoria through the gradual layering of multiple rhythms and soft particles of
spatial sound design. It is also shaped with the aim of liberating the listener and guiding them towards
their primal self.
In contrast, 'Lunar Down' expresses the changes that occur in the human state of mind during the extended period from moonrise to moonset especially when the moon sets from its zenith and is completed with a focus on maximum dance floor impact via an inner voice that resonates in the brain that echoes throughout a well-textured bass line and rhythm track.
The artwork for the front cover of this EP was created by SHINOZAKI HILOSHI, an illustrator who
has been traveling and painting to express his true way of life that he learnt in the 10+ years of
commuting between Tokyo (the end) and the Hawaii Islands (the beginning), and the graphic designer
hiro, who stands by Iori`s side as his life partner and as the person who understands him the best.
Iori`s first steps are complemented by the label design and art direction by graphic designer hiro, who
stands by his side as his life partner and most understanding partner, and the proof is the physical
cut, which is presented as the foundation for the future.
VITAL SALES POINTS:
- First release from BOTANICA based in Tokyo, Japan by Iori Wakasa.
- He regularly DJs in Japan as well as around the world and in the past, has performed at a number of parties
and festivals throughout Japan as well as done 2 successful European tours and has gone to a number of Asian
countries such as Indonesia,Vietnam, and South Korea.
- Botanica's main priority is to put an emphasis in releasing top quality 12 Inches on vinyl with highly artistically
captivating designs.
- Iori Wakasa has previously released his works on Steve Bug's Dessous, Satoshi Tomiie's Saw Recordings, Get
Physical, Highgrade, Sound Of Vast, Vaal's Baastard, Unknown Season.
- He has also done remixes for prominent producers such as Satoshi Tomiie, Rick Wade, Zoe Xenia, Vaal, Foog,
Tom Conrad, Satoshi Fumi, Ben Hoo, Guido Nemola, Franco Bianco and others.
- Iori`s past releases has also been supported by Radio Slave, Steve Bug, Move D, Ame, Dixon, Trus'Me, Satoshi
Tomiie, Chateau Flight, Sis, Pezzner, Sleep D, Gonno, Atjazz, Ben Watt, Levon Vincent, Luke Hess, Matthew
Dear, Rick Wade, Delano Smith, John Digweed, Richie Hawtin, Osunlade, Nic Fanciulli, Luciano, Kerri Chandler,
Dyed Soundorom, Alex Celler, Dubfire, DJ T, Reboot, Robert Owens, Steve Lawler, Jimpster, Peter Dundov,
Daniel Wang, Gorge, Shur-i-kan, Robert Babicz, Vaal, Joris Voorn, Andre Crom, Don WIlliams, M.A.N.D.Y, Ray
Okpara, Ian Pooley, Stacey Pullen, Matt Tolfrey, Chida, Satoshi Fumi and others. More
1
Len Faki - A1 Yantra
2
Len Faki - B1 Tor 8
3
Len Faki - B2 Temple
4
Len Faki - C1 Black Jack
5
Len Faki - C2 Astra
6
Len Faki - D1 Gamma (Alternate Mix)
7
Len Faki - E1 Sexuality (My Reality)
8
Len Faki - E2 Space Cowboys I
9
Len Faki - F1 Raum 422
10
Len Faki - G1 Friedrichshain Funk
11
Len Faki - G2 Solar
12
Len Faki - H1 Hymn (In The Name Of Freedom)
13
Len Faki - I2 Gamma (The Other Side)
14
Len Faki - J1 Don't Be Stupid Day (Extended Album Mix)
15
Len Faki - K1 Space Cowboys II
16
Len Faki - K2 Waver
17
Len Faki - L1 It's Time (To Move Your Body)
18
Len Faki - M1 Shri Yantra
19
Len Faki - M2 Make Me Scream
20
Len Faki - N1 Liyah
21
Len Faki - O1 Halide Part 1
22
Len Faki - O2 Voices
23
Len Faki - P1 Halide Part 2
vinyl box with full cover print filled with 8x 12" colored vinyl in disco bags with full cover print + digital download code for the whole album inside
EACH COPY Personally SIGNED BY LEN FAKI
TRACKLIST:
A1 Yantra
B1 Tor 8
B2 Temple
C1 Black Jack
C2 Astra
D1 Gamma (Alternate Mix)
E1 Sexuality (My Reality)
E2 Space Cowboys I
F1 Raum 422
G1 Friedrichshain Funk
G2 Solar
I1 Hymn (In The Name Of Fantasy)
I2 Gamma (The Other Side)
J1 Don't Be Stupid Day (Extended Album Mix)
K1 Space Cowboys II
K2 Waver
L1 It's Time (To Move Your Body)
M1 Shri Yantra
M2 Make Me Scream
N1 Liyah
O1 Halide Part 1
O2 Voices
P1 Halide Part 2
INFO:
Len Faki has always been a defining character of the techno underground. His unique approach to DJing, the consistent work as a producer and the quality output of his label Figure has all shaped the current environment.
Starting out as a clubber in the 90's, his inspirations have always reached back to the first encounters with electronic music, when new worlds opened and everything seemed possible.
While these experiences have always influenced Faki's productions and used to be released under many different aliases back in the day, they have been waiting since to be made into a proper album under the Len Faki moniker.
After quickly climbing to the top of the international DJ circuit, busy touring schedules never quite allowed for it. Finally faced with the opportunity of a long overdue creative break, Faki decided tackle the life-time venture with the necessary dedication and focus.
Excited about the new project, he also took the time and energy needed to expand his production methods. Finding new techniques allowed him to truly bring all his different influences to the surface. The process was one of following his own heart, occasionally challenging and surprising himself. Naturally the result emerged as two parallel experiences, which are now presented across two discs. Both still carry all the signature features of Faki's style but with added layers of depth and detail. There's that special contrast of dark and heady grooves, paired with dreamy melodies that transport the listener to places beyond the mind. But we also see all strains of his previous work being incorporated, mixed and molded into something new altogether.
While the first disc focuses on the kind of techno, which Faki has been brought up by and given back to for so many years of his life, the second is more loose and experimental, with forays into house, ambient and broken beats - the sounds he has always kept very passionate about.
It creates two distinct experiences, showcasing the entire breadth of Faki's cosmos. Where some ideas stay straight and kick hard, like the neon bleep opener Tor 8 or joyfully booming Astra, others take the newfound freedom to inspire a wistful broken beat ballad such as Hymn (In the Name of Fantasy) or the soulfully subdued Drum & Bass closer Voices.
Many songs even exist as pairings, with their respective counterpart on the other disc. For example, the duo of Shri Yantra/Yantra, where similar soundscapes have been looked through different lenses, making for a more straight-laced or shuffled rhythm. Also noteworthy are Faki's appearance as a veritable house producer on Hymn (In the Name of Freedom) as well as the inclusion of two very personal pieces:
The Halide tracks were made in remembrance of Faki's late mother, who passed away during the final production stage of the EP. These delicate tracks capture the intense sadness Faki was feeling at the time and helped him to process his grief and eventually to finish off the album.
By doing so Faki has given us a complete artistic statement, one that proves him to be as curious and driven now as ever, taking his sound to all-new realms.
More
EACH COPY Personally SIGNED BY LEN FAKI
TRACKLIST:
A1 Yantra
B1 Tor 8
B2 Temple
C1 Black Jack
C2 Astra
D1 Gamma (Alternate Mix)
E1 Sexuality (My Reality)
E2 Space Cowboys I
F1 Raum 422
G1 Friedrichshain Funk
G2 Solar
I1 Hymn (In The Name Of Fantasy)
I2 Gamma (The Other Side)
J1 Don't Be Stupid Day (Extended Album Mix)
K1 Space Cowboys II
K2 Waver
L1 It's Time (To Move Your Body)
M1 Shri Yantra
M2 Make Me Scream
N1 Liyah
O1 Halide Part 1
O2 Voices
P1 Halide Part 2
INFO:
Len Faki has always been a defining character of the techno underground. His unique approach to DJing, the consistent work as a producer and the quality output of his label Figure has all shaped the current environment.
Starting out as a clubber in the 90's, his inspirations have always reached back to the first encounters with electronic music, when new worlds opened and everything seemed possible.
While these experiences have always influenced Faki's productions and used to be released under many different aliases back in the day, they have been waiting since to be made into a proper album under the Len Faki moniker.
After quickly climbing to the top of the international DJ circuit, busy touring schedules never quite allowed for it. Finally faced with the opportunity of a long overdue creative break, Faki decided tackle the life-time venture with the necessary dedication and focus.
Excited about the new project, he also took the time and energy needed to expand his production methods. Finding new techniques allowed him to truly bring all his different influences to the surface. The process was one of following his own heart, occasionally challenging and surprising himself. Naturally the result emerged as two parallel experiences, which are now presented across two discs. Both still carry all the signature features of Faki's style but with added layers of depth and detail. There's that special contrast of dark and heady grooves, paired with dreamy melodies that transport the listener to places beyond the mind. But we also see all strains of his previous work being incorporated, mixed and molded into something new altogether.
While the first disc focuses on the kind of techno, which Faki has been brought up by and given back to for so many years of his life, the second is more loose and experimental, with forays into house, ambient and broken beats - the sounds he has always kept very passionate about.
It creates two distinct experiences, showcasing the entire breadth of Faki's cosmos. Where some ideas stay straight and kick hard, like the neon bleep opener Tor 8 or joyfully booming Astra, others take the newfound freedom to inspire a wistful broken beat ballad such as Hymn (In the Name of Fantasy) or the soulfully subdued Drum & Bass closer Voices.
Many songs even exist as pairings, with their respective counterpart on the other disc. For example, the duo of Shri Yantra/Yantra, where similar soundscapes have been looked through different lenses, making for a more straight-laced or shuffled rhythm. Also noteworthy are Faki's appearance as a veritable house producer on Hymn (In the Name of Freedom) as well as the inclusion of two very personal pieces:
The Halide tracks were made in remembrance of Faki's late mother, who passed away during the final production stage of the EP. These delicate tracks capture the intense sadness Faki was feeling at the time and helped him to process his grief and eventually to finish off the album.
By doing so Faki has given us a complete artistic statement, one that proves him to be as curious and driven now as ever, taking his sound to all-new realms.
More
1
JJ - A1 - Oops
2
JJ - A2 - Undeep
3
JJ - B1 - Subboogie
4
JJ - B2 - Bemypreciousmaybe
NON RETOURNABLE!
Special remarks:
limited 12“ vinyl in stickered cover
Genre: House, Disco House, UK Funky
Tracklist 12":
A1 - Oops
A2 - Undeep
B1 - Subboogie
B2 - Bemypreciousmaybe
Short Info:
On our latest Mojuba sublabel Frekoba, we welcome JJ, a friend of ours who we love for his unique approach to a truly diverse colorful palette of club tracks on his debut for us called OOPS! So what do these four tracks sound like?
magine a night at a club like Panorama Bar where Soundstream, Lil Silva & Errorsmith are having a blast. Now you are in the right zone to have fun with JJ's debut 12". House, Disco, UK funky and off-kilter cut-up grooves for your enjoyment, have fun!
Vital Sales Points:
• limited edition
• collectable stickered cover
• high quality music on vinyl More
Special remarks:
limited 12“ vinyl in stickered cover
Genre: House, Disco House, UK Funky
Tracklist 12":
A1 - Oops
A2 - Undeep
B1 - Subboogie
B2 - Bemypreciousmaybe
Short Info:
On our latest Mojuba sublabel Frekoba, we welcome JJ, a friend of ours who we love for his unique approach to a truly diverse colorful palette of club tracks on his debut for us called OOPS! So what do these four tracks sound like?
magine a night at a club like Panorama Bar where Soundstream, Lil Silva & Errorsmith are having a blast. Now you are in the right zone to have fun with JJ's debut 12". House, Disco, UK funky and off-kilter cut-up grooves for your enjoyment, have fun!
Vital Sales Points:
• limited edition
• collectable stickered cover
• high quality music on vinyl More
Territory: WW -FR
Balishark will be finally out on earth physically, on twelve with a pretty handprinted cover with love. This record is something very special for us, its a bunch of eternal "souvenirs" of smile, light, sun, fun.... with our friend, this beauty man on the back cover, sunbeams filled!! !! ! !
Five songs compose this album, the first one, balishark is a proper "pièce sonore", its a lot of Pierre Sharki's field recordings he did in the wonderland of Balì, they, with Guitos Samba, Jonas Taupe Gun and Grand Matthias fixed a composition from this atmos sound in La Cabane, studio in Lyon. "Jawabarat" is a pure interpretation of west java gamelan rhythm and logic. And the B face are jams only, excerpt from early mornings! A multi world sounds around our friend Guitos Samba :)
A1. Sharknado & the West Java Arkëstra - Balishark
A2. Sharknado & the West Java Arkëstra - Jawabarat
B1. Sharknado & the West Java Arkëstra - La braise est encore chaude
B2. Sharknado & the West Java Arkëstra - L'aube des matins clairs
B3. Sharknado & the West Java Arkëstra - Post-illusio
More
Balishark will be finally out on earth physically, on twelve with a pretty handprinted cover with love. This record is something very special for us, its a bunch of eternal "souvenirs" of smile, light, sun, fun.... with our friend, this beauty man on the back cover, sunbeams filled!! !! ! !
Five songs compose this album, the first one, balishark is a proper "pièce sonore", its a lot of Pierre Sharki's field recordings he did in the wonderland of Balì, they, with Guitos Samba, Jonas Taupe Gun and Grand Matthias fixed a composition from this atmos sound in La Cabane, studio in Lyon. "Jawabarat" is a pure interpretation of west java gamelan rhythm and logic. And the B face are jams only, excerpt from early mornings! A multi world sounds around our friend Guitos Samba :)
A1. Sharknado & the West Java Arkëstra - Balishark
A2. Sharknado & the West Java Arkëstra - Jawabarat
B1. Sharknado & the West Java Arkëstra - La braise est encore chaude
B2. Sharknado & the West Java Arkëstra - L'aube des matins clairs
B3. Sharknado & the West Java Arkëstra - Post-illusio
More
1
Ataxia - A1. Ataxia & Mister Joshooa - Mastermind
2
Ataxia - A2. Ataxia & Mister Joshooa - Doc Rickers
3
Ataxia - B1. Ataxia - Six Days, No Chuck
4
Ataxia - B2. Ataxia - Keep My Youth
5
Ataxia - B3. Ataxia - Skatepark
Tracklist:
A1. Ataxia & Mister Joshooa - Mastermind A2. Ataxia & Mister Joshooa - Doc Rickers B1. Ataxia - Six Days, No Chuck
B2. Ataxia - Keep My Youth
B3. Ataxia - Skatepark
Detroit-based duo Ataxia and Mister Joshooa come together on Life and Death with their new EP 'Mastermind'. The record marks a new installation of Ataxia's punk forward house vibe; however, this time the group has their blinders on - this mini album is 100% dance floor oriented, all suited up to scratch the insatiable itch of the worldwide dance
Starting off strong with 'Mastermind', the collaboration delivers from the second we hit play. The A-side maintains similar elements such as a resonant kick and skipping percussive beats masterfully intertwined with vocals that echo and stutter. Record scratches, cowbell, and classic vocal hits can all be found on the B-side, bringing old-school sounds to the forefront with dynamic, rhythmic grooves.
More
1
Mogwaa - A1. Full Bloom
2
Mogwaa - A2. Nacimiento
3
Mogwaa - A3. Soothing
4
Mogwaa - A4. Levitation
5
Mogwaa - A5. Flashback
6
Mogwaa - A6. Dispatching
7
Mogwaa - B1. Illusions
8
Mogwaa - B2. Echoes of You
9
Mogwaa - B3. Moondance
10
Mogwaa - B4. Footprints
11
Mogwaa - B5. It Always Comes And Goes
12
Mogwaa - B6. Swingin´
Black Vinyl Edition!
When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.
Fresh from the recent Bandcamp feature on his own brand of dance oor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s in uenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.
Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that o ers a welcome diversion from the
steady ow of busy balearica and downtempo.
Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love a air, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o -kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pu ed-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shu e and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, in nite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this. More
When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.
Fresh from the recent Bandcamp feature on his own brand of dance oor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s in uenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.
Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that o ers a welcome diversion from the
steady ow of busy balearica and downtempo.
Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love a air, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o -kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pu ed-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shu e and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, in nite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this. More
1
Mogwaa - A1. Full Bloom
2
Mogwaa - A2. Nacimiento
3
Mogwaa - A3. Soothing
4
Mogwaa - A4. Levitation
5
Mogwaa - A5. Flashback
6
Mogwaa - A6. Dispatching
7
Mogwaa - B1. Illusions
8
Mogwaa - B2. Echoes of You
9
Mogwaa - B3. Moondance
10
Mogwaa - B4. Footprints
11
Mogwaa - B5. It always comes and goes
12
Mogwaa - B6. Swingin
Lim. 100 Copies / Yellow Version
When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.
Fresh from the recent Bandcamp feature on his own brand of dance oor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s in uenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.
Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that o ers a welcome diversion from the
steady ow of busy balearica and downtempo.
Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love a air, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o -kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pu ed-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shu e and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, in nite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this. More
When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.
Fresh from the recent Bandcamp feature on his own brand of dance oor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s in uenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.
Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that o ers a welcome diversion from the
steady ow of busy balearica and downtempo.
Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love a air, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o -kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pu ed-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shu e and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, in nite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this. More
1
Simone De Kunovich - Flow My Tears
2
Simone De Kunovich - Super Mana Drain
3
Simone De Kunovich - Warp World
Tracklist:
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World
Short info:
Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“
More
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World
Short info:
Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“
More
1
Passarani Presents David Woods - A1. Stereotio
2
Passarani Presents David Woods - A2. Dovetail Shuffle Theme
3
Passarani Presents David Woods - A3. Saturday Romance
4
Passarani Presents David Woods - B1. Starers
5
Passarani Presents David Woods - B2. Videomusic 0300 AM
6
Passarani Presents David Woods - B3. Universale
LP
Tracklist
A1. Stereotio
A2. Dovetail Shuffle Theme
A3. Saturday Romance
B1. Starers
B2. Videomusic 0300 AM
B3. Universale
Ladies, gentlemen, and cosmic disco voyagers, gather 'round as I regale you with tidings of auditory delight! The musical cosmos is set to bestow upon us a celestial gem that shall set dancefloors ablaze and hearts aflutter. It is none other than the enigmatic Marco Passarani aka David Woods of Tiger & Woods, the sonic alchemist who has been tantalizing our senses with his kaleidoscopic grooves.
Imagine, if you will, a voyage through a wormhole that transcends time and space, landing you smack dab in the midst of a euphoric dancefloor utopia. This upcoming opus, Shuffling The Cards Again, promises to be a magnum opus of cosmic proportions. David Woods has summoned their sonic forces to curate a soundscape that defies convention, much like a comet hurtling through the night sky, leaving trails of sonic stardust in its wake.
!
More
Tracklist
A1. Stereotio
A2. Dovetail Shuffle Theme
A3. Saturday Romance
B1. Starers
B2. Videomusic 0300 AM
B3. Universale
Ladies, gentlemen, and cosmic disco voyagers, gather 'round as I regale you with tidings of auditory delight! The musical cosmos is set to bestow upon us a celestial gem that shall set dancefloors ablaze and hearts aflutter. It is none other than the enigmatic Marco Passarani aka David Woods of Tiger & Woods, the sonic alchemist who has been tantalizing our senses with his kaleidoscopic grooves.
Imagine, if you will, a voyage through a wormhole that transcends time and space, landing you smack dab in the midst of a euphoric dancefloor utopia. This upcoming opus, Shuffling The Cards Again, promises to be a magnum opus of cosmic proportions. David Woods has summoned their sonic forces to curate a soundscape that defies convention, much like a comet hurtling through the night sky, leaving trails of sonic stardust in its wake.
!
More
1
Rico Friebe - Keep On Dreaming (Radio Edit)
2
Rico Friebe - Keep On Dreaming (Instrumental)
3
Rico Friebe - Worth (Bonus Song)
4
Rico Friebe - J. - For The 22nd Birthday (Bonus Song)
Genre: Pop / Indie Dance
Tracklist CD:
01 – Keep On Dreaming (Radio Edit)
02 – Keep On Dreaming (Instrumental)
03 – Worth (Bonus Song)
04 – J. - For The 22nd Birthday (Bonus Song)
Info:
Rico Friebe is back with the highly uplifting single "Keep On Dreaming" - the last part of his recent single-trilogy that already brought you "Don't Hurt Me Now" and "So... Hi!".
Thought to be bridging the wait until his follow-up album "Faces Meet", the trilogy was designed to explore a "different and more pop-like tone" and bring you some special bonus songs as well as "Keep On Dreaming" does again...
More
Tracklist CD:
01 – Keep On Dreaming (Radio Edit)
02 – Keep On Dreaming (Instrumental)
03 – Worth (Bonus Song)
04 – J. - For The 22nd Birthday (Bonus Song)
Info:
Rico Friebe is back with the highly uplifting single "Keep On Dreaming" - the last part of his recent single-trilogy that already brought you "Don't Hurt Me Now" and "So... Hi!".
Thought to be bridging the wait until his follow-up album "Faces Meet", the trilogy was designed to explore a "different and more pop-like tone" and bring you some special bonus songs as well as "Keep On Dreaming" does again...
More
1
Joey Gilmore - A1. Funny Feeling
2
Joey Gilmore - A2. Way Down Baby
3
Joey Gilmore - A3. It’s Here
4
Joey Gilmore - A4. Let’s Boogie On Down
5
Joey Gilmore - B1. Get All You Want
6
Joey Gilmore - B2. Give Me Your Love
7
Joey Gilmore - B3. Rhythm In My Bone
8
Joey Gilmore - B4. Rhythm In My Bone Pt. 2
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Black Vinyl Edition
Tracklist:
Side A
A1 Funny Feeling
A2 Way Down Baby
A3 It’s Here
A4 Let’s Boogie On Down
Side B
B1 Get All You Want
B2 Give Me Your Love
B3 Rhythm In My Bone
B4 Rhythm In My Bone Pt. 2
Release Notes:
In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences
with a series of unforgettable singles that showcased his raw talent and unique style. It
wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his
highly anticipated debut record.
This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his
reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with
listeners, capturing the essence of his artistry and leaving an indelible impact.
Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's
debut album. This reissue is a celebration of his timeless music, meticulously crafted to
preserve the authenticity and integrity of the original recording. Every note, every lyric and
the original design of the sleeve has been lovingly restored to transport you back to the
magic of that era.
Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music,
as this remarkable reissue brings his debut album back to life. Allow the melodies and
rhythms to envelop you, taking you on a captivating musical adventure that transcends time.
Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your
soul once again. More
Versions:
Black Vinyl Edition
Tracklist:
Side A
A1 Funny Feeling
A2 Way Down Baby
A3 It’s Here
A4 Let’s Boogie On Down
Side B
B1 Get All You Want
B2 Give Me Your Love
B3 Rhythm In My Bone
B4 Rhythm In My Bone Pt. 2
Release Notes:
In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences
with a series of unforgettable singles that showcased his raw talent and unique style. It
wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his
highly anticipated debut record.
This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his
reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with
listeners, capturing the essence of his artistry and leaving an indelible impact.
Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's
debut album. This reissue is a celebration of his timeless music, meticulously crafted to
preserve the authenticity and integrity of the original recording. Every note, every lyric and
the original design of the sleeve has been lovingly restored to transport you back to the
magic of that era.
Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music,
as this remarkable reissue brings his debut album back to life. Allow the melodies and
rhythms to envelop you, taking you on a captivating musical adventure that transcends time.
Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your
soul once again. More
1
Joey Gilmore - No Title
2
Joey Gilmore - No Title
3
Joey Gilmore - No Title
4
Joey Gilmore - No Title
5
Joey Gilmore - No Title
6
Joey Gilmore - No Title
7
Joey Gilmore - No Title
8
Joey Gilmore - No Title
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Crystal Transparent Vinyl Edition
Tracklist:
Side A
A1 Funny Feeling
A2 Way Down Baby
A3 It’s Here
A4 Let’s Boogie On Down
Side B
B1 Get All You Want
B2 Give Me Your Love
B3 Rhythm In My Bone
B4 Rhythm In My Bone Pt. 2
Release Notes:
In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences
with a series of unforgettable singles that showcased his raw talent and unique style. It
wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his
highly anticipated debut record.
This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his
reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with
listeners, capturing the essence of his artistry and leaving an indelible impact.
Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's
debut album. This reissue is a celebration of his timeless music, meticulously crafted to
preserve the authenticity and integrity of the original recording. Every note, every lyric and
the original design of the sleeve has been lovingly restored to transport you back to the
magic of that era.
Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music,
as this remarkable reissue brings his debut album back to life. Allow the melodies and
rhythms to envelop you, taking you on a captivating musical adventure that transcends time.
Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your
soul once again. More
Versions:
Limited Crystal Transparent Vinyl Edition
Tracklist:
Side A
A1 Funny Feeling
A2 Way Down Baby
A3 It’s Here
A4 Let’s Boogie On Down
Side B
B1 Get All You Want
B2 Give Me Your Love
B3 Rhythm In My Bone
B4 Rhythm In My Bone Pt. 2
Release Notes:
In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences
with a series of unforgettable singles that showcased his raw talent and unique style. It
wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his
highly anticipated debut record.
This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his
reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with
listeners, capturing the essence of his artistry and leaving an indelible impact.
Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's
debut album. This reissue is a celebration of his timeless music, meticulously crafted to
preserve the authenticity and integrity of the original recording. Every note, every lyric and
the original design of the sleeve has been lovingly restored to transport you back to the
magic of that era.
Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music,
as this remarkable reissue brings his debut album back to life. Allow the melodies and
rhythms to envelop you, taking you on a captivating musical adventure that transcends time.
Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your
soul once again. More
1
Joey Gilmore - No Title
2
Joey Gilmore - No Title
3
Joey Gilmore - No Title
4
Joey Gilmore - No Title
5
Joey Gilmore - No Title
6
Joey Gilmore - No Title
7
Joey Gilmore - No Title
8
Joey Gilmore - No Title
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Gold Vinyl Edition
Tracklist:
Side A
A1 Funny Feeling
A2 Way Down Baby
A3 It’s Here
A4 Let’s Boogie On Down
Side B
B1 Get All You Want
B2 Give Me Your Love
B3 Rhythm In My Bone
B4 Rhythm In My Bone Pt. 2
Release Notes:
In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences
with a series of unforgettable singles that showcased his raw talent and unique style. It
wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his
highly anticipated debut record.
This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his
reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with
listeners, capturing the essence of his artistry and leaving an indelible impact.
Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's
debut album. This reissue is a celebration of his timeless music, meticulously crafted to
preserve the authenticity and integrity of the original recording. Every note, every lyric and
the original design of the sleeve has been lovingly restored to transport you back to the
magic of that era.
Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music,
as this remarkable reissue brings his debut album back to life. Allow the melodies and
rhythms to envelop you, taking you on a captivating musical adventure that transcends time.
Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your
soul once again. More
Versions:
Limited Gold Vinyl Edition
Tracklist:
Side A
A1 Funny Feeling
A2 Way Down Baby
A3 It’s Here
A4 Let’s Boogie On Down
Side B
B1 Get All You Want
B2 Give Me Your Love
B3 Rhythm In My Bone
B4 Rhythm In My Bone Pt. 2
Release Notes:
In the early seventies, Joey Gilmore embarked on his musical journey, captivating audiences
with a series of unforgettable singles that showcased his raw talent and unique style. It
wasn't until 1977 that the culmination of his musical endeavors arrived—the release of his
highly anticipated debut record.
This debut album marked a pivotal moment in Joey Gilmore's career, solidifying his
reputation as a self-taught guitar virtuoso and soulful singer. The record resonated with
listeners, capturing the essence of his artistry and leaving an indelible impact.
Now, after a 45-year wait, the time has finally come for a vinyl reissue of Joey Gilmore's
debut album. This reissue is a celebration of his timeless music, meticulously crafted to
preserve the authenticity and integrity of the original recording. Every note, every lyric and
the original design of the sleeve has been lovingly restored to transport you back to the
magic of that era.
Get ready to immerse yourself in the unadulterated funk and soul of Joey Gilmore's music,
as this remarkable reissue brings his debut album back to life. Allow the melodies and
rhythms to envelop you, taking you on a captivating musical adventure that transcends time.
Revisit the magic, rediscover the artistry, and let the music of Joey Gilmore captivate your
soul once again. More
1
Miami - A1 You've Come A Long Way Baby
2
Miami - A2. Freak Around
3
Miami - A3. Strange
4
Miami - A4. I've Been Lovin' You Too Long
5
Miami - B1. Eye For An Eye
6
Miami - B2. Broken Down Man
7
Miami - B3. Let Me See Some Knees Pleeze
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Black Vinyl Edition
Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue More
Versions:
Black Vinyl Edition
Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue More
1
Miami - No Title
2
Miami - No Title
3
Miami - No Title
4
Miami - No Title
5
Miami - No Title
6
Miami - No Title
7
Miami - No Title
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Aqua Blue Vinyl Edition
Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue More
Versions:
Limited Aqua Blue Vinyl Edition
Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue More
1
Miami - No Title
2
Miami - No Title
3
Miami - No Title
4
Miami - No Title
5
Miami - No Title
6
Miami - No Title
7
Miami - No Title
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Yellow Vinyl Edition
Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue More
Versions:
Limited Yellow Vinyl Edition
Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue More
1
The 13th Floor - A1. Sweet Thang
2
The 13th Floor - A2. Teffany
3
The 13th Floor - A3. Time And Place
4
The 13th Floor - A4. Hang Loose
5
The 13th Floor - A5. Steppin' Out
6
The 13th Floor - B1. Sweet Lovely Girl
7
The 13th Floor - B2. Get Up
8
The 13th Floor - B3. Leanin
9
The 13th Floor - B4. Rise
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Black Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More
Versions:
Black Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More
1
The 13th Floor - No Title
2
The 13th Floor - No Title
3
The 13th Floor - No Title
4
The 13th Floor - No Title
5
The 13th Floor - No Title
6
The 13th Floor - No Title
7
The 13th Floor - No Title
8
The 13th Floor - No Title
9
The 13th Floor - No Title
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Green Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More
Versions:
Limited Green Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More
1
The 13th Floor - No Title
2
The 13th Floor - No Title
3
The 13th Floor - No Title
4
The 13th Floor - No Title
5
The 13th Floor - No Title
6
The 13th Floor - No Title
7
The 13th Floor - No Title
8
The 13th Floor - No Title
9
The 13th Floor - No Title
Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Natural Transparent Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More
Versions:
Limited Natural Transparent Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More
Label:Rumi Sounds
Cat-No:Rumi-010
Release-Date:15.09.2023
Genre:Indie Rock/Alternative
Configuration:LP Excl
Label:Rumi Sounds
Cat-No:Rumi-010
Release-Date:15.09.2023
Genre:Indie Rock/Alternative
Configuration:LP Excl
1
Big Daddy Mugglestone - Blood Does not Make Family
2
Big Daddy Mugglestone - Past and Still
3
Big Daddy Mugglestone - It's Fine
4
Big Daddy Mugglestone - Never Be the Same
5
Big Daddy Mugglestone - Trainclock Heartbeat
6
Big Daddy Mugglestone - I can Float
7
Big Daddy Mugglestone - Switchblade Romance
8
Big Daddy Mugglestone - Drink Myself to Death
9
Big Daddy Mugglestone - To Give A Ghost A Name
10
Big Daddy Mugglestone - Hangman & the Rainmaker
Genre: Country, Americana, Americana Gothic
Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.
With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.
The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...
A1 Blood Does not Make Family
A2 Past and Still
A3 It's Fine
A4 Never Be the Same
A5 Trainclock Heartbeat
A6 I can Float
B1 Switchblade Romance
B2 Drink Myself to Death
B3 To Give A Ghost A Name
B4 Hangman & the Rainmaker
More
Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.
With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.
The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...
A1 Blood Does not Make Family
A2 Past and Still
A3 It's Fine
A4 Never Be the Same
A5 Trainclock Heartbeat
A6 I can Float
B1 Switchblade Romance
B2 Drink Myself to Death
B3 To Give A Ghost A Name
B4 Hangman & the Rainmaker
More
1
Sousta Politiki - Krasopino
2
Sousta Politiki - Se Zografisa Vlaha M'
3
Sousta Politiki - Bademler
4
Sousta Politiki - Kara Kiz
5
Sousta Politiki - Un Taxi pour Bebek
6
Sousta Politiki - Gönlüm Sensiz Olmaz
7
Sousta Politiki - Aidinikos Horos
8
Sousta Politiki - Ignem Düstü Yerlere
9
Sousta Politiki - Mandalari Karaman
10
Sousta Politiki - Olon Ton Kosmo Gyrisa
Genre: rembetiko, folk, Balkan
Between tradition and contemporary aesthetics, Sousta Politiki forcefully and uniquely revisits the repertoire of Smyrneiko (Greek rebetiko from Asia Minor) and the songs of Istanbul, adding their own compositions.
Formed in Strasbourg in 2016, Sousta Politiki is a Franco-Turkish music group that draws inspiration from various urban and marginalized music genres of Greece and Turkey. The repertoire they explore is diverse, including Smyrneiko from Asia Minor, Kanto from Istanbul, rebetiko from Athens or Piraeus, and traditional songs from Thrace. However, they all share a common connection to the post-Ottoman traditions of the early 20th century. These songs primarily consist of vocals, and their themes often touch upon of daily life such as alcohol, drugs, prison, and prostitution.
The songs are approached with a sense of irony and celebration. One can find both joy and melancholy, as in Argentine tango or American blues. The five members of Sousta Politiki come from diverse musical backgrounds, including rock, Ottoman music, opera singing, rebetiko, and improvised music. The process of creation and reinterpretation knows no limits, and the unique instrumentation of the group (cello, Ottoman tanbur, accordion, bouzouki, percussion, and vocals) allows for surprising and unprecedented rearrangements.
A1 Krasopino
A2 Se Zografisa Vlaha M'
A3 Bademler
A4 Kara Kiz
A5 Un Taxi pour Bebek
B1 Gönlüm Sensiz Olmaz
B2 Aidinikos Horos
B3 Ignem Düstü Yerlere
B4 Mandalari Karaman
B5 Olon Ton Kosmo Gyrisa
More
Between tradition and contemporary aesthetics, Sousta Politiki forcefully and uniquely revisits the repertoire of Smyrneiko (Greek rebetiko from Asia Minor) and the songs of Istanbul, adding their own compositions.
Formed in Strasbourg in 2016, Sousta Politiki is a Franco-Turkish music group that draws inspiration from various urban and marginalized music genres of Greece and Turkey. The repertoire they explore is diverse, including Smyrneiko from Asia Minor, Kanto from Istanbul, rebetiko from Athens or Piraeus, and traditional songs from Thrace. However, they all share a common connection to the post-Ottoman traditions of the early 20th century. These songs primarily consist of vocals, and their themes often touch upon of daily life such as alcohol, drugs, prison, and prostitution.
The songs are approached with a sense of irony and celebration. One can find both joy and melancholy, as in Argentine tango or American blues. The five members of Sousta Politiki come from diverse musical backgrounds, including rock, Ottoman music, opera singing, rebetiko, and improvised music. The process of creation and reinterpretation knows no limits, and the unique instrumentation of the group (cello, Ottoman tanbur, accordion, bouzouki, percussion, and vocals) allows for surprising and unprecedented rearrangements.
A1 Krasopino
A2 Se Zografisa Vlaha M'
A3 Bademler
A4 Kara Kiz
A5 Un Taxi pour Bebek
B1 Gönlüm Sensiz Olmaz
B2 Aidinikos Horos
B3 Ignem Düstü Yerlere
B4 Mandalari Karaman
B5 Olon Ton Kosmo Gyrisa
More
1
FRANK & TONY - We Begin
2
FRANK & TONY - Understanding
3
FRANK & TONY - We Begin (Frank & Tony and Will Long Wide Open Edit)
GENRE/S:
Deep House, Lo-Fi House
TRACKLISTS:
A1. We Begin
A2. Understanding
B1. We Begin (Frank & Tony and Will Long Wide Open Edit)
SHORT INFO:
Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.
More
Deep House, Lo-Fi House
TRACKLISTS:
A1. We Begin
A2. Understanding
B1. We Begin (Frank & Tony and Will Long Wide Open Edit)
SHORT INFO:
Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.
More
1
Paul Brändle - A1) Homecoming
2
Paul Brändle - A2) Moonlight in Vermont
3
Paul Brändle - A3) A Flower Is a Lovesome Thing
4
Paul Brändle - A4) Fab
5
Paul Brändle - B1) Awake
6
Paul Brändle - B2) As If There Were Simple Times
7
Paul Brändle - B3) 'Round Midnight
LP
Special remarks:
180g
Tracklist:
A1) Homecoming 05:52 min
A2) Moonlight in Vermont 05:24 min
A3) A Flower Is a Lovesome Thing 05:51 min
A4) Fab 04:02 min
B1) Awake 05:21 min
B2) As If There Were Simple Times 06:29 min
B3) 'Round Midnight 07:31 min
Info:
"Paul, Rick and River" is a programmatic title for the new album from Munich-based Paul Brändle Trio, a Modern Jazz group led by the eponymous 31-year old guitar player and band leader. Playing together for years and across continents, this recording manifests the trio's current state of matter, focusing on a no-gimmicks approach and a classic, melodic style of musical world-building.
More
Special remarks:
180g
Tracklist:
A1) Homecoming 05:52 min
A2) Moonlight in Vermont 05:24 min
A3) A Flower Is a Lovesome Thing 05:51 min
A4) Fab 04:02 min
B1) Awake 05:21 min
B2) As If There Were Simple Times 06:29 min
B3) 'Round Midnight 07:31 min
Info:
"Paul, Rick and River" is a programmatic title for the new album from Munich-based Paul Brändle Trio, a Modern Jazz group led by the eponymous 31-year old guitar player and band leader. Playing together for years and across continents, this recording manifests the trio's current state of matter, focusing on a no-gimmicks approach and a classic, melodic style of musical world-building.
More
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
1
Rico Puestel - It Used To Hold A Mystery
2
Rico Puestel - It Used To Tell A Truth
3
Rico Puestel - It Used To Give Courage
4
Rico Puestel - It Used To Have Soul
Genre: Techno
Tracklist 12":
A1 - It Used To Hold A Mystery
A2 - It Used To Tell A Truth
B1 - It Used To Give Courage
B2 - It Used To Have Soul
Info:
Ladies and gentlemen, it's 2023 and Rico Puestel doesn't get Techno anymore. What happened? They might have grown apart... So he just did his thing and after twelve months of not producing anything electronic, he just wallowed in independence of doing what he always loved...
More
Tracklist 12":
A1 - It Used To Hold A Mystery
A2 - It Used To Tell A Truth
B1 - It Used To Give Courage
B2 - It Used To Have Soul
Info:
Ladies and gentlemen, it's 2023 and Rico Puestel doesn't get Techno anymore. What happened? They might have grown apart... So he just did his thing and after twelve months of not producing anything electronic, he just wallowed in independence of doing what he always loved...
More
1
P0lyrhythm - 313 Hazy Days 06:55
2
P0lyrhythm - Shimmering Lights 07:27
3
P0lyrhythm - Motor City Dreams 07:41
4
P0lyrhythm - X-Ray Eyes 05:25
Genre: Detroit Techno, Techno, Soulful Techno
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
More
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
More
WAS LAST WEEK'S EXCLUSIVES AND TIPS
1
Tin Man - Hidden Acid
2
Tin Man - Swaying Acid
3
Tin Man - Running Acid
4
Tin Man - Wrapped Up Acid
Tracklist
A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid
Release Info:
Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.
Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.
Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.
On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.
With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.
More
A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid
Release Info:
Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.
Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.
Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.
On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.
With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.
More
Label:Midnight in a Toyshop
Cat-No:am1201
Release-Date:08.09.2023
Genre:Deephouse
Configuration:12" Excl
Label:Midnight in a Toyshop
Cat-No:am1201
Release-Date:08.09.2023
Genre:Deephouse
Configuration:12" Excl
1
Midnight in a Toyshop - A1: Young Again
2
Midnight in a Toyshop - A2: Unicorn Heaven
3
Midnight in a Toyshop - B1: Dream Queen
4
Midnight in a Toyshop - B2: Prince
12" - New Lo-Fi House Project of Moerbeck
GENRE/S: Deep House, House, Lo-Fi
TRACKLISTS:
A1: Young Again
A2: Unicorn Heaven
B1: Dream Queen
B2: Prince
SHORT INFO:
It's time to release the toys from the darkness and dive into the sound playground. "Midnight in a Toyshop" is a
new Lo-Fi House project from an old hand in the electronic music business. He is launching an EP series called
"Play". This will be available on vinyl and digital. All tracks are characterized by punchy, driving beats and a
deep, warm, positive atmosphere. The use of 8 and 12 bit tools and tape recordings creates a nostalgic
aesthetic that takes you back to a time when moments of lightheartedness and playful creativity flourished.
Press play and enjoy the journey.
More
GENRE/S: Deep House, House, Lo-Fi
TRACKLISTS:
A1: Young Again
A2: Unicorn Heaven
B1: Dream Queen
B2: Prince
SHORT INFO:
It's time to release the toys from the darkness and dive into the sound playground. "Midnight in a Toyshop" is a
new Lo-Fi House project from an old hand in the electronic music business. He is launching an EP series called
"Play". This will be available on vinyl and digital. All tracks are characterized by punchy, driving beats and a
deep, warm, positive atmosphere. The use of 8 and 12 bit tools and tape recordings creates a nostalgic
aesthetic that takes you back to a time when moments of lightheartedness and playful creativity flourished.
Press play and enjoy the journey.
More
1
Dave Aju & The Invisible Art Trio - A1: Next 2 You (Original Mix)
2
Dave Aju & The Invisible Art Trio - B1: Next 2 You (Stripped Dub)
3
Dave Aju & The Invisible Art Trio - B2: Next 2 You (Reprise)
Coming in blazing-hot off the heels of their very welcome reunion set for the recent
Glossolalia LP, Dave Aju & The Invisible Art Trio are apparently out for no mercy here on
their potent Elbow Grease debut for the label’s third offering. “Next 2 You” was a deep
jam session-based composition started overseas some 8+ years back in an earlier
incarnation, with the raw-edged flavors and voodoo feels of the OG underground era
and has now been unearthed and blessed for pure dancefloor detonation by the everelusive
LA-based musical squad.
The A-side Original Mix is yet again an extended multi-layered sonic voyage of driving
vibe-led hypnosis, loaded with rising modal chants, fiery free jazz horns, otherworldly
percussion literally orbiting around a solid throbbing 909 framework, and grinding lowend
funk pulsations via a sub-octave 303 acid line woven in at the core of the piece.
The generous EG release recipe also gives us the lethally mixable, wetted-up, and
straight to the percussive point B1 Stripped Dub version, as well as an endlessly
unfolding beatless Reprise on the B2 primed for any DJ set moment in need of
mesmerizing impactful bliss on the flip.
The trio states this work was inspired by various concepts from the sci-fi futurism of
VanderMeer’s Annhilation, field research on ancient Incan rituals, and of course the
cosmic lineage of core spiritual jazz astral travelers such as our recently earth-departed
Pharoah, along with respectful nods to the master teachers from the D. “Next 2 You”
indeed. More
Glossolalia LP, Dave Aju & The Invisible Art Trio are apparently out for no mercy here on
their potent Elbow Grease debut for the label’s third offering. “Next 2 You” was a deep
jam session-based composition started overseas some 8+ years back in an earlier
incarnation, with the raw-edged flavors and voodoo feels of the OG underground era
and has now been unearthed and blessed for pure dancefloor detonation by the everelusive
LA-based musical squad.
The A-side Original Mix is yet again an extended multi-layered sonic voyage of driving
vibe-led hypnosis, loaded with rising modal chants, fiery free jazz horns, otherworldly
percussion literally orbiting around a solid throbbing 909 framework, and grinding lowend
funk pulsations via a sub-octave 303 acid line woven in at the core of the piece.
The generous EG release recipe also gives us the lethally mixable, wetted-up, and
straight to the percussive point B1 Stripped Dub version, as well as an endlessly
unfolding beatless Reprise on the B2 primed for any DJ set moment in need of
mesmerizing impactful bliss on the flip.
The trio states this work was inspired by various concepts from the sci-fi futurism of
VanderMeer’s Annhilation, field research on ancient Incan rituals, and of course the
cosmic lineage of core spiritual jazz astral travelers such as our recently earth-departed
Pharoah, along with respectful nods to the master teachers from the D. “Next 2 You”
indeed. More
1
Mola - A1: Das Leben ist schön
2
Mola - A2: 1000km
3
Mola - A3: Letzte Kippe feat. BabyJoy
4
Mola - A4: Fred
5
Mola - A5: Baby Blue
6
Mola - A6: Du Du Du
7
Mola - B1: Weil mein Herz ein Lügner ist
8
Mola - B2: Nichts macht mich kaputt
9
Mola - B3: Ohne mich
10
Mola - B4: Wenn wir groß sind feat. Ami Warning
11
Mola - B5: Mein kleines dummes Herz
12
Mola - B6: Dieses Life
LP - Limited , Tranparent Yellow Vinyl
GENRE/S: Indie; Pop
TRACKLIST:
A1: Das Leben ist schön
A2: 1000km
A3: Letzte Kippe feat. BabyJoy
A4: Fred
A5: Baby Blue
A6: Du Du Du
B1: Weil mein Herz ein Lügner ist
B2: Nichts macht mich kaputt
B3: Ohne mich
B4: Wenn wir groß sind feat. Ami Warning
B5: Mein kleines dummes Herz
B6: Dieses Life
SHORT INFO:
MOLA's music is the unadorned antithesis to a rosy world. She celebrates herself to death, pulls you into her inner chaos and does without the usual romanticising transfiguration of the merciless disorientation that catches up with you on the way home after the last cigarette.
MOLA knows better than anyone that she is a border commuter - and she has never made a secret of it. Perhaps it was fate that the course of events abandoned her shortly after her birth in Erba, Italy, in Germany's most austere metropolis. In Munich, where flying free and falling free are a little more complicated than in the cesspit of Berlin, where one would naturally place Isabella Streifeneder and her music if one didn't know better.
Temporarily reduced to intimacy, then escalating into iconic 80s "Purpel Rain" pathos, MOLA illustrates the emotional chaos that the inner dialogue of left and right brain triggers in her. Unconventional pop music that bundles the nonchalance of great soul anthems, the grace of the Italo-disco of the eighties and the ingenuousness of lascivious hip-hop bangers instead of trying to sound modern by force.
MOLA celebrates defeat, exposes life lies, criticises adulthood, documents radical mood swings. She balances along the abyss in her ball gown, jokes about things you don't joke about, praises and curses intoxication and love - "Vino Bianco no longer tastes like dolce vita, it only tastes like losing".
You can now see MOLA supporting Fatoni, Roy Bianco & the Abbrunzati Boys, Mayberg and Kaffkiez in a flurry of strobe lights after sold-out "nothing breaks me" shows in Munich, Cologne, Berlin & Hamburg. In addition to a festival season that couldn't have been more beautiful, they finally have a big tour of their own coming up for their next album, which will see the light of day in September.
After more than 40 festivals "Snow in Summer" on well-known stages like Lollapalooza Berlin, Rocken am Brocken, Puls Open Air, but also as support for Udo Lindenberg at the Hermann-Hesse-Festival, "Life is Beautiful", the darned second record, sounds almost cynical, ironic or simply naive? In the end, it doesn't matter, because when you are overcome by this spontaneous feeling that is far removed from any rationality, you don't ask any questions. It tastes like the melancholy of a summer in its last breaths, like the last drink of an uncompromisingly insane night.
There is sweating, pogoing and feeling together. Even where it hurts.
You are not just an onlooker or a silent spectator, but part of this empowering feeling of "we".
More
GENRE/S: Indie; Pop
TRACKLIST:
A1: Das Leben ist schön
A2: 1000km
A3: Letzte Kippe feat. BabyJoy
A4: Fred
A5: Baby Blue
A6: Du Du Du
B1: Weil mein Herz ein Lügner ist
B2: Nichts macht mich kaputt
B3: Ohne mich
B4: Wenn wir groß sind feat. Ami Warning
B5: Mein kleines dummes Herz
B6: Dieses Life
SHORT INFO:
MOLA's music is the unadorned antithesis to a rosy world. She celebrates herself to death, pulls you into her inner chaos and does without the usual romanticising transfiguration of the merciless disorientation that catches up with you on the way home after the last cigarette.
MOLA knows better than anyone that she is a border commuter - and she has never made a secret of it. Perhaps it was fate that the course of events abandoned her shortly after her birth in Erba, Italy, in Germany's most austere metropolis. In Munich, where flying free and falling free are a little more complicated than in the cesspit of Berlin, where one would naturally place Isabella Streifeneder and her music if one didn't know better.
Temporarily reduced to intimacy, then escalating into iconic 80s "Purpel Rain" pathos, MOLA illustrates the emotional chaos that the inner dialogue of left and right brain triggers in her. Unconventional pop music that bundles the nonchalance of great soul anthems, the grace of the Italo-disco of the eighties and the ingenuousness of lascivious hip-hop bangers instead of trying to sound modern by force.
MOLA celebrates defeat, exposes life lies, criticises adulthood, documents radical mood swings. She balances along the abyss in her ball gown, jokes about things you don't joke about, praises and curses intoxication and love - "Vino Bianco no longer tastes like dolce vita, it only tastes like losing".
You can now see MOLA supporting Fatoni, Roy Bianco & the Abbrunzati Boys, Mayberg and Kaffkiez in a flurry of strobe lights after sold-out "nothing breaks me" shows in Munich, Cologne, Berlin & Hamburg. In addition to a festival season that couldn't have been more beautiful, they finally have a big tour of their own coming up for their next album, which will see the light of day in September.
After more than 40 festivals "Snow in Summer" on well-known stages like Lollapalooza Berlin, Rocken am Brocken, Puls Open Air, but also as support for Udo Lindenberg at the Hermann-Hesse-Festival, "Life is Beautiful", the darned second record, sounds almost cynical, ironic or simply naive? In the end, it doesn't matter, because when you are overcome by this spontaneous feeling that is far removed from any rationality, you don't ask any questions. It tastes like the melancholy of a summer in its last breaths, like the last drink of an uncompromisingly insane night.
There is sweating, pogoing and feeling together. Even where it hurts.
You are not just an onlooker or a silent spectator, but part of this empowering feeling of "we".
More
Territory: WORLD
Tracklist
A1. Who Do You
A2. Priza Gdola
A3. Yam
A4. A Little Beat
A5. The Queen Is
B1. Uriah's Space Hooverboard
B2. Kanakoli
B3. Start Bombing
B4 Sashee Wonder
B5. Kolot Shel Bor
Key Selling Points:
Famous Enough, also known as Nadav Samuel is a duo of one.
From the tough neighborhood of habima, tel aviv.
His first experience with chopsticks at the age of 6 made him fall in love with the drum section. Since then he's been flirting with different instruments.
FNadav doesn't play violin, but knows how to listen to one.
In his debut Album, searching for a limousine, a project that was created and produced in Berlin since 2019, Nadav tries to share some thoughts and colors from his life journey short cuts.
More
Tracklist
A1. Who Do You
A2. Priza Gdola
A3. Yam
A4. A Little Beat
A5. The Queen Is
B1. Uriah's Space Hooverboard
B2. Kanakoli
B3. Start Bombing
B4 Sashee Wonder
B5. Kolot Shel Bor
Key Selling Points:
Famous Enough, also known as Nadav Samuel is a duo of one.
From the tough neighborhood of habima, tel aviv.
His first experience with chopsticks at the age of 6 made him fall in love with the drum section. Since then he's been flirting with different instruments.
FNadav doesn't play violin, but knows how to listen to one.
In his debut Album, searching for a limousine, a project that was created and produced in Berlin since 2019, Nadav tries to share some thoughts and colors from his life journey short cuts.
More
1
Deena Abdelwahed - The Key To The Exit - 06:36
2
Deena Abdelwahed - Each day - 05:40
3
Deena Abdelwahed - Six as oil - 06:05
4
Deena Abdelwahed - Complain - 05:03
5
Deena Abdelwahed - Violence for free - 06:15
6
Deena Abdelwahed - Naive - 08:40
7
Deena Abdelwahed - Pre Island - 06:13
Territories: WORLD EXCL FRANCE
Tracklist CD :
1_The Key To The Exit - 06:36
2_Each day - 05:40
3_Six as oil - 06:05
4_Complain - 05:03
5_Violence for free - 06:15
6_Naive - 08:40
7_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
More
Tracklist CD :
1_The Key To The Exit - 06:36
2_Each day - 05:40
3_Six as oil - 06:05
4_Complain - 05:03
5_Violence for free - 06:15
6_Naive - 08:40
7_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
More
1
Deena Abdelwahed - The Key To The Exit - 06:36
2
Deena Abdelwahed - Each day - 05:40
3
Deena Abdelwahed - Six as oil - 06:05
4
Deena Abdelwahed - Complain - 05:03
5
Deena Abdelwahed - Violence for free - 06:15
6
Deena Abdelwahed - Naive - 08:40
7
Deena Abdelwahed - Pre Island - 06:13
Territories: WORLD EXCL FRANCE
Tracklist LP:
A1_The Key To The Exit - 06:36
A2_Each day - 05:40
A3_Six as oil - 06:05
A4_Complain - 05:03
B1_Violence for free - 06:15
B2_Naive - 08:40
B3_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
More
Tracklist LP:
A1_The Key To The Exit - 06:36
A2_Each day - 05:40
A3_Six as oil - 06:05
A4_Complain - 05:03
B1_Violence for free - 06:15
B2_Naive - 08:40
B3_Pre Island - 06:13
Short Info:
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.
Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
More
1
Mila Stern - A1. Five Finger Discount (original)
2
Mila Stern - A2. Five Finger Discount (Camea Remix)
3
Mila Stern - B1. Deadline Disco (original)
4
Mila Stern - B2. Deadline Disco (Hardt Antoine)
12" EP
Tracks:
A1. Five Finger Discount (Original Mix) 07:09 DE-CY5-23-01245
A2. Five Finger Discount (Camea Remix) 05:34 DE-CY5-23-01246
B1. Deadline Disco (Original Mix) 05:59 DE-CY5-23-01247
B2. Deadline Disco (Hardt Antoine Remix) 06:02 DE-CY5-23-01248
Mila Stern - Five Finger EP
Mila Stern's groove-heavy and highly danceable sound explores fringe soundscapes informed by Post-Punk and Electro. What sets her apart is a willingness to embrace unorthodox sounds, explore the beauty in harshness and dissonance, and transform jarring atmospheres into captivating dancefloor moments. With 'Five Finger EP', Mila Stern delivers an eclectic six-tracker featuring two high-pressure originals and four carefully selected reimaginations by Camea, mytripismytrip, Öona Dahl, and Hardt Antoine for Kiosk catalog number 021.
'Five Finger Discount' encapsulates Mila's uncompromising aesthetic: warm, powerful, energetic, and constantly teetering on the brink of disintegration. Morphing, overdriven stabs build energy atop a sub-heavy groove and a sea of pads. A sweeping break fractures the track into shuddering bursts of corroded machinery, before the compact groove returns with punishing dancefloor power.
Camea transforms 'Five Finger Discount' into a heavy-weight techno roller. Shuddering, pitch-shifting bass hits and salvos, sizzling white noise sweeps, and an ominous mantra morph the track into a darkly efficient peak- time banger.
Hardt Antoine builds his rendition of 'Deadline Disco' around an infectiously body-moving arpeggio. Layers of distortion add a searing edge, transforming the original into a stripped powerhouse with Dark Disco undercurrents.
Few artists move on the fringe so comfortably, make unconventional sounds so accessible, or pursue their vision with the same bright-eyed conviction.
With 'Five Finger EP', Mila Stern epitomises the magic that happens when uncommon sounds are embedded in the framework of commanding, floor-focused energy. 'Five Finger EP' embodies her stand-out style and the stunning range of musical interpretations it inspires.
More
Tracks:
A1. Five Finger Discount (Original Mix) 07:09 DE-CY5-23-01245
A2. Five Finger Discount (Camea Remix) 05:34 DE-CY5-23-01246
B1. Deadline Disco (Original Mix) 05:59 DE-CY5-23-01247
B2. Deadline Disco (Hardt Antoine Remix) 06:02 DE-CY5-23-01248
Mila Stern - Five Finger EP
Mila Stern's groove-heavy and highly danceable sound explores fringe soundscapes informed by Post-Punk and Electro. What sets her apart is a willingness to embrace unorthodox sounds, explore the beauty in harshness and dissonance, and transform jarring atmospheres into captivating dancefloor moments. With 'Five Finger EP', Mila Stern delivers an eclectic six-tracker featuring two high-pressure originals and four carefully selected reimaginations by Camea, mytripismytrip, Öona Dahl, and Hardt Antoine for Kiosk catalog number 021.
'Five Finger Discount' encapsulates Mila's uncompromising aesthetic: warm, powerful, energetic, and constantly teetering on the brink of disintegration. Morphing, overdriven stabs build energy atop a sub-heavy groove and a sea of pads. A sweeping break fractures the track into shuddering bursts of corroded machinery, before the compact groove returns with punishing dancefloor power.
Camea transforms 'Five Finger Discount' into a heavy-weight techno roller. Shuddering, pitch-shifting bass hits and salvos, sizzling white noise sweeps, and an ominous mantra morph the track into a darkly efficient peak- time banger.
Hardt Antoine builds his rendition of 'Deadline Disco' around an infectiously body-moving arpeggio. Layers of distortion add a searing edge, transforming the original into a stripped powerhouse with Dark Disco undercurrents.
Few artists move on the fringe so comfortably, make unconventional sounds so accessible, or pursue their vision with the same bright-eyed conviction.
With 'Five Finger EP', Mila Stern epitomises the magic that happens when uncommon sounds are embedded in the framework of commanding, floor-focused energy. 'Five Finger EP' embodies her stand-out style and the stunning range of musical interpretations it inspires.
More
1
Die Vögel - Blaue Moschee
2
Die Vögel - Petardo
3
Die Vögel - Empire
2023 Repress
Tracklist:
A Blaue Moschee
B1 Petardo
B2 Empire
Pampa is a new label from old pals DJ Koze and Marcus Fink, dedicated to releasing club music that's seriously danceable without recourse to the tried and tested ingredients. A home for house and techno tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The first release is by Die Vogel, a collaborative project between Jakobus Siebels and Mense Reents. Jakobus is an innovative multi-instrumentalist who has previously recorded distinctive albums for Tomlab, Chicks On Speed Records, Karaoke Kalk; the no less talented Reents is a member of the groups Egoexpress, Die Goldenen Zitronen and Stella, and operates the Art Blakey Studios in Hamburg where this EP was recorded. Listening to A-side 'Blaue Moschee' you immediately know this going to be a strange and wonderful trip: oompa-style brass looped and layered over a stripped-back kickdrum, this tunes messes with all received notions of what house/techno music is! With a musicality and wicked sense of humour that naturally appealed to Koze and Fink, Siebels and Reents have created a timeless dancefloor banger using the most unlikely of elements. The result definitely isn't "jazzy techno" - the brass, far from being an afterthought, it's the very substance of the thing; it provides the melody, the bass, and the rhythm. Brass is the driving force behind the whole EP. B1, 'Petardo', is likewise driven by growling trombones and tubas, this time offset by cooing woodwind and set to a rolling, almost tribal drum tattoo. The horn chords are reminiscent of moody 60s British jazz, while the woodwind lends a South American fire and flair to proceedings. The track is full of subtle edits, but Siebels and Reents don't overwhelm the mix with synthesized sounds, instead letting the acoustic instruments speak for themselves. Closer 'Empire' again finds exquisitely arranged brass parts interlocking into a tough, single-minded groove, underscored with a skippy, broken 4/4 pulse and handclaps. Often when a new label claims to be taking risks and trying something new, the truth is rather less remarkable. Not in this case: Siebels and Reent have created a terrifically original, inimitable trio of tracks that combine the pop and the avant-garde, the cerebral and the physical, to absolutely stunning effect. It might be unusual and it might be clever, but it's still dance music pure and simple. magic!
More
Tracklist:
A Blaue Moschee
B1 Petardo
B2 Empire
Pampa is a new label from old pals DJ Koze and Marcus Fink, dedicated to releasing club music that's seriously danceable without recourse to the tried and tested ingredients. A home for house and techno tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The first release is by Die Vogel, a collaborative project between Jakobus Siebels and Mense Reents. Jakobus is an innovative multi-instrumentalist who has previously recorded distinctive albums for Tomlab, Chicks On Speed Records, Karaoke Kalk; the no less talented Reents is a member of the groups Egoexpress, Die Goldenen Zitronen and Stella, and operates the Art Blakey Studios in Hamburg where this EP was recorded. Listening to A-side 'Blaue Moschee' you immediately know this going to be a strange and wonderful trip: oompa-style brass looped and layered over a stripped-back kickdrum, this tunes messes with all received notions of what house/techno music is! With a musicality and wicked sense of humour that naturally appealed to Koze and Fink, Siebels and Reents have created a timeless dancefloor banger using the most unlikely of elements. The result definitely isn't "jazzy techno" - the brass, far from being an afterthought, it's the very substance of the thing; it provides the melody, the bass, and the rhythm. Brass is the driving force behind the whole EP. B1, 'Petardo', is likewise driven by growling trombones and tubas, this time offset by cooing woodwind and set to a rolling, almost tribal drum tattoo. The horn chords are reminiscent of moody 60s British jazz, while the woodwind lends a South American fire and flair to proceedings. The track is full of subtle edits, but Siebels and Reents don't overwhelm the mix with synthesized sounds, instead letting the acoustic instruments speak for themselves. Closer 'Empire' again finds exquisitely arranged brass parts interlocking into a tough, single-minded groove, underscored with a skippy, broken 4/4 pulse and handclaps. Often when a new label claims to be taking risks and trying something new, the truth is rather less remarkable. Not in this case: Siebels and Reent have created a terrifically original, inimitable trio of tracks that combine the pop and the avant-garde, the cerebral and the physical, to absolutely stunning effect. It might be unusual and it might be clever, but it's still dance music pure and simple. magic!
More
1
DJ Koze - Blume Der Nacht
2
DJ Koze - Rue Burnout
2023 repress
Tracklist:
A: Blume Der Nacht
B: Rue Burnout
DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
More
Tracklist:
A: Blume Der Nacht
B: Rue Burnout
DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
More
1
DJ Koze - Amygdala (Roman Flügel remix)
2
DJ Koze - B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.
More
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.
More
1
axel boman - 1979
2
axel boman - Nokturn
2023 repress
Tracklist:
A. 1979 B. Nokturn (Grand Finale)
Shortinfo:
Pampa's favourite Barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, Holy Love was the name, and "Purple Drank" the undeniable track of the year; it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. While he last left us falling down the rabbit hole, Axel Boman's newest concern is upward, forward, accelerated motion. "1979" cool-toned and pensive take on classic downtempo deep house. It holds on to the necessary bare banes of percussion, but surrounds it with light touches and a soothing pastoral feel. Time is taken and moments have room to breathe, in this meditative exploration of gently shifting moods. "Nokturn (Grand Finale)" is carnivalesque in the grandest sense, with endless movement via its dominant percussion pattern. Its looping background is perpetually primed for take off, building in intensity as the Latin rhythms preoccupy the shoulders and hips. A double bass phrase minimalist bass loop takes care of the low end groove, and together with glimpses of vintage disco sounds, creates another surefire hit.
More
Tracklist:
A. 1979 B. Nokturn (Grand Finale)
Shortinfo:
Pampa's favourite Barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, Holy Love was the name, and "Purple Drank" the undeniable track of the year; it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. While he last left us falling down the rabbit hole, Axel Boman's newest concern is upward, forward, accelerated motion. "1979" cool-toned and pensive take on classic downtempo deep house. It holds on to the necessary bare banes of percussion, but surrounds it with light touches and a soothing pastoral feel. Time is taken and moments have room to breathe, in this meditative exploration of gently shifting moods. "Nokturn (Grand Finale)" is carnivalesque in the grandest sense, with endless movement via its dominant percussion pattern. Its looping background is perpetually primed for take off, building in intensity as the Latin rhythms preoccupy the shoulders and hips. A double bass phrase minimalist bass loop takes care of the low end groove, and together with glimpses of vintage disco sounds, creates another surefire hit.
More
1
DJ Koze - Seeing Aliens (Extended Breakthrough Version)
2
DJ Koze - Nein König Nein
2023 repress
Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein
Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.
More
Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein
Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.
More
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2023 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
More
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
More
1
Dave DK - A. Jelly Legs 6:59
2
Dave DK - B1 El Point 7:41
3
Dave DK - B2 Chicama 7:46
2023 Repress
Tracklist:
A. Jelly Legs 6:59
B1 El Point 7:41
B2 Chicama 7:46
Release Info:
A crackling fire is burning under the bridge.
BANG! the brow hits against the steel drum, Hey!
I only bowed down! BOING! The elbow jabs into the door of an abandoned ragtop, To lash the laces! CRACK! the knee strikes the rusty trash can, Of my brand new black sneakers!
RASP! YAWP! SCREEECH! The gang rabbles on the dancefloor. Metallic sounds blaze out of the speakers. A rustle, a chatter, a rattle, a flapper. Cops troop in gazing in wonder while converting into liquid coppers. A warm kicking bass sets in. A voice from down below. Though, right next to your ear. The floor is demanding a sacrifice.
Jog your head, swing your hip. Wave your hands, and shake a leg: Tighten up, and then let go, for this Dance aboulic!
Producer and DJ Dave DK with his new »Chicama« EP on Pampa. Three kicking, bumping tracks for all day and all of the night. Euphoric percussive floorkillers with a hint towards an alluring gloominess.
More
Tracklist:
A. Jelly Legs 6:59
B1 El Point 7:41
B2 Chicama 7:46
Release Info:
A crackling fire is burning under the bridge.
BANG! the brow hits against the steel drum, Hey!
I only bowed down! BOING! The elbow jabs into the door of an abandoned ragtop, To lash the laces! CRACK! the knee strikes the rusty trash can, Of my brand new black sneakers!
RASP! YAWP! SCREEECH! The gang rabbles on the dancefloor. Metallic sounds blaze out of the speakers. A rustle, a chatter, a rattle, a flapper. Cops troop in gazing in wonder while converting into liquid coppers. A warm kicking bass sets in. A voice from down below. Though, right next to your ear. The floor is demanding a sacrifice.
Jog your head, swing your hip. Wave your hands, and shake a leg: Tighten up, and then let go, for this Dance aboulic!
Producer and DJ Dave DK with his new »Chicama« EP on Pampa. Three kicking, bumping tracks for all day and all of the night. Euphoric percussive floorkillers with a hint towards an alluring gloominess.
More
1
Robag Wruhme - Nata Alma (Club Smash Hit Version) 08:40
2
Robag Wruhme - Venq Tolep (Hit Club Version) 06:24
2023 Repress
Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24
Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.
More
Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24
Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.
More
1
Ede & Deckert feat. Sargland - Immer – Club Version
2
Ede & Deckert feat. Sargland - Immer - Instrumental
Tracklist
A1. Immer – Club Version
B1. Immer - Instrumental
Release Info:
The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.
More
A1. Immer – Club Version
B1. Immer - Instrumental
Release Info:
The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.
More
1
Kai Alcé - Slide It In
2
Kai Alcé - Space Skat N Dat
3
Kai Alcé - New Life Livin
4
Kai Alcé - Rough Sands
5
Kai Alcé - Strollin Thru Barcelona
Tracklist 12":
A1) Slide It In
A2) Space Skat N Dat
B1) New Life Livin
B2) Rough Sands
B3) Strollin Thru Barcelona
Release Info:
Toy Tonics welcome one of the US’ absolute legends in the game on their roster - Kai Alcé! One of the original masters of jazzy house, Kai is a prime example, someone who witnessed the genesis of Detroit’s electronic musical landscape and strives to keep that spirit alive. Being of Haitian descent laid the foundation for his musical ear starting with his childhood in Queens, New York. Some of his earliest musical influences included his mother’s penchant for soca music and the distinct Caribbean rhythms of his culture. An appreciation of Jazz would be further guided by his father’s expanding audiophile home system. During the 1970s the kindling of Hip Hop and the heyday of Disco perked the ear of a young Kai while they were living in NYC. The Big Apple would remain a constant throughout his musical journey as the years went on, but it was the move to Michigan that ultimately shaped his artistic vision.
On this 5 track EP Kai once again makes it all feel so easy! Deeply musical, yet also instantly effective on the dance floor, tracks like ‘New Life Livin’ and ‘Slide It In’ come with an ease that shows why he’s shaped the game for decades.
More
A1) Slide It In
A2) Space Skat N Dat
B1) New Life Livin
B2) Rough Sands
B3) Strollin Thru Barcelona
Release Info:
Toy Tonics welcome one of the US’ absolute legends in the game on their roster - Kai Alcé! One of the original masters of jazzy house, Kai is a prime example, someone who witnessed the genesis of Detroit’s electronic musical landscape and strives to keep that spirit alive. Being of Haitian descent laid the foundation for his musical ear starting with his childhood in Queens, New York. Some of his earliest musical influences included his mother’s penchant for soca music and the distinct Caribbean rhythms of his culture. An appreciation of Jazz would be further guided by his father’s expanding audiophile home system. During the 1970s the kindling of Hip Hop and the heyday of Disco perked the ear of a young Kai while they were living in NYC. The Big Apple would remain a constant throughout his musical journey as the years went on, but it was the move to Michigan that ultimately shaped his artistic vision.
On this 5 track EP Kai once again makes it all feel so easy! Deeply musical, yet also instantly effective on the dance floor, tracks like ‘New Life Livin’ and ‘Slide It In’ come with an ease that shows why he’s shaped the game for decades.
More
1
TRICATEL - A1) Madrigal - Leo Blomov
2
TRICATEL - A2) Billy Joel - Lord
3
TRICATEL - A3) Plus vite - Charles Dollé
4
TRICATEL - A4) Dream - Comateens
5
TRICATEL - A5) Pôve tièsse - Guy Cabay
6
TRICATEL - A6) Fallen Snow - Louis Philppe
7
TRICATEL - A7) La mémoire des pierres - Catastrophe
8
TRICATEL - B1) Das Macht Dich Heiss - Ingrid Caven
9
TRICATEL - B2) Sweet Jesus !!! - Chassol
10
TRICATEL - B3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
11
TRICATEL - B4) Tee Shirt Finisher - A.S Dragon
12
TRICATEL - B5) The Girl of September - Bertrand Burgalat
13
TRICATEL - B6) Montées infinies - Karol Beffa
LP
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
1
AKA AKA, Artenvielfalt - A1. AKA AKA, Artenvielfalt - Let Me Show You
2
AKA AKA - B1 AKA AKA – Techno Cat
GENRE/S: House, Tech House
TRACKLIST:
A1. AKA AKA, Artenvielfalt - Let Me Show You
B1 AKA AKA – Techno Cat
SHORT INFO:
AKA AKA presents an electrifying vinyl release on their newly founded label WHATS POPPIN that will transport you into the realms of timeless rave classics with a contemporary twist. First, experience their collaboration with Artenvielfalt on the cover version of "Camisra - Let Me Show You," a fresh and sophisticated update that preserves the original's essence while adding a modern edge. Next, brace yourself for AKA AKA's thrilling rendition of the iconic "Techno Cat" by Tom Wilson, infusing it with a captivating beat that sets the dance floor ablaze. Immerse yourself in the reimagined energy and infectious vibes of these tracks, designed for a new generation of house music enthusiasts. Drop the needle, dance, and let the magic unfold before your ears!
VITAL SALES POINTS:
- A1 Charted on Beatport TOP3 in Tech House Hype and is still climbing upwards with almost 1.000 downloads
within 5 weeks.
- B1 is previously unreleased on DSPs.
- Artist has a strong fanbase with over 500k combined followers and over 700k monthly listeners on Spotify
- Wide Global Promo by WHOA!, DJ Propaganda and Dance-Charts.de
- Extensive festival tour 2023: Parookaville, Rave the Planet, Nature One, Open Beatz, Ikarus, Atlas, Echelon,
Isle of Summer, Sputnik Springbreak... More
TRACKLIST:
A1. AKA AKA, Artenvielfalt - Let Me Show You
B1 AKA AKA – Techno Cat
SHORT INFO:
AKA AKA presents an electrifying vinyl release on their newly founded label WHATS POPPIN that will transport you into the realms of timeless rave classics with a contemporary twist. First, experience their collaboration with Artenvielfalt on the cover version of "Camisra - Let Me Show You," a fresh and sophisticated update that preserves the original's essence while adding a modern edge. Next, brace yourself for AKA AKA's thrilling rendition of the iconic "Techno Cat" by Tom Wilson, infusing it with a captivating beat that sets the dance floor ablaze. Immerse yourself in the reimagined energy and infectious vibes of these tracks, designed for a new generation of house music enthusiasts. Drop the needle, dance, and let the magic unfold before your ears!
VITAL SALES POINTS:
- A1 Charted on Beatport TOP3 in Tech House Hype and is still climbing upwards with almost 1.000 downloads
within 5 weeks.
- B1 is previously unreleased on DSPs.
- Artist has a strong fanbase with over 500k combined followers and over 700k monthly listeners on Spotify
- Wide Global Promo by WHOA!, DJ Propaganda and Dance-Charts.de
- Extensive festival tour 2023: Parookaville, Rave the Planet, Nature One, Open Beatz, Ikarus, Atlas, Echelon,
Isle of Summer, Sputnik Springbreak... More
1
The Supermen Lovers - A1. The Supermen Lovers - Starlight (20th Anniversary)
2
The Supermen Lovers - A2. The Supermen Lovers - Starlight (20th Anniversary) - Dub
3
The Supermen Lovers - A3. The Supermen Lovers - Starlight (20th Anniversary) - Radio Edit
4
The Supermen Lovers - B1. The Supermen Lovers - Starlight - Disco Edit
Territory: ww -uk -fr
EP, Black Vinyl Edition
A1. The Supermen Lovers - Starlight (20th Anniversary)
A2. The Supermen Lovers - Starlight (20th Anniversary) - Dub
A3. The Supermen Lovers - Starlight (20th Anniversary) - Radio Edit
B1. The Supermen Lovers - Starlight - Disco Edit
No. 1 in the charts in more than 20 countries with more than 2.6 million physical singles sold, a mythical video clip that is shown H24 on all TV channels, nominated for an MTV Award & Victoire de la musique, the most broadcast French song in the world for two years in a row... 20 years later, Starlight still arouses an unfailing love. The opportunity to revive this classic with a '20th Anniversary' collector's vinyl reissue.
Starlight exploded and broke all records when it was released at the beginning of the millennium. 20 years later, the industry has completely transformed but the track still boasts eloquent statistics with over 200M streams! A classic that is all the more notorious for having been part of the advent of a new genre that would mark the history of music: the "French Touch", shaped by Daft Punk, Stardust, Cassius, Etienne de Crécy, Modjo, and thus The Supermen Lovers.
The opportunity to revive this icon with a collector's vinyl reissue; new mix, new master, new disco version, all engraved on a numbered white vinyl as well as a poster (60x90cm) and maybe the chance to find one of the 10 hidden golden tickets, allowing lifetime access to all the artist's dates.
More
EP, Black Vinyl Edition
A1. The Supermen Lovers - Starlight (20th Anniversary)
A2. The Supermen Lovers - Starlight (20th Anniversary) - Dub
A3. The Supermen Lovers - Starlight (20th Anniversary) - Radio Edit
B1. The Supermen Lovers - Starlight - Disco Edit
No. 1 in the charts in more than 20 countries with more than 2.6 million physical singles sold, a mythical video clip that is shown H24 on all TV channels, nominated for an MTV Award & Victoire de la musique, the most broadcast French song in the world for two years in a row... 20 years later, Starlight still arouses an unfailing love. The opportunity to revive this classic with a '20th Anniversary' collector's vinyl reissue.
Starlight exploded and broke all records when it was released at the beginning of the millennium. 20 years later, the industry has completely transformed but the track still boasts eloquent statistics with over 200M streams! A classic that is all the more notorious for having been part of the advent of a new genre that would mark the history of music: the "French Touch", shaped by Daft Punk, Stardust, Cassius, Etienne de Crécy, Modjo, and thus The Supermen Lovers.
The opportunity to revive this icon with a collector's vinyl reissue; new mix, new master, new disco version, all engraved on a numbered white vinyl as well as a poster (60x90cm) and maybe the chance to find one of the 10 hidden golden tickets, allowing lifetime access to all the artist's dates.
More
WAS EXCLUSIVE "BACK IN's": THIS WEEK
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More
RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
More
1
letta mbulu - Sweet Juju
2
letta mbulu - Nomalizo
3
letta mbulu - Nkedama
4
letta mbulu - Hamba Nam We
5
letta mbulu - Vumani Makhos
6
letta mbulu - Down By The River
7
letta mbulu - The Village
2023 repress
Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)
Release Notes
Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.
This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.
South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.
News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned! More
Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)
Release Notes
Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.
This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.
South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.
News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned! More
1
Conic Rose - Honeylake
2
Conic Rose - Gleisdreieck
3
Conic Rose - Heller Tag
4
Conic Rose - Learn To Be Cool
5
Conic Rose - Miranda
6
Conic Rose - Chopin Rosé
7
Conic Rose - Sad Wacky Waving Inflatable Tube Guy
8
Conic Rose - Fashionweek
9
Conic Rose - Goodbye
10
Conic Rose - Uli
11
Conic Rose - Hope In The Crypto Crash
12
Conic Rose - Nie Wieder Knutschen
LP
Debut Album of Conic Rose
3rd Single "Gleisdreieck" played by Gilles Peterson on BBC6 DATE: 12/11/22
Fifteen Questions -> interview for the album
DJ support: Gilles Peterson, Atjazz, Jez Nelson, Kid Fonque, Daz-I-Kue, Ian Friday.
Extended Germany release-tour in 2023: Berlin, Erfurt, Bern (CH), Honigsee, Hannover, Wuppertal, Augsburg, Hamburg, München, Dresden, Halle, Esslingen, Karlsruhe, Minden, Frankfurt, Südtirol Jazzfestival (IT) tba.
GENRE/S:
NuJazz/Jazz/Electronic
TRACKLISTS:
1. Honeylake
2. Gleisdreieck
3. Heller Tag
4. Learn To Be Cool
5. Miranda
6. Chopin Rosé
7. Sad Wacky Waving Inflatable Tube Guy
8. Fashionweek
9. Goodbye
10. Uli
11. Hope In The Crypto Crash
12. Nie Wieder Knutschen
SHORT INFO:
Heller Tag is the debutalbum of Berlin-based jazz collective Conic Rose.
The young musicians come from the most diverse musical backgrounds: their other projects include names such as arena-filling German pop stars Clueso or Samy Deluxe but also Jazz legends such as Michael Wollny or Joy Denalane.
What connects them is their love to explore, create, redefine and effortlessly move between abstraction and accessibility, high quality sound and the beauty of the imperfect - interweaving electronic elements, cinematic jazz, vibey soundscapes and hints of art rock with eclectic, zeitgeisty influences.
Their releases so far as well as the few shows they played on the back of their debut EP (2020) exceeded all expectations, attracting the attention of industry professionals all the way from the UK or USA.
All songs are written, recorded and produced by Conic Rose in their own recording studio in the Wedding neighbourhood of Berlin.
VITAL SALES POINTS:
o Debut Album of Conic Rose
o 3rd Single "Gleisdreieck" played by Gilles Peterson on BBC6 DATE: 12/11/22
o Fifteen Questions -> interview for the album
o DJ support: Gilles Peterson, Atjazz, Jez Nelson, Kid Fonque, Daz-I-Kue, Ian Friday.
o Extended Germany release-tour in 2023: Berlin, Erfurt, Bern (CH), Honigsee, Hannover, Wuppertal, Augsburg, Hamburg, München, Dresden, Halle, Esslingen, Karlsruhe, Minden, Frankfurt, Südtirol Jazzfestival (IT) tba.
o Debut EP Babyghosts, Aug 2020 via JazzLab
? > 900k streams on Spotify
o Single "Babyghosts - Jazz Montez Version" in the context of the compilation Jazz Montez Presents, Dec 2021 via Jazz Montez records
Featured on playlists such as State of Jazz (6/50), Jazz Flow (1/100), 21st Century Jazz (2/250), All New Jazz (16/53)
More
Debut Album of Conic Rose
3rd Single "Gleisdreieck" played by Gilles Peterson on BBC6 DATE: 12/11/22
Fifteen Questions -> interview for the album
DJ support: Gilles Peterson, Atjazz, Jez Nelson, Kid Fonque, Daz-I-Kue, Ian Friday.
Extended Germany release-tour in 2023: Berlin, Erfurt, Bern (CH), Honigsee, Hannover, Wuppertal, Augsburg, Hamburg, München, Dresden, Halle, Esslingen, Karlsruhe, Minden, Frankfurt, Südtirol Jazzfestival (IT) tba.
GENRE/S:
NuJazz/Jazz/Electronic
TRACKLISTS:
1. Honeylake
2. Gleisdreieck
3. Heller Tag
4. Learn To Be Cool
5. Miranda
6. Chopin Rosé
7. Sad Wacky Waving Inflatable Tube Guy
8. Fashionweek
9. Goodbye
10. Uli
11. Hope In The Crypto Crash
12. Nie Wieder Knutschen
SHORT INFO:
Heller Tag is the debutalbum of Berlin-based jazz collective Conic Rose.
The young musicians come from the most diverse musical backgrounds: their other projects include names such as arena-filling German pop stars Clueso or Samy Deluxe but also Jazz legends such as Michael Wollny or Joy Denalane.
What connects them is their love to explore, create, redefine and effortlessly move between abstraction and accessibility, high quality sound and the beauty of the imperfect - interweaving electronic elements, cinematic jazz, vibey soundscapes and hints of art rock with eclectic, zeitgeisty influences.
Their releases so far as well as the few shows they played on the back of their debut EP (2020) exceeded all expectations, attracting the attention of industry professionals all the way from the UK or USA.
All songs are written, recorded and produced by Conic Rose in their own recording studio in the Wedding neighbourhood of Berlin.
VITAL SALES POINTS:
o Debut Album of Conic Rose
o 3rd Single "Gleisdreieck" played by Gilles Peterson on BBC6 DATE: 12/11/22
o Fifteen Questions -> interview for the album
o DJ support: Gilles Peterson, Atjazz, Jez Nelson, Kid Fonque, Daz-I-Kue, Ian Friday.
o Extended Germany release-tour in 2023: Berlin, Erfurt, Bern (CH), Honigsee, Hannover, Wuppertal, Augsburg, Hamburg, München, Dresden, Halle, Esslingen, Karlsruhe, Minden, Frankfurt, Südtirol Jazzfestival (IT) tba.
o Debut EP Babyghosts, Aug 2020 via JazzLab
? > 900k streams on Spotify
o Single "Babyghosts - Jazz Montez Version" in the context of the compilation Jazz Montez Presents, Dec 2021 via Jazz Montez records
Featured on playlists such as State of Jazz (6/50), Jazz Flow (1/100), 21st Century Jazz (2/250), All New Jazz (16/53)
More
1
Woxow - A1. Solid as a Rock feat. Natty Campbell
2
Woxow - A2. Blueprint feat. Raashan Ahmad
3
Woxow - A3. Enough is Enough feat. Azeem
4
Woxow - B1. Blueprint feat. Raashan Ahmad (Koralle Remix)
5
Woxow - B2. Enough is Enough feat. Azeem (Deela Remix)
6
Woxow - B3. Solid as a Rock feat. Natty Campbell (Paolo Baldini Dubfiles Remix)
7
Woxow - B4. Enough is Enough feat. Azeem (Luke Beats Remix)
Format: 12"
TRACKLISTING:
A1. Solid as a Rock feat. Natty Campbell
A2. Blueprint feat. Raashan Ahmad
A3. Enough is Enough feat. Azeem
B1. Blueprint feat. Raashan Ahmad (Koralle Remix)
B2. Enough is Enough feat. Azeem (Deela Remix)
B3. Solid as a Rock feat. Natty Campbell (Paolo Baldini Dubfiles Remix)
B4. Enough is Enough feat. Azeem (Luke Beats Remix)
Description:
Did you know that if we go back 10 generations, we could count for each of us some 2,046
ancestors, going back 20 generations there would be 2.097.150 ancestors and going back 40
generations each of us would have more than a trillion ancestors, which is more than all the
people who have ever lived on earth?
This complicated paradox, known as the Pedigree Collapse, however, leads to the simple
conclusion that we all share at least one ancestor with each other.
Inspired by this reflection, "How many ancestors do we have?" is the latest EP by Woxow,
sound mixologist and mastermind of Little Beat More, translating the concept into aprofound journey in search of the roots of music, to find that ancestral vibration that has
resonated in every human being since the dawn of time.
Jazz atmospheres, refined hip hop beats, world music overtones, dub rhythms and reggae
reminiscences, all enriched by the dense and meaningful voices of London's Reggae Roast
MC Natty Campbell, the eclectic and electric Raashan Ahmad and the legendary rapper and
performance poet Azeem, bringing to light the infinite connections that unite all humanity.
The album is further enriched by the precious remixes of underground legend Koralle,
electronic shaman Deela, dub master Paolo Baldini Dubfiles, and gifted hip-hop head Luke
Beats, who hybridise Woxow's ancestral vision with their skillful artistry, giving a new
dimension to the tracks.
The artwork by visual artist and filmmaker Simone Brillarelli captures the essence of the
album in a vibrant bloom of colourful flowers sharing the same soil, and ultimately the same
planet, reiterating the message of shared family and unity that is celebrated in the music.
The EP is available both as a gatefold with two 7-inch vinyls and as a single 12-inch vinyl,
as well as digital.
Join the family now!
Edition of 300 copies
Made with Love by Little Beat More 2023 More
TRACKLISTING:
A1. Solid as a Rock feat. Natty Campbell
A2. Blueprint feat. Raashan Ahmad
A3. Enough is Enough feat. Azeem
B1. Blueprint feat. Raashan Ahmad (Koralle Remix)
B2. Enough is Enough feat. Azeem (Deela Remix)
B3. Solid as a Rock feat. Natty Campbell (Paolo Baldini Dubfiles Remix)
B4. Enough is Enough feat. Azeem (Luke Beats Remix)
Description:
Did you know that if we go back 10 generations, we could count for each of us some 2,046
ancestors, going back 20 generations there would be 2.097.150 ancestors and going back 40
generations each of us would have more than a trillion ancestors, which is more than all the
people who have ever lived on earth?
This complicated paradox, known as the Pedigree Collapse, however, leads to the simple
conclusion that we all share at least one ancestor with each other.
Inspired by this reflection, "How many ancestors do we have?" is the latest EP by Woxow,
sound mixologist and mastermind of Little Beat More, translating the concept into aprofound journey in search of the roots of music, to find that ancestral vibration that has
resonated in every human being since the dawn of time.
Jazz atmospheres, refined hip hop beats, world music overtones, dub rhythms and reggae
reminiscences, all enriched by the dense and meaningful voices of London's Reggae Roast
MC Natty Campbell, the eclectic and electric Raashan Ahmad and the legendary rapper and
performance poet Azeem, bringing to light the infinite connections that unite all humanity.
The album is further enriched by the precious remixes of underground legend Koralle,
electronic shaman Deela, dub master Paolo Baldini Dubfiles, and gifted hip-hop head Luke
Beats, who hybridise Woxow's ancestral vision with their skillful artistry, giving a new
dimension to the tracks.
The artwork by visual artist and filmmaker Simone Brillarelli captures the essence of the
album in a vibrant bloom of colourful flowers sharing the same soil, and ultimately the same
planet, reiterating the message of shared family and unity that is celebrated in the music.
The EP is available both as a gatefold with two 7-inch vinyls and as a single 12-inch vinyl,
as well as digital.
Join the family now!
Edition of 300 copies
Made with Love by Little Beat More 2023 More
1
Conjunto Media Luna - Pajarito golondrina
2
Conjunto Media Luna - Perdi mis temores feat. Mismo Perro & N. Hardem
3
Conjunto Media Luna - Conjunto Media Luna
4
Conjunto Media Luna - Que vuelva a sonar el cumbion feat. Son Rompe Pera
5
Conjunto Media Luna - Bogotokio feat. Muupy & HYDRO as BNJ
6
Conjunto Media Luna - Cumbia Teriyaki feat. Muupy
7
Conjunto Media Luna - Noches de media luna
8
Conjunto Media Luna - El combustible
9
Conjunto Media Luna - Eso asi no es
Genre: Latin/Cumbia/Guaracha
Format: 12” inches Black, LP
Tracklisting:
A1. Pajarito golondrina
A2. Perdi mis temores feat. Mismo Perro & N. Hardem
A3. Conjunto Media Luna
A4. Que vuelva a sonar el cumbion feat. Son Rompe Pera
B1. Bogotokio feat. Muupy & HYDRO as BNJ
B2. Cumbia Teriyaki feat. Muupy
B3. Noches de media luna
B4. El combustible
B5. Eso asi no es
Description:
Take part in the sound of Bogota's eclectic cumbia scene that permeates the ritual sonido of 'Noches de Medialuna', the latest album by Conjunto Medialuna out now on Little Beat More!
Enter the labyrinth that transcends the danceable and psychedelic, guided by the Colombian accordion and ecstatic percussion of their slow-pitched beat. A tribute to the power of guacharaca, and the street parrandas where each song becomes a discovery of new archetypes of what has always been traditional but today makes part of the urban tribes of Latin America and the world.
Collaborations with artists such as N. Hardem, Mismo Perro, Son Rompe Pera, MC Hydro, or the Japanese-Latin connection with percussionist Muupy elevate this musical journey to a universal level that transcends cultural boundaries.
The album is available on 12-inch vinyl or digitally, don't miss it!
Edition of 500 copies, sealed.
Made with Love by Little Beat More 2023
Published by Four Flies Records More
Format: 12” inches Black, LP
Tracklisting:
A1. Pajarito golondrina
A2. Perdi mis temores feat. Mismo Perro & N. Hardem
A3. Conjunto Media Luna
A4. Que vuelva a sonar el cumbion feat. Son Rompe Pera
B1. Bogotokio feat. Muupy & HYDRO as BNJ
B2. Cumbia Teriyaki feat. Muupy
B3. Noches de media luna
B4. El combustible
B5. Eso asi no es
Description:
Take part in the sound of Bogota's eclectic cumbia scene that permeates the ritual sonido of 'Noches de Medialuna', the latest album by Conjunto Medialuna out now on Little Beat More!
Enter the labyrinth that transcends the danceable and psychedelic, guided by the Colombian accordion and ecstatic percussion of their slow-pitched beat. A tribute to the power of guacharaca, and the street parrandas where each song becomes a discovery of new archetypes of what has always been traditional but today makes part of the urban tribes of Latin America and the world.
Collaborations with artists such as N. Hardem, Mismo Perro, Son Rompe Pera, MC Hydro, or the Japanese-Latin connection with percussionist Muupy elevate this musical journey to a universal level that transcends cultural boundaries.
The album is available on 12-inch vinyl or digitally, don't miss it!
Edition of 500 copies, sealed.
Made with Love by Little Beat More 2023
Published by Four Flies Records More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
1
Ryo Fukui - 01. Sonora
2
Ryo Fukui - 02. Stella by Starlight
3
Ryo Fukui - 03. Speak Low
4
Ryo Fukui - 04. Nobody Knows The Trouble I’ve Seen
5
Ryo Fukui - 05. Old Country
6
Ryo Fukui - 06. Soultrane
7
Ryo Fukui - 07. Chasin’ The Bird
8
Ryo Fukui - 08. Be My Love
-NO SALES TO JAPAN-
CD
Tracklisting CD
01. Sonora
02. Stella by Starlight
03. Speak Low
04. Nobody Knows The Trouble I’ve Seen
05. Old Country
06. Soultrane
07. Chasin’ The Bird
08. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
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CD
Tracklisting CD
01. Sonora
02. Stella by Starlight
03. Speak Low
04. Nobody Knows The Trouble I’ve Seen
05. Old Country
06. Soultrane
07. Chasin’ The Bird
08. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
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Grauzone - 01. Film 2
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Grauzone - 02. Schlachtet!
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Grauzone - 03. Hinter Den Bergen
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Grauzone - 04. Maikäfer Flieg
5
Grauzone - 05. Marmelade Und Himbeereis
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Grauzone - 06. Wütendes Glas
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Grauzone - 07. Kälte Kriecht
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Grauzone - 08. Kunstgewerbe
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Grauzone - 09. Der Weg Zu Zweit
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Grauzone - 10. In Der Nacht
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Grauzone - 11. Eisbär
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Grauzone - 12. Ich Lieb Sie
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Grauzone - 13. Moskau
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Grauzone - 14. Ein Tanz Mit Dem Tod
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Grauzone - 15. Träume Mit Mir
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Grauzone - 16. Ich Und Du
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Grauzone - 17. Wütendes Glas (Maxi Version)
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Grauzone - 18. Raum
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Grauzone - 19. Film 1
Digipack CD: Liner Notes, Sticker
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
01. Film 2
02. Schlachtet!
03. Hinter Den Bergen
04. Maikäfer Flieg
05. Marmelade Und Himbeereis
06. Wütendes Glas
07. Kälte Kriecht
08. Kunstgewerbe
09. Der Weg Zu Zweit
10. In Der Nacht
11. Eisbär
12. Ich Lieb Sie
13. Moskau
14. Ein Tanz Mit Dem Tod
15. Traüme Mit Mir
16. Ich Und Du
17. Wütendes Glas (Maxi Version)
18. Raum
19. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
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- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
01. Film 2
02. Schlachtet!
03. Hinter Den Bergen
04. Maikäfer Flieg
05. Marmelade Und Himbeereis
06. Wütendes Glas
07. Kälte Kriecht
08. Kunstgewerbe
09. Der Weg Zu Zweit
10. In Der Nacht
11. Eisbär
12. Ich Lieb Sie
13. Moskau
14. Ein Tanz Mit Dem Tod
15. Traüme Mit Mir
16. Ich Und Du
17. Wütendes Glas (Maxi Version)
18. Raum
19. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
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german exclusive & essential picks
Currently based in Los Angeles, Laurel Halo has spent over a decade stepping into different towns and cities for a moment or more, to the point where everywhere almost became nowhere. Atlas, the debut release on her new imprint Awe, is an attempt to put that feeling to music. Using both electronic and acoustic instrumentation, Halo has created a potent set of sensual ambient jazz collages, comprised of orchestral clouds, shades of modal harmony, hidden sonic details, and detuned, hallucinatory textures. The music functions as a series of maps, for places real and imaginary, and for expressing the unsaid.
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Laurel Halo - A1 Abandon
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Laurel Halo - A2 Naked to the Light
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Laurel Halo - A3 Late Night Drive
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Laurel Halo - A4 Sick Eros
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Laurel Halo - A5 Belleville
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Laurel Halo - B1 Sweat, Tears or the Sea
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Laurel Halo - B2 Atlas
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Laurel Halo - B3 Reading the Air
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Laurel Halo - B4 You Burn Me
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Laurel Halo - B5 Earthbound
Currently based in Los Angeles, Laurel Halo has spent over a decade stepping into different towns and cities for a moment or more, to the point where everywhere almost became nowhere. Atlas, the debut release on her new imprint Awe, is an attempt to put that feeling to music. Using both electronic and acoustic instrumentation, Halo has created a potent set of sensual ambient jazz collages, comprised of orchestral clouds, shades of modal harmony, hidden sonic details, and detuned, hallucinatory textures. The music functions as a series of maps, for places real and imaginary, and for expressing the unsaid.
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Jules Wells - Ensemble
2
Jules Wells - Möön
3
Jules Wells - Notilus
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Jules Wells - With You In My Dreams
5
Jules Wells - Please
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Jules Wells - Blackstorm
7
Jules Wells - Drunk
8
Jules Wells - Pyramid
9
Jules Wells - Dune
10
Jules Wells - My House
11
Jules Wells - Game Over
Jules Wells is from Bordeaux, France. He started Djing in the late 90’s, and released his first productions in 2008 on Logos Recordings.
Strongly influenced by the Motor City, Jules already released material on several respected Detroit-based labels like KMS, Electrofunk, Submerge Recordings, Twilight 76 Rec, and RPD, but also on various labels such as Lo-deep (France), Purebox (Japan) and Logos (Macedonia). These EPs received massive support from many Djs, including Laurent Garnier, Underground Resistance, Carl Cox and Monika Kruse.
Now Jules Wells joined the [briquerouge] team for his first album ever
To be released on 2x12" LP limited bi-color vinyl edition in October 2023.
Support by Laurent Garner (play/radio show/new podcast DEEP Search planned feature on Soundcloud) More
Strongly influenced by the Motor City, Jules already released material on several respected Detroit-based labels like KMS, Electrofunk, Submerge Recordings, Twilight 76 Rec, and RPD, but also on various labels such as Lo-deep (France), Purebox (Japan) and Logos (Macedonia). These EPs received massive support from many Djs, including Laurent Garnier, Underground Resistance, Carl Cox and Monika Kruse.
Now Jules Wells joined the [briquerouge] team for his first album ever
To be released on 2x12" LP limited bi-color vinyl edition in October 2023.
Support by Laurent Garner (play/radio show/new podcast DEEP Search planned feature on Soundcloud) More
1
Jacob Dwyer & Sam Purcell - Stick On Ice
2
Jacob Dwyer & Sam Purcell - Helmet In The Water
3
Jacob Dwyer & Sam Purcell - Old Guitarist (Outside With Birds)
4
Jacob Dwyer & Sam Purcell - Hetty Brain
5
Jacob Dwyer & Sam Purcell - Suitcase In The Water
6
Jacob Dwyer & Sam Purcell - 6AM (Sunday 24th January)
It’s 6am on Sunday the 24th of January and I’m driving vaguely towards the beach.
Suitcase in the water is a tapestry of musical vignettes, field recordings and fragmented anecdotes that blur diary and fiction. On Monday 23rd of March 2020, police in England dyed the ‘Buxton Blue Lagoon’ black to deter visitors from swimming in the former limestone quarry. Things now float in that water.
Created during the pandemic by Jacob Dwyer and Sam Purcell, Suitcase in the water is a personal snapshot in time, and an insight into the private worlds of two remote collaborators. More
Suitcase in the water is a tapestry of musical vignettes, field recordings and fragmented anecdotes that blur diary and fiction. On Monday 23rd of March 2020, police in England dyed the ‘Buxton Blue Lagoon’ black to deter visitors from swimming in the former limestone quarry. Things now float in that water.
Created during the pandemic by Jacob Dwyer and Sam Purcell, Suitcase in the water is a personal snapshot in time, and an insight into the private worlds of two remote collaborators. More
1
Lady Blackbird - Blackbird (Emma-Jean Thackray Remix)
2
Lady Blackbird - Collage (Greg Foat Remix)
Foundation Music Productions take two of the standout tracks from Lady Blackbird’s critically acclaimed debut album ‘Black Acid Soul’ and enlist the expertise of some of Jazz’s finest talents, Greg Foat and Emma-Jean Thackray, to step up and remix these absorbing cuts.
On the A side, the much-revered London based, jazz and electronic composer/producer Emma-Jean Thackray delivers a downtempo and entrancing remix of ‘Blackbird’, flexing the jazz elements of the original into a smooth and encapsulating mix that's primed to lose yourself in.
Head to the B to find Greg Foat’s irresistibly smooth production touch with his remix of ‘Collage’, layering floaty percussion, dreamy organ chords and delicate guitars to create a sun-kissed, laid back vibe that shines a light on the scintillating vocals. More
On the A side, the much-revered London based, jazz and electronic composer/producer Emma-Jean Thackray delivers a downtempo and entrancing remix of ‘Blackbird’, flexing the jazz elements of the original into a smooth and encapsulating mix that's primed to lose yourself in.
Head to the B to find Greg Foat’s irresistibly smooth production touch with his remix of ‘Collage’, layering floaty percussion, dreamy organ chords and delicate guitars to create a sun-kissed, laid back vibe that shines a light on the scintillating vocals. More
Released on Friends of Friends, "A Free Mind" is a masterpiece by producer and multi-instrumentalist Sweatson Klank (FKA Take) and an all-night party of boogie funk, ‘80s modern soul, Japanese city pop, Balearic disco, AOR, and 90's house.
A1 MOVE FREELY
A2 THE LIMIT FEAT. AYA
A3 SWEAT'S BOUNCE
A4 NO OTHER FEAT. TIFANNY PAIGE
A5 SUMMER SAND
A6 DRIFTWOOD FEAT. ILLINGSWORTH
B1 STOP TALKING FEAT. STEVE SPACEK
B2 STUCK INSIDE YOUR LOVE FEAT. AUMMAAH
B3 CIRCA 95
B4 CAN I GO
B5 NOT ALONE FEAT. GIRLS OF THE INTERNET More
A1 MOVE FREELY
A2 THE LIMIT FEAT. AYA
A3 SWEAT'S BOUNCE
A4 NO OTHER FEAT. TIFANNY PAIGE
A5 SUMMER SAND
A6 DRIFTWOOD FEAT. ILLINGSWORTH
B1 STOP TALKING FEAT. STEVE SPACEK
B2 STUCK INSIDE YOUR LOVE FEAT. AUMMAAH
B3 CIRCA 95
B4 CAN I GO
B5 NOT ALONE FEAT. GIRLS OF THE INTERNET More
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Il Mago Del Gelato - Zenzero
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Il Mago Del Gelato - Saraceno
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Il Mago Del Gelato - Maladetta Quella Notte
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Il Mago Del Gelato - Stracciatella
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Il Mago Del Gelato - Elisir
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Il Mago Del Gelato - Richiamami
“Maledetta Quella Notte” is the first EP by Il Mago del Gelato, a new band from Milan (IT) with a strong Mediterranean imprint.
This first release runs through funk, afrobeat and jazz, where all the different souls that make up the project converge and blend in a perfect balance. The EP ranges between more energetic moments, strongly characterized by Afro-beat and Funk influences to introspective atmospheres, where the reminiscence of a warm, sensual jazz rings out loud.
All held together by a full sound, the unique and recognizable mark of the Il Mago del Gelato: vocoder, percussion, 80's synthesizers, roots guitars and a rhythmic section of drum and bass which drags you in a wild and sweaty dance.
Before being a record product, Maledetta Quella Notte is a project human, in which the concept of union, exchange, positive vibes is summarized in six tracks with taste of your favorite ice cream. More
This first release runs through funk, afrobeat and jazz, where all the different souls that make up the project converge and blend in a perfect balance. The EP ranges between more energetic moments, strongly characterized by Afro-beat and Funk influences to introspective atmospheres, where the reminiscence of a warm, sensual jazz rings out loud.
All held together by a full sound, the unique and recognizable mark of the Il Mago del Gelato: vocoder, percussion, 80's synthesizers, roots guitars and a rhythmic section of drum and bass which drags you in a wild and sweaty dance.
Before being a record product, Maledetta Quella Notte is a project human, in which the concept of union, exchange, positive vibes is summarized in six tracks with taste of your favorite ice cream. More
1
Andrew Ashong & Kaidi Tatham - Low Ceilings
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Andrew Ashong & Kaidi Tatham - Washed In You
3
Andrew Ashong & Kaidi Tatham - Eye Mo Kay
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Andrew Ashong & Kaidi Tatham - Sankofa Song
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Andrew Ashong & Kaidi Tatham - Learning Lessens
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Andrew Ashong & Kaidi Tatham - To Your Heart
Given their combined talents, you'd expect any collaborative album crafted by Andrew Ashong and Kaidi Tatham to be nigh-on essential. Happily, we can confirm that Sankofa Season, their first joint album, is ruddy, bloody brilliant (as Alan Partridge might say). Richly soulful, quietly jazzy and wholeheartedly positive from start the finish, the set sees them jump between deep jazz-funk, hazy contemporary soul, jazzy broken beat, breezy Latin soul, organic deep house and immersive, slow-motion soundscapes. Throughout, Tatham's organ, keyboard and piano work is highly impressive and Ashong's vocals are every bit as sumptuous as usual. Recommended.
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V.A. - A1. Response - Tides
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V.A. - A2. Denham Audio - As We Enter
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V.A. - B1. Elkie - Crazy Music
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V.A. - B2. Eusebeia - Turning Point
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V.A. - C1. Bluematter - Voltage
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V.A. - C2. Pod - Termite
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V.A. - D1. Wrecked Lightship - Shell
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V.A. - D2. Low End Activist - 7 Breaks For 7 Essays
Completing the Shadow Rhythms series, Western Lore presents an 8 track various artist EP featuring Response, Denham Audio, Elkie, Eusebeia, Bluematter, Pod, Wrecked Lightship & Low End Activist.
There's an eclectic mix of junglism on offer here, from deep end esoteric to traditional tearout, flowing toward more 'outsider' techno, dubstep & bass music influences on plate 2.
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There's an eclectic mix of junglism on offer here, from deep end esoteric to traditional tearout, flowing toward more 'outsider' techno, dubstep & bass music influences on plate 2.
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Meat Beat Manifesto & DHS - Pandemic
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Meat Beat Manifesto & DHS - Aggressive Mantis Squad
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Meat Beat Manifesto & DHS - Automatic Mouth
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Meat Beat Manifesto & DHS - International Sound System
Long time collaborators Meat Beat Manifesto (Jack Dangers) & DHS (Benjamin Stokes) get together on fresh new 12” EP ‘Man From Mantis’. Both artists have rich musical histories, Dangers having released an extensive collection of music as MBM since the late 80s including pre-hardcore/jungle breakbeat touchstones (Helter Skelter/Radio Babylon) & late 90s masterpiece ‘Prime Audio Soup’, released on Trent Reznor’s Nothing Records and recognisable from its use in The Matrix. Stokes on the other hand has a smaller back catalogue but no less influential, having been responsible for all-time-classic foundational techno blueprint ‘House of God’.
Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.
These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023. More
Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.
These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023. More
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Freedom Force - What I Feel
2
Freedom Force - Stop Running
Recorded in 1980, only 500 copies of this 7" were pressed, making the original extremely rare and always sold above $$$- finally, the reissue.
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The second self-titled album from Will Miller's Resavoir interweaves modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas – an endlessly listenable, subtly radiant symphony suitable for both the composition-minded musician’s musician and the hook-seeking playlist populist.
This album follows Resavoir’s 2019 self-titled debut album, a breakout success that landed in ‘Best of 2019’ lists by NPR Music and BBC’s Gilles Peterson, and has logged over 8 million streams across DSPs to date, and counting.
Through his movement further into an expanded palette of synths, pianos, live and programmed drums in addition to his MIDI-augmented trumpet, Miller has developed a signature cinematic soul-jazz sound rooted in hip-hop structures. No surprise, then, that his profile as a producer has raised significantly since the Resavoir debut, and that the years since have seen him operating the controls and guiding the ship on tracks for Eryn Allen Kane, Whitney, Knox Fortune, and SZA’s recently-released album SOS (which spent 10 weeks as the #1 spot on the Billboard 200 chart).
This is the backdrop for Resavoir’s second self-titled effort, a more polished and focused presentation of Miller’s evolving skills as a studio producer. His compositional touch is more articulate than ever. The short but sweet album features a massive list of contributors including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and many more.
https://listen.k7.com/22899da3-34dc-498e-8a4a-1862465fe900 More
This album follows Resavoir’s 2019 self-titled debut album, a breakout success that landed in ‘Best of 2019’ lists by NPR Music and BBC’s Gilles Peterson, and has logged over 8 million streams across DSPs to date, and counting.
Through his movement further into an expanded palette of synths, pianos, live and programmed drums in addition to his MIDI-augmented trumpet, Miller has developed a signature cinematic soul-jazz sound rooted in hip-hop structures. No surprise, then, that his profile as a producer has raised significantly since the Resavoir debut, and that the years since have seen him operating the controls and guiding the ship on tracks for Eryn Allen Kane, Whitney, Knox Fortune, and SZA’s recently-released album SOS (which spent 10 weeks as the #1 spot on the Billboard 200 chart).
This is the backdrop for Resavoir’s second self-titled effort, a more polished and focused presentation of Miller’s evolving skills as a studio producer. His compositional touch is more articulate than ever. The short but sweet album features a massive list of contributors including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and many more.
https://listen.k7.com/22899da3-34dc-498e-8a4a-1862465fe900 More
The second self-titled album from Will Miller's Resavoir interweaves modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas – an endlessly listenable, subtly radiant symphony suitable for both the composition-minded musician’s musician and the hook-seeking playlist populist.
This album follows Resavoir’s 2019 self-titled debut album, a breakout success that landed in ‘Best of 2019’ lists by NPR Music and BBC’s Gilles Peterson, and has logged over 8 million streams across DSPs to date, and counting.
Through his movement further into an expanded palette of synths, pianos, live and programmed drums in addition to his MIDI-augmented trumpet, Miller has developed a signature cinematic soul-jazz sound rooted in hip-hop structures. No surprise, then, that his profile as a producer has raised significantly since the Resavoir debut, and that the years since have seen him operating the controls and guiding the ship on tracks for Eryn Allen Kane, Whitney, Knox Fortune, and SZA’s recently-released album SOS (which spent 10 weeks as the #1 spot on the Billboard 200 chart).
This is the backdrop for Resavoir’s second self-titled effort, a more polished and focused presentation of Miller’s evolving skills as a studio producer. His compositional touch is more articulate than ever. The short but sweet album features a massive list of contributors including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and many more.
https://listen.k7.com/22899da3-34dc-498e-8a4a-1862465fe900 More
This album follows Resavoir’s 2019 self-titled debut album, a breakout success that landed in ‘Best of 2019’ lists by NPR Music and BBC’s Gilles Peterson, and has logged over 8 million streams across DSPs to date, and counting.
Through his movement further into an expanded palette of synths, pianos, live and programmed drums in addition to his MIDI-augmented trumpet, Miller has developed a signature cinematic soul-jazz sound rooted in hip-hop structures. No surprise, then, that his profile as a producer has raised significantly since the Resavoir debut, and that the years since have seen him operating the controls and guiding the ship on tracks for Eryn Allen Kane, Whitney, Knox Fortune, and SZA’s recently-released album SOS (which spent 10 weeks as the #1 spot on the Billboard 200 chart).
This is the backdrop for Resavoir’s second self-titled effort, a more polished and focused presentation of Miller’s evolving skills as a studio producer. His compositional touch is more articulate than ever. The short but sweet album features a massive list of contributors including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and many more.
https://listen.k7.com/22899da3-34dc-498e-8a4a-1862465fe900 More
1
DJ Nature - T.S.B. (edit)
2
DJ Nature - Groove Me (edit)
3
DJ Nature - Walking In The Rain (edit)
4
DJ Nature - Nobu (edit)
Part 2 of the series of various lost and found re edits and Rebuffs.
More
1
System Olympia - Half Way There
2
System Olympia - It Ain't Love
Idris Ackamoor & The Pyramids are back with their first major new studio album in over 3 years, an epic, sprawling new work exploring the future, the past and the urgent reality of the present, ‘Afro Futuristic Dreams’.
Tracklist:
A1/1 AFRO FUTURISTIC DREAMS
A2/2 THANK YOU GOD
B1/3 POLICE DEM
B2/4 FIRST PEOPLES
C1/5 TRUTH TO POWER
C2/6 RE - MEMORY
C3/7 GARLAND ROSE
D1/8 REQUIEM FOR THE ANCESTORS
D2/9 NICE IT UP More
Tracklist:
A1/1 AFRO FUTURISTIC DREAMS
A2/2 THANK YOU GOD
B1/3 POLICE DEM
B2/4 FIRST PEOPLES
C1/5 TRUTH TO POWER
C2/6 RE - MEMORY
C3/7 GARLAND ROSE
D1/8 REQUIEM FOR THE ANCESTORS
D2/9 NICE IT UP More
1
Attaboy - In Too Deep
2
Attaboy - In Deeper
26 years on from its first release and after various recent licensing requests - we have a limited reissue of this sought after deep classic.
Remastered for modern floors with the original '97 artwork. More
Remastered for modern floors with the original '97 artwork. More
IMPORT HIGHLIGHTS THIS WEEK
1
Cuften / 14anger - Landing OK
2
Cuften / 14anger - Sadness Is The Seventh Sense
3
Cuften / 14anger - Warehouse Junk
4
Cuften / 14anger - Chemical Eye Burn
Tracklisting:
A1 Cuften / 14anger - Landing OK
A2 Cuften / 14anger - Sadness Is The Seventh Sense
B1 Cuften / 14anger - Warehouse Junk
B2 Cuften / 14anger - Chemical Eye Burn
Sales Note
For the 25th release of the series, we welcome two Tripalium Corp regulars, two brigeheads of the french techno scene, two producers who have both released several EPs on the label (but never on our Acid Avengers series) : 14anger and Cuften. From melancolic rave to 90s industrial hardcore, here is a 4-tracks-EP with dissonant acid lines and powerful basses that are gonna kick your ass! More
A1 Cuften / 14anger - Landing OK
A2 Cuften / 14anger - Sadness Is The Seventh Sense
B1 Cuften / 14anger - Warehouse Junk
B2 Cuften / 14anger - Chemical Eye Burn
Sales Note
For the 25th release of the series, we welcome two Tripalium Corp regulars, two brigeheads of the french techno scene, two producers who have both released several EPs on the label (but never on our Acid Avengers series) : 14anger and Cuften. From melancolic rave to 90s industrial hardcore, here is a 4-tracks-EP with dissonant acid lines and powerful basses that are gonna kick your ass! More
1
Fasme - Solar
2
Fasme - Pursuit
3
Fasme - F.O.G
4
Fasme - Sonic Pantone
5
Fasme - Comete
6
Fasme - Spectrum
7
Fasme - Climax
8
Fasme - Yellow Polygon
9
Fasme - Shine
Smooth playful electronics by Nantes-based Tom Ferreira (Fasme)! He delivers his highly anticipated album titled 'Bloom' whith 9-tracks (recorded live) where he deploys his entire arsenal of analog synths in a classy Braindance way. Immerse in a 303-powered world, with crunchy machine drums and big emotive melodies, rushing piano motifs and swirling chords. This album will make you understand why Bicep put Fasme on the exit ramp two years ago. Artwork Design comes by Acid Hazel (Berlin). Recommended!!
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1
GYPS - Quasar
2
GYPS - Quasar (Steve O’Sullivan Remix)
3
GYPS - Sierra
4
GYPS - Dime
Dubai’s lo-fi wizards Shadi Megallaa & Abood Nasrawi aka GYPS take a break from their lo-fi experiments & venture onto the dancefloor with 3 original cuts aimed to make the bass bins rumble. We’ve also enlisted Dub master & Mosaic main-man, Steve O’Sullivan for a remix that takes the title track to another dimension.
For those who might have missed out on the sonic odysseys of GYPS1-6, fret not, as they await discovery on Bandcamp under the moniker "gypstapes More
For those who might have missed out on the sonic odysseys of GYPS1-6, fret not, as they await discovery on Bandcamp under the moniker "gypstapes More
1
Unknown - One Dollar
2
Unknown - Brief Encounter
Everyone’s favourite gallerists are back in town, with a brand-new offering following back-to-back sell-out shows. Two mysterious mid ‘70s creations that have been causing chinstrokers the world over to lose their marbles. The bids have been wild on this one, and for good reason too, who wouldn’t want them taking top spot glistening like gold in their collection.
Artistry like you’ve never seen it before, retouched to perfection to create two new priceless pieces of musical magic - solely played by Harvey and Artwork. More
Artistry like you’ve never seen it before, retouched to perfection to create two new priceless pieces of musical magic - solely played by Harvey and Artwork. More
1
Alexander Kowalski - Lost In The Depths
2
Alexander Kowalski - Elements
3
Alexander Kowalski - Lights in the Darkness
4
Alexander Kowalski - Promising Whispers
Tracklisting:
A1 Alexander Kowalski - Lost In The Depths
A2 Alexander Kowalski - Elements
B1 Alexander Kowalski - Lights in the Darkness
B2 Alexander Kowalski - Promising Whispers More
A1 Alexander Kowalski - Lost In The Depths
A2 Alexander Kowalski - Elements
B1 Alexander Kowalski - Lights in the Darkness
B2 Alexander Kowalski - Promising Whispers More
1
NIGELTHREETIMES - Tsg Meltdown
2
NIGELTHREETIMES - Early Morning From 103rd Street
3
NIGELTHREETIMES - Road2rails
4
NIGELTHREETIMES - Sad Day Pass Xfer
5
NIGELTHREETIMES - Oct Beach
6
NIGELTHREETIMES - Phantom Shores
7
NIGELTHREETIMES - Missed Transmissions
8
NIGELTHREETIMES - International Pirate Space Station
The latest offering from Astral Black comes in the form of the 'Metropolis N' LP, courtesy of Queens, New York's number premier importer/exporter of Jungle & D&B, NIGELTHREETIMES. Having initially garnered a name for themselves as one of New York City's most versatile club DJ's, with the release of their 'Call Of The Void; project in 2020 Nigel also began to build a reputation as a producer in their own right. Resulting in residencies on Rinse FM & The Lot Radio, radio support from the likes of Tom Ravenscroft & Uniiqu3 and press support from Resident Advisor, OkayPLAYER & Mixmag – amplifying their talents throughout New York City and beyond.
With 'Metropolis N' NIGELTHREETIMES distills their eclectic influences through the lens of rolling 160bpm breaks – taking in Jazz, 8-bit game soundtrakcs, science fiction & jump up D&B. Starting off the LP with the rhodes tinged double header of 'TSQ MELTDOWN' & 'EARLY MORNING FROM 103RD STREET', the latter featuring some of the best double bass work heard on a jungle track since 'Brown Paper Bag'. Elsewhere, on 'ROAD2RAILS' and 'PHANTOM SHORES', the producer ditches the instrumentation in favour of oscillated square waves, dubbed out vocal FX & 8-bit melodies, without ever losing site of the projects underlying sense of optimism. On the album closer 'INTERNATIONAL SPACE STATION', 3X manages to bring together the influences heard throughout the project, tying together a muted rhodes chords, squarewave basslines, flutters of alien melodies and finely tuned, slices breakbeats into a 5 minute symphony.
The consistency and exacting production skills heard throughout the offering elevate this project from another drop in the digital ocean to a landmark opus, from a producer carrying the torch for this timeless sound and making the project worthy of a spot alongside some of the classics this genre has produced.
'Metropolis N' is available Oct 13th on digital and limited edition vinyl via Astral Black. More
With 'Metropolis N' NIGELTHREETIMES distills their eclectic influences through the lens of rolling 160bpm breaks – taking in Jazz, 8-bit game soundtrakcs, science fiction & jump up D&B. Starting off the LP with the rhodes tinged double header of 'TSQ MELTDOWN' & 'EARLY MORNING FROM 103RD STREET', the latter featuring some of the best double bass work heard on a jungle track since 'Brown Paper Bag'. Elsewhere, on 'ROAD2RAILS' and 'PHANTOM SHORES', the producer ditches the instrumentation in favour of oscillated square waves, dubbed out vocal FX & 8-bit melodies, without ever losing site of the projects underlying sense of optimism. On the album closer 'INTERNATIONAL SPACE STATION', 3X manages to bring together the influences heard throughout the project, tying together a muted rhodes chords, squarewave basslines, flutters of alien melodies and finely tuned, slices breakbeats into a 5 minute symphony.
The consistency and exacting production skills heard throughout the offering elevate this project from another drop in the digital ocean to a landmark opus, from a producer carrying the torch for this timeless sound and making the project worthy of a spot alongside some of the classics this genre has produced.
'Metropolis N' is available Oct 13th on digital and limited edition vinyl via Astral Black. More
1
Millsart - The Deuce Theory
2
Millsart - Kundalini Energy (Morning Glory Mix)
3
Millsart - Are You Experienced (Guilty Pleasure Mix)
The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.
TRACKLISTING
A. Millsart - The Deuce Theory
B1. Millsart - Kundalini Energy (Morning Glory Mix)
B2. Millsart - Are You Experienced (Guilty Pleasure Mix)
INFO
Morning Glory
Every twenty four hours is a chance to begin again and it is a renewed commitment to be involved in the cycle of nature - to play by rules set forth by something greater than ourselves that constantly resonates in the ears of those who are at peace. At the edge of each one of these beginnings, there is a brief moment that belongs to only "it". A special portion of time that directly connects to the circular motion of Space and Time. It is truth before reality. Realness before rationality. Self before consciousness.
We can feel it when we first see light and the recognize an indication that the new day has begun. It is honoring what makes all this possible.
Axis Expressionist Series.
A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.
Vernacular creations that fall off from the "other side" of the Electronic Music tree, this project is designed for the experienced Techno music listener, and its goal is to reflect upon the pure artistry of the craft of storytelling. A realization between music and life.
Whereas "dancing" is the goal of Dance Music, the goal of this music is about "reflecting on the complexity and simplification of life". Soundtracks for people in their evolutionary process.
More
TRACKLISTING
A. Millsart - The Deuce Theory
B1. Millsart - Kundalini Energy (Morning Glory Mix)
B2. Millsart - Are You Experienced (Guilty Pleasure Mix)
INFO
Morning Glory
Every twenty four hours is a chance to begin again and it is a renewed commitment to be involved in the cycle of nature - to play by rules set forth by something greater than ourselves that constantly resonates in the ears of those who are at peace. At the edge of each one of these beginnings, there is a brief moment that belongs to only "it". A special portion of time that directly connects to the circular motion of Space and Time. It is truth before reality. Realness before rationality. Self before consciousness.
We can feel it when we first see light and the recognize an indication that the new day has begun. It is honoring what makes all this possible.
Axis Expressionist Series.
A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.
Vernacular creations that fall off from the "other side" of the Electronic Music tree, this project is designed for the experienced Techno music listener, and its goal is to reflect upon the pure artistry of the craft of storytelling. A realization between music and life.
Whereas "dancing" is the goal of Dance Music, the goal of this music is about "reflecting on the complexity and simplification of life". Soundtracks for people in their evolutionary process.
More
1
Anagrams - Birds On Clifton
2
Anagrams - Blue Voices
3
Anagrams - Hymn No.2
4
Anagrams - Catch It
5
Anagrams - Ex Uno Plures
6
Anagrams - Hidden Hearts
7
Anagrams - Another Cloud
8
Anagrams - Song In Six
9
Anagrams - Interesting Times
10
Anagrams - Let Us Sing Sad Songs Together
11
Anagrams - What Is Left Is Music
Balmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers’ lilting, Balearic pop for years, so when Shy Layers’ JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this.
Together, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”
Crompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.
Across the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio- jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. More
Together, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”
Crompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.
Across the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio- jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. More
1
Machinegewehr - Sans
2
Machinegewehr - Life
3
Machinegewehr - Pills
4
Machinegewehr - Neurons
Since 2014, Silas Schletterer has been part of the Bordello A Parigi family. Under his Machinegewehr guise, the Rotterdam artist released three show-stopping synth centred records. 2023 sees him put out his fourth, Life. Burbling arpeggios, a signature of his sound, are present for “Sans.” Clever inviting melodies, another feature of Schletterer’s style, mix beautifully with clean percussion and samples for a definite dancefloor favourite. The title work follows. Measured and meditative, “Life” employs a familiar sound palette with very different outcomes. The pulsations, the throb, of Machinegewehr is there, but there is a considered melancholy that brins a bittersweet balance to the piece. Steady kicks and vocal snippets introduce “Pills.” Shifting melodies, piano stabs, driving rhythms and spoken word come together to create a heady brew of sheer pleasure. Vocals are central in the closer. “Neurons” narrates a fantastical story of subdued sci-fi sorrows and wistful yearning, all to a silken synth-pop soundtrack. A welcome return from a multifaceted musician.
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1
Zakmina - For U
2
Zakmina - Take Me Back
Having featured on the Diamonds in the Night series with the epic “Midnight Opera”, it was only a matter of time before Lukas Zeringis, better known as Zakmina, had his own 12” on Bordello A Parigi. Following appearances on Correspondant, Future Boogie and XXX, the Lithuanian born musician arrives with two tracks that break the mould. A speeding rhythm sees “For U” race out of the stocks. Bright strings arc before a generous break and this old-school rave anthem reveals itself in all of its brazen glory. Glowsticks at the ready for this seven minute romp into sweaty ecstasy. The flip is inhabited by a completely different animal. “Take Me Back” comes to life with blissful notes before rasping rhythms give way to a rumbling arpeggiator. Sailing strings are countered by squalid acid undercurrents as Zeringis finds a sweet spot between braindance bleep and soulful electronics. A seriously strong debut.
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1
Rene Wise - Sucker Punch
2
Rene Wise - Lucky Number 7
3
Rene Wise - Devil in The Saloon
4
Rene Wise - Gorilla
Tracklisting:
A1 Rene Wise - Sucker Punch
A2 Rene Wise - Lucky Number 7
B1 Rene Wise - Devil in The Saloon
B2 Rene Wise - Gorilla
Sales Note
British tour de force Rene Wise is an exciting talent synonymous with hair-raising and hard-nosed Techno. A name that's been confidently claiming its stake in common lexicon with a passion for polyrhythms, forward-looking frequencies and kaleidoscopic beats. It's the mind-expanding potential of his favourite genre that forms the basis of his new vinyl release on Bassiani Records. Drawing on personal experiences of the psychedelic sort, he also cites the role of atmosphere and spatial configuration in the making of his sound, in his own words: 'the space that the music is presented in, is hugely important and there are some very unique and special spaces in the world that capture the true essence of how techno music should be experienced. Bassiani is one of these places.' Well that praise goes both ways, it's hard to imagine a more fitting EP for the club. This four track release is both an homage to the Bassiani floor and a powerful dive into a trippy realm of Techno Wise has spent his years as a musician diligently exploring. A third eye journey across oscillating soundscapes and sonic horizons from the trailblazing techno wunderkind. More
A1 Rene Wise - Sucker Punch
A2 Rene Wise - Lucky Number 7
B1 Rene Wise - Devil in The Saloon
B2 Rene Wise - Gorilla
Sales Note
British tour de force Rene Wise is an exciting talent synonymous with hair-raising and hard-nosed Techno. A name that's been confidently claiming its stake in common lexicon with a passion for polyrhythms, forward-looking frequencies and kaleidoscopic beats. It's the mind-expanding potential of his favourite genre that forms the basis of his new vinyl release on Bassiani Records. Drawing on personal experiences of the psychedelic sort, he also cites the role of atmosphere and spatial configuration in the making of his sound, in his own words: 'the space that the music is presented in, is hugely important and there are some very unique and special spaces in the world that capture the true essence of how techno music should be experienced. Bassiani is one of these places.' Well that praise goes both ways, it's hard to imagine a more fitting EP for the club. This four track release is both an homage to the Bassiani floor and a powerful dive into a trippy realm of Techno Wise has spent his years as a musician diligently exploring. A third eye journey across oscillating soundscapes and sonic horizons from the trailblazing techno wunderkind. More
1
Single Cell Orchestra - - Transmit Liberation
2
D.J. Prince Ice - - Freestyle
3
Trip Ta Funk - - Ruby’s Flute (Fresh Mex Mix)
4
Triple M - - Prisoner of Passion (Funky Dub Mix)
5
DJ Spun / Various Artists - MC 900 Ft. Jesus - Killer Inside Me (Meat Beat Manifestation #2)
6
Unkown Artist - - B1
7
DJ Emma - - Based (Not So Free Mix)
8
Seven - - Ease (Seven.1 mix)
9
E.T.I. & Graeme - - Blue Dreamers (Edit)
10
Spins Inc. - - The New Frontier (Club Mix)
The Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994. In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix. As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores. In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.
More
1
Gazaebal - Another One
2
Gazaebal - Spiral
3
Gazaebal - Square
4
Gazaebal - Talk
5
Gazaebal - Gilda
6
Gazaebal - And So On (Naone So Forth Remix)
Korean artist and musician Jin Won Lee (???), otherwise known as Gazaebal, began his career in New York. Working as a sound engineer, alongside such illustrious artists as the Wu-Tang Clan and Janet Jackson, led him to develop a keen ear for dexterous audio design, melodic flair and catchy rhythm. But his true interest lay in uncovering the unique textures and synthetic qualities of electronic music. From the late 1990s to the early 2000s, Gazaebal focused on developing himself as a producer, synergising a uniquely potent take on club music, releasing three albums and appearing on numerous collaborations.
An established figure in the realm of contemporary art, Jin Won Lee is well-known for his hybrid, highly technological practice. In 2008, together with Jang Jaeho, he formed The Tacit Group, a collective for computer-coded art. Presenting works that manipulate audio and visuals in real-time through programming, the group has performed at the FAMS Choice selection, Lincoln Center in New York, at the Seoul branch of the Museum of Contemporary Art and the Sejong Center for the Performing Arts, among many others. As a solo practitioner, he initiated in 2023, a project that examines sound as abstracted vibration. brings together Jin Won Lee’s decades long investigations into sonic experimentation and the physicality of noise.
Outside the avant-garde, Gazaebal has enjoyed mainstream success, collaborating with Big Hit Productions founder and BTS songwriter Mr. "Hitman" Bang on remixes and arrangements for K-POP albums. They also formed the two-man group Banana Girl, with Gazaebal focusing on composition while Bang handled vocals, achieving a big hit with their 2000s track ‘Butt.’
Another crucial figure in Gazaebal’s life is his wife Nine who operates as his agent and business partner. Initially released in 1999 on Nine’s independent imprint dmstrax, the titular track ‘Talk’ first appeared on techno@kr, a compilation CD of Korean electronica. Together, they co-founded G Records, which was partly absorbed into Bighit Entertainment in 2005. Appearing as the inaugural record on Bighit, the original version of 'And So On' – featuring Bang’s vocal production – was not available for re-release due to licensing difficulties. But thankfully the multitrack was well preserved. Utilising these components, Nawon Ha (AKA Korean-but-Amsterdam-based artist Naone) re-imagines the song for Betonska Records.
A combination of un- and self-released material, Talk is an album that firmly belongs to the millennium while sounding utterly outside of space and time. A cosmic trance trip that draws on rock’s steely drive, wiggy acid basslines and warbling dub, the record is presented as a mix-friendly mini-album, with the 6 tracks ideally tailored to DJ-level quality and loudness. As much suited to the psychedelic rave scene of yesteryear as they are to present-day dancefloors, Gazaebal’s productions are defined by his idiosyncrasies. Melding the sheen of tight production and pop sensibilities with a flagrant DIY spirit, his music assuages the high-commercialism of the 2000s, resulting in a style that’s as definitely punchy as it is precise More
An established figure in the realm of contemporary art, Jin Won Lee is well-known for his hybrid, highly technological practice. In 2008, together with Jang Jaeho, he formed The Tacit Group, a collective for computer-coded art. Presenting works that manipulate audio and visuals in real-time through programming, the group has performed at the FAMS Choice selection, Lincoln Center in New York, at the Seoul branch of the Museum of Contemporary Art and the Sejong Center for the Performing Arts, among many others. As a solo practitioner, he initiated
Outside the avant-garde, Gazaebal has enjoyed mainstream success, collaborating with Big Hit Productions founder and BTS songwriter Mr. "Hitman" Bang on remixes and arrangements for K-POP albums. They also formed the two-man group Banana Girl, with Gazaebal focusing on composition while Bang handled vocals, achieving a big hit with their 2000s track ‘Butt.’
Another crucial figure in Gazaebal’s life is his wife Nine who operates as his agent and business partner. Initially released in 1999 on Nine’s independent imprint dmstrax, the titular track ‘Talk’ first appeared on techno@kr, a compilation CD of Korean electronica. Together, they co-founded G Records, which was partly absorbed into Bighit Entertainment in 2005. Appearing as the inaugural record on Bighit, the original version of 'And So On' – featuring Bang’s vocal production – was not available for re-release due to licensing difficulties. But thankfully the multitrack was well preserved. Utilising these components, Nawon Ha (AKA Korean-but-Amsterdam-based artist Naone) re-imagines the song for Betonska Records.
A combination of un- and self-released material, Talk is an album that firmly belongs to the millennium while sounding utterly outside of space and time. A cosmic trance trip that draws on rock’s steely drive, wiggy acid basslines and warbling dub, the record is presented as a mix-friendly mini-album, with the 6 tracks ideally tailored to DJ-level quality and loudness. As much suited to the psychedelic rave scene of yesteryear as they are to present-day dancefloors, Gazaebal’s productions are defined by his idiosyncrasies. Melding the sheen of tight production and pop sensibilities with a flagrant DIY spirit, his music assuages the high-commercialism of the 2000s, resulting in a style that’s as definitely punchy as it is precise More
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Anatolian Weapons - Delkom - Delkom Tool
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Anatolian Weapons - Om - Brother That (Tribal Om Aci
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Anatolian Weapons - Software - Present Voice (Crystal
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Anatolian Weapons - Sick Hardcore - Clinic Rhythm (Ex
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Anatolian Weapons - Paradise 3001 - Paradise Jungle T
Weaponize your DJ record bag again with fresh ammo from the Greek studio machine, Aggelos Baltas does it again with another volume of remixes to the Sound Metaphors re-issue catalogues, an invigorating contemporary club touch to a wide range of dance floor material that was originally produced in the early 90s and late 80s. A new patina layer formed by the aging acid baths and chemical reactions of the experienced studio magician. Aggelos' signature atmospheric grandiosity and big room sound once again delivered with precision and high efficiency for the caring modern dancefloor. Can't go wrong.
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Precious Bloom - Lunar Fantasies
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Precious Bloom - Moonlight Beams
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Precious Bloom - Submarine
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Precious Bloom - Submarine (Instrumental)
Adinda Dwimadasari and Dea Barandana take you on another dancefloor oriented voyage (to the Moon?) of originally written and produced contemporary disco wellness. Precious Bloom continues to carve out a sound of their own with 4 beautifully executed tracks. A selection of hand picked instrumentalists in addition to Dea's multi-instrumental studio prowess, the scene is set for Adinda's vocals to unravel in dreamy cosmic nuances from mysterious soft spoken word style voices to romantically sung lyrics in astrophysics. Truly refreshing in today's dance floor sound dominated by synthetic/digital convenience. Recorded in Jakarta and mastered in Berlin.
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Polito - Chuggalug
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Polito - Inside the Sphere
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Polito - Fiasco
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Polito - Signal
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Polito - Mercado Waltz
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Polito - Fortune Teller
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Polito - Nine Lines
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Polito - Coming up for Air
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Polito - The Sphere Is Collapsing
Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep. Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.
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Chetch - Morning Theme (Breakfast Mix)
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Chetch - Trip
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Chetch - New Beginning
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Chetch - OASiS (Rain Forest Mix)
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Chetch - But Then Again, Who Does?
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Chetch - Dream With Me (Deep Dreams)
Better Together Records, a label created with the idea of unity at its core, aims to share the sounds of the beloved harbour city, Sydney/Eora.
For the first release on BTR, label boss Chetch takes the reins and delivers six analog ethereal cuts from his hard drive, creating an oasis of escape from the drivel of modern day.
By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired... In this OASiS we believe in the unreal and manifest the nonexistent...
Solace in unity at the end of eternity. More
For the first release on BTR, label boss Chetch takes the reins and delivers six analog ethereal cuts from his hard drive, creating an oasis of escape from the drivel of modern day.
By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired... In this OASiS we believe in the unreal and manifest the nonexistent...
Solace in unity at the end of eternity. More
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Primrose - Los Angeles Wingspan
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Primrose - 1980 Dream
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Primrose - 1980 Dream (Or:la Remix)
Primrose comes from a live/band background which translates within the original tracks, but still manages to maintain a unique dance floor functionality across the EP.
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Moana Pozzi - Amore Tossico
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Moana Pozzi - Gate One (Aeroplano Telecomandato)
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Moana Pozzi - Autostop
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Moana Pozzi - L'Ultima Notte
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Moana Pozzi - Impulsi Di Sesso
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Moana Pozzi - Rocky
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Moana Pozzi - Supermacho
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Moana Pozzi - La Gabbia
Note: comes with limited edition gatefold sleeve
Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.
Discographically at the time only a few tracks were released on 7? and 12? singles that are now cult collector’s items for fetishists and weird DJs.
At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.
Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”
Unmissable! More
Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.
Discographically at the time only a few tracks were released on 7? and 12? singles that are now cult collector’s items for fetishists and weird DJs.
At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.
Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”
Unmissable! More
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Ben Sterling - Don't Truss ft. Caitlyn Scarlett
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Ben Sterling - Bring Me To The Surface
Ben Sterling joins Damian Lazarus’ renowned Crosstown Rebels imprint, partnering with Caitlyn Scarlett for ‘Don’t Truss’. Building on the release of arguably one of the tracks of 2022 with his remix of Tiga’s iconic ‘Mind Dimension 2’, UK hotshot and Planet X boss Ben Sterling has made 2023 another year of raising the levels, with his debut on Solomon’s Diynamic becoming an instant summer anthem in the midst of his busiest summer to date. Adding yet another huge label debut to the mix, he continues to showcase his range across house music as Damian Lazarus invites him to Crosstown Rebels for the first time, partnering with singer/songwriter Caitlyn Scarlett for ‘Don’t Truss’ on the revered imprint. A rolling and crisp production with Scarlett’s alluring and hooky vocals at its core, it’s easy to see why ‘Don’t Truss’ has become a stand-out track from Sterling’s own sets across the globe over the past 12 months. Fusing tightly programmed percussion, warped murmurs, and a slinking, snaking groove, it’s a track crafted for the dancefloor, moving crowds unison and leaving a lasting impact. On the flip, ‘Bring Me To The Surface’ is a groove-led and bubbling cut that keeps the energy levels with skittering drums, acid-dipped basslines, resonant synths and yet more vibrant vocals.
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SX2 - Steady Up ft. Pat Lagoon
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SX2 - Dreamer
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SX2 - We Gotta Tell The World
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SX2 - Fear Forever ft. Talee
'The Sullivan Brothers Are BACK! And they brought reinforcements. Hi This is Moscoman, I Love SX2, they are the artist i work with the most, I try to keep a super tight relationship and share with them all my knowledge, these days it’s super hard to get the attention of the Media, Fellow DJs and even your own mother , But I will say this, if you listen to their material you will be transcended to a time when everything was possible, when guitars ruled the airwaves, when you just wanted to stare at the floor and shake your head violently. Steady Up is a pure banger, Featuring Uprising Meteor and fellow Irish Pat Lagoon, Which I could only describe as Nirvana playing with Grime. Check it out, play it loud.'
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Franc Spangler - Fight The Feeling
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Franc Spangler - Powerslide
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Franc Spangler - Dance The Funk
Jimpster makes a welcome return to Delusions, donning his Franc Spangler cap and serving up three funked-up, disco-infused tracks to get down to. Opening up the release we have party starter Fight The Feeling which sees Spangler work up a rolling groove laced with dubby percussion, horn solos and souring lead synth. Powerslide goes full retro with clav and guitar chops, hammond slides and an irresistible bassline bringing the funk, making for a high energy club cut to nice up the dance floor. Closing out the release we have the deeper, lo-slung bounce of Dance The Funk which comes complete with Prelude-inspired synth stabs, heavy Moog bassline and crunchy house drums.
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