2023 REPRESS EDITION - 100% ORIGINAL PACKAGING

1 180g LP + gatefold + inner 12 pages color exercise book (X RATED)

A brand new selection of unreleased musics composed by the great Alain Goraguer, know for his works with Serge Gainsbourg and Boris Vian for movies from the golden age of french pornography, brought together on a collector vinyl, object of all the desires

Vital Sales Points:

Eight never released before tracks composed by Alain Goraguer, orchestrator and composer of an impressive number of monumental french pop songs, from Boris Vian to Serge Gainsbourg, and well known by hip-hop fans and sampling lovers for his cult soundtrack for The Fantastic Planet.

Tracks saved from oblivion and fully restored, from the soundtracks of these evocative titles : Swinging Couple Cruise, Private Nurses, Right of the First Night and A Foreign Girl in Paris

Comes with a 12 pages color X-Rated Excercise book, with the classics : coloring, points to link and carvings, with a gallery of characters to carve and to layout of the included locations, to elaborate your own orgy, with any outside help ! Designed by famous french illustrateor Erwann Terrier.

Project funded through a crowfuding campaign in july 2018 that reached 700% of ist initial goal
https://www.kisskissbankbank.com/en/projects/alain-goraguer-musique-classee-x

Tracklist LP

A1 Marie-Jeanne astique le pont CROISIERE POUR COUPLES EN CHALEUR (5.41)

A2 Post Scriptum Post Coïtum CROISIERE POUR COUPLES EN CHALEUR (8.29)

A3 Annie a le vent en croupe CROISIERE POUR COUPLES EN CHALEUR (3.27)

B1 Kikumi, paravent et par derrière INFIRMIERES A TOUT FAIRE (3.54)

B2 Partenaires particulières pour parties fines. INFIRMIERES A TOUT FAIRE (2.07)

B3 Go Go Go Reggae CROISIERE POUR COUPLES EN CHALEUR (4.49)

B4 Birgit et le mâle du pays LA PETITE ETRANGERE (3.23)

B5 Juliette, décoincée dans l'ascenseur LE DROIT DE CUISSAGE (2.19)

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Tracklist

A – Wilkommen
AA – Think Different
B – Retrogott – Like This Damiano von Erckert remix
BB – Komposition 1
BBB - RAVE#06
C - Frankfurt
CC – RAVE #10
D – Sorry Mate, Do You Have A Rizla?
DD – XTC Spirits Evolving To Higher Spheres
DDD – Komposition 2

Release Info:
Damiano von Erckert’s ‘The Past / The Future’ lands on Aus music this November perfectly in time for the winter season. TPTF is Damiano’s third studio album and sees him perfectly balancing rave euphoria with more cuddly intimate moments moving effortlessly from deep Detroit techno to the spacious kraut sounds associated with his homeland. ‘The Past / The Future’ has depth substance and timelessness all packaged beautifully by design and art legend Eike Koenig

'The Past / The Future is for all independent thinking romantics and specialists looking for urban melancholy and the feeling of freedom and security. It is for those who find themselves in the dust and rain of the night darkness. It serves people who are determined to conquer their inner fears and readjust the orientation of their minds to banish stress, anger and despair from their lives. Finally, it is the soundtrack for lovers and fighters who want to slow down time and create new patterns to open up new dimensions in their lives as ravers, dancers and people of the night. It is about forgotten fragments of past sounds and the simplicity of clubbing'





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DANIEL VANGARDE –
DANIEL VANGARDE THE VAULTS OF ZAGORA RECORDS MASTERMIND (1971-1984)

Territorial Rights: World excluding France

2x Black LP, 5mm printed sleeve, 2x heavy weight printed inner sleeve, marketing sticker.

BIOG
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1967, he met Jean Kluger who became his publisher. In the 1970s, their tandem stood out in those fields, for a plethora of popular French artists such as Petula Clark, Claude François, Joe Dassin, Dalida, Régine, Sheila and Ringo. 1975 saw the birth of Vangarde’s label, Zagora, and his first and only solo LP. Later on, Vangarde and Kluger were responsible for a number of hit songs by The Gibson Brothers, Ottawan and La Compagnie Créole. With or without Kluger, Vangarde also wrote and produced songs that remained underground, under several monikers (Starbow, Who’s Who, Soul Iberica Band, Yamasuki, Rocky & Vandella…) and for various artists. Let’s open these incredible cosmic disco funk vaults! Available on Double Vinyl (featuring 2 exclusive tracks) & CD .

TRACKLIST LP

FACE A
1. Starbow « Voyager Il (12" version) » (1978)
2. The Electronic System « Moog jealousy » (1973)
3. Daniel Vangarde « La poursuite » (1977)
4. Who's Who « Dancin' machine » (1979)
5. Starbow « Intersidereal message (12" version) » (1978)

FACE B
1. Soul Iberica Band « I'm looking for Jeremy » (1977)
2. La Boca « Laugh (the longest laugh in the disco history) » (1977)
3. The Lovelets « Midemman (theme Midem 74) » (1974)
4. Yamasuki « Kono samourai » (1971)
5. Ami Stewart « Rocky woman (12" version) » (1981)

FACE C
1. Who's Who « Palace palace (12" version) » (1979)
2. The Great Disco Bouzouki Band « Greek girls » (1978)
3. Vicky Edimo « Let me love you tonight » (1980)
4. Gibson Brothers « Come to America (instrumental disco version) » (1976)
5. Black Blood « A.l.E. (a mwana) » (1975)

FACE D
1. La Compagnie Créole « La nuit des requins » (1984)
2. Ottawan « Qui va garder mon crocodile cet été? (extended) » (1981)
3. Rocky & Vandella « Dès que t'as dit disco t'as tout dit (extended) » (1979)
4. François Patrice « Le contrat » (1973)
5. Daniel Vangarde « Une comète va rencontrer la Terre » (1975)


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DANIEL VANGARDE –
DANIEL VANGARDE THE VAULTS OF ZAGORA RECORDS MASTERMIND (1971-1984)

Territorial Rights: World excluding France

1 X CD,jewel case, clear tray, 4/4 inlay,16page booklet, marekting sticker.

BIOG
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1967, he met Jean Kluger who became his publisher. In the 1970s, their tandem stood out in those fields, for a plethora of popular French artists such as Petula Clark, Claude François, Joe Dassin, Dalida, Régine, Sheila and Ringo. 1975 saw the birth of Vangarde’s label, Zagora, and his first and only solo LP. Later on, Vangarde and Kluger were responsible for a number of hit songs by The Gibson Brothers, Ottawan and La Compagnie Créole. With or without Kluger, Vangarde also wrote and produced songs that remained underground, under several monikers (Starbow, Who’s Who, Soul Iberica Band, Yamasuki, Rocky & Vandella…) and for various artists. Let’s open these incredible cosmic disco funk vaults! Available on Double Vinyl (featuring 2 exclusive tracks) & CD .

TRACKLIST CD
1. Starbow « Voyager Il (12" version) » (1978)
2. The Electronic System « Moog jealousy » (1973)
3. Daniel Vangarde « La poursuite » (1977)
4. Who's Who « Dancin' machine » (1979)
5. Starbow « Intersidereal message (12" version) » (1978)
6. Soul Iberica Band « I'm looking for Jeremy » (1977)
7. La Boca « Laugh (the longest laugh in the disco history) » (1977)
8. The Lovelets « Midemman (theme Midem 74) » (1974)
9. Yamasuki « Kono samourai » (1971)
10. Who's Who « Palace palace (12" version) » (1979)
11. The Great Disco Bouzouki Band « Greek girls » (1978)
12. Vicky Edimo « Let me love you tonight » (1980)
13. Gibson Brothers « Come to America (instrumental disco version) » (1976)
14. Black Blood « A.l.E. (a mwana) » (1975)
15. La Compagnie Créole « La nuit des requins » (1984)
16. Ottawan « Qui va garder mon crocodile cet été? (extended) » (1981)
17. Rocky & Vandella « Dès que t'as dit disco t'as tout dit (extended) » (1979)
18. Daniel Vangarde « Une comète va rencontrer la Terre » (1975)

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File Under: ITALOZ DISCO / Cosmic Boogie


The Person is back on the dancefloor and she brought the delicious Australian version of a good old Italian recipe - ITALOZ DISCO. Mouthwatering rhythms spiced with everyday hustle, cosmic boogie and the extra dose of synthesizer! Changing the Meatballs for Oddballs to worship the Magic $ properly. Sull' alto lato (aka on the B-Side) we're changing the Oddballs for the Mothballs as the one and only Hysteric warms up the magic ragout in his unique steam-powered kitchen. Now go to work!

You still need to be convinced? Take these great lines by Patrick:
"Magic $" beams into the discotheque direct from deep space; a shimmering body of squelching bass, nebulous pads and snapping percussion which hosts Minna's bewitching vocals. The arch delivery and vintage sequences flirt with kitsch, but that playful genius particular to The Person pushes this into wonderfully wonkier territories. Basslines climb, keys collapse and the whole thing chugs and bubbles through a flawless arrangement. We thought they didn't make them like this anymore, but we were wrong. Stepping in on remix duty, renowned (Moth)baller Hysteric turns out a treatment that's worth a million bucks, boosting the bottom end with an acidic sequence, supercharging the percussion and punching in some strange sampler fun to guarantee utter club chaos.
Every superhero needs a theme song, and "The Person" sees Minna step away from the dancefloor to deliver a synthetic ballad for lucid dreamers everywhere. Jamming on top of a malfunctioning Jomox, Minna channels chimes, piano and a gentle chug into the classiest chord progression this side of Mike Francis. Closing cut "Go To Work" gives us neon lights and nighthawks as The Person indulges in a little Antipodean electro, proving once and for all that Australians Do It Better.



A1 Magic $
A2 The Person

B1 Magic $ - Hysteric's Cheap Infinity Mix
B2 Go To Work

Music by The Person aka Minna Wight
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Special remarks: Gatefold

GENRE/S: House & Techno

TRACKLIST:
A1 Bobby Cazanova - Alles Ist Deine Schuld
A2 Borka & The Gang - Salt Water (Deep Water Version)
B1 Florian Hollerith - Wakes up asleep
B2. Mathias Kaden - Radix
C1 Joe Metzenmacher, Borka & The Gang - Digital Emotions
C2 Tobi Neumann, Dorian Paic - Voices
D1 André Galluzzi, Daniel Stefanik - Out Of Control
D2 Sid - Scene
E1 Borka & The Gang, Joe Metzenmacher - Take Me Up, Take Me Down
E2 Murmur Tooth, Lars Moston - You, Me, Us, Spines
F1 Behind Those Ears - Rising Yellow
F2 Cassy - Fits Together

SHORT INFO:
Lower Saxony's best kept secret, Heideton Records, returns with their most ambitious and comprehensive
release to date, a double pack titled Green.Green taps into the rich history of European house and techno,
from Panorama Bar to Bar25 royalty, while also championing a new era of producers and cult label
favorites.
The album is an exploration of the textures and timbres that make up the golden hours between day and
night and night and day. We move from the sunset kaleidoscopic deep house of Bobby Cazanova to the
drifting introspection of Joe Metzenmacher alongside Borka & the Gang to the peak time punch of Mathias
Kaden. We shift seamlessly from the psychedelic techno naughtiness of André Galluzzi and Daniel
Stefanik and all the way back to sunrise with Cassy who turns out a best-in-class disco house. This is an
album of impossibly deep dance music crafted with a particular emotional flair.Green is an expertly curated collection of the finest in contemporary club tracks -from deep house to
bouncy UK garage to tripped out techno. More than the sum of its parts, the record is also remarkably
cohesive thanks to the care and precision each producer brings, displaying an intimate knowledge of what
works on both the dance floor and in your headphones on the walk home. Across 12 tracks, Green
celebrates deepness both sonically and politically. More

2LP

- rampue is a well-known live act wordwide and "Tragweite" is his first album in 14 years, made with modular synths

GENRE/S: electronic

TRACKLISTS:
1 Für Dich
2 Turner
3 Regengesicht
4 Furo
5 Naoshima
6 Momijigari
7 Mount Sev
8 Phobia
9 Kembang
10 Direct Faden
11Europa Grenzenlos

Gesamtlänge: 01:02:41


SHORT INFO:
Berlin-based producer Rampue has not released an album in 14 (in words: fourteen) years. Between 2008 and 2020 he toured the world and worked mainly on his live sets in the meantime. So now only a worldwide pandemic had the power to prevent the traveling musician from continuing this hustle and bustle and eventually share a new record with the public. Corona was what brought this standstill and the otherwise well- traveled individual experiences cabin-fever during lockdown. Hence, the new Rampue album "Tragweite" came into existence in February 2021, which portrays the artist's desire for experimentation.
Inspired by a modular synthesizer (Buchla), Rampue has seemingly put himself into a kind of trance, in which he lets the machines work and combines randomly created sounds with airy structures such as low drums or simple grooves. Rampue accomplished to break free by using random sounds as a new impulse and a way out of a creative crisis, which stemmed both from the enforced home isolation and from the self-perceived paralysis. The result is literally unique, as many of the sound products cannot be reconstructed and are preserved in album form for the general public.
Listening to "Tragweite" one gets the impression that the dialectical relationship between chaos and order, further supported by its production, is the defining theme of the album. After an initially perceived chaos, a delicate order, which is determined by structuring drum patterns and basslines, takes over throughout the course of the album.
Later, it frays and loses itself again in sounds and tones created mechanically However, it never seems arbitrary, but willful and skillfully staged. For instance, "Furo?" begins with apparent arrhythmia. The combination of bass and subtle percussion, however, gives this arrhythmia a shape, guiding the track which gradually becomes more and more driving without losing its original playfulness.
Although one might be inclined to think of genres such as Downtempo or Ambient at the beginning in the further course of the album results in such a diverse sound and rhythmic landscape that one willingly questions one's own perception of music while listening and finally throws every type of categorization overboard joyfully. The listening experience is too intoxicating and enlightening to stick to simple genre boundaries. The musical spectrum ranges from straight arrangements that live entirely without a drum foundation ("Fu?r Dich") to almost meditative sound collages ("Regengesicht") to the four-to-the-floor banger "Kembang" which adds a grimmer note with a certain industrial appeal to the overall rather melancholic-progressive curation. "Direct Faden" on the other hand, surprises with its simple guitar-based foundation on which the omnipresent synth snippets and pads are allowed to let off steam towards the end of the record. The track that most closely combines the progressive production style with a danceable club atmosphere is probably "Phobia". Wafting, partly breaking away synthesizer sounds rise higher and higher, while the driving mixture of bass and drums consistently march forward.
Rampue breaks with his old, musical habits as "Tragweite" creates the impression of improvisation and jam character without getting lost. Rampue takes his listeners on a journey that is stirring and moving, sometimes demanding or even a bit disturbing, yet always one thing: incredibly exciting.

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2x12" EP, Gatefold

- Exclusive Remixes by Roman Fluegel, Mira, Christopher Schwarzwalder, Sascha Cawa & Canson
- Releases by David Dorad on URSL, Kiosk ID, Voltaire Music



Tracklist:
Part 1:
A / 01. Murmeli (original)
B1 / 02. Murmeli (Mira & Christopher Schwarzwalder Remix)
B2 / 03. Murmeli (Canson Remix)
Part 2:
C 1 / 04. Murmelot (original)
D 1 / 05. Murmelot (Roman Fluegel Remix)
D 2 / 06. Murmelot (Sascha Cawa Remix



About:

If you've been in the club scene for many years like David Dorad, you will one day face the big, essential, serious questions that each of us will ask ourselves sooner or later:

Are marmots pack animals?
Can marmots sign language?
Do marmots plan their lives according to European or Chinese zodiac signs?
Do marmots need a special passport, after all they don't have a thumb to turn the pages?
What happens when a marmot eats Coke and Mentos at the same time?

And with all those questions whistling, hissing and muttering in his head, David grabbed piano, baton and BioBassline to crochet his new EP.
This is called "Marble" and offers 6 different approaches to solve these big questions.
As a source of ideas, he has competent partners at his side in Roman Flügel, Mira, Christopher Schwarzwälder, Canson and Sascha Cawa.


A1 -
Murmeli - original
The marmot tribe awakens. Get up to brush your teeth. Gets your toes tapping. Makes you snap your fingers. Dare to roll your hips. Later rhythmically to turn. To look elegant at the same time. Eyes closed - eyes open.
Murmeli, the regular leader, sits at the piano.
Everyone is dancing, toothpaste in the corners of their mouths and a smile that takes the toothpaste by the hand.
A normal morning in marmot houses.

B1 -
Murmeli - Mira & Christoph Schwarzwald RMX
Mira and Christoph Schwarzwalder take over from Murmeli. They vary, combine and subtract. The first marmots raise their thumbless fists in the air - showing their passports, ready to take off.

B2 -
Murmeli - Canson RMX
Canson also sits next to Murmeli. Caress the theme, tickle the groove.
Murmeli has the best ideas early on: "Boy, let's try Mentos with Cola, we'll definitely take off."
Canon is in!


C1 -
Murmelot - Original
The sun goes down in Murmelhausen too. Then Murmelot is ready. Gives his advanced Pilates class, which the whole tribe takes. The village wants to remain mobile.
Murmelot's motto is "Why not stretch while walking?"
And so shall it be. He sets the rhythm on his wooden Fairtrade 303 and our furry friends shave shaky and obscene messages down each other's backs while impatiently hopping for the drop.

D1 -
Murmelot - Roman Flügel Remix
Roman Flügel and Murmelot are old buddies. Struck while carving the 303.
Roman happily takes over the Pilates class, the dancing crowd. Enchanted until the razor's batteries are empty and only dancing remains, only dancing is important.

D2 -
Murmelot - Sascha Cawa RMX
Sascha Cawa takes his trunk by the hand, wants to motivate her again shortly before the second sunset of the day. Whispers little obscene Pilates positions in their ears. That motivates. Murmelot switched from piano to percussion.
The marmots' sweat feeds the golden orchids in the clearing for the next six months.

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LP
GENRE/S: Deutschrap


A1 Party People

A2 Herbs Im Tee

A3 Endlich Ostern mit Timothy Morris, Cuts von Tobi Tobsucht

A4 Nichts Zu Sehen

A5 Ein Kühler Sommer

A6 Die Letzte Figur

A7 Danke Vielmals

B1 Einen Unter Vielen mit Johannes OneTake

B2 Recognize mit Slize

B3 Halbveganer (cuts Von DJ Ketch

B4 Hunger

B5 Tank So Leer mit Johannes OneTake

B6 Wayne

B7 Blind Im Fokus



Birdy Sanjazz and Philo Philta. A dream team of birds. Birdy scatters beats like birdseed, Philta makes pickypicky. One after the other. You can still hear "Grrrrr, there isn't more than one 16 per grain" and then he's fluttered on. How long this winter was, but luckily the birdhouse was always well stocked. Well-fed, they are now moving on, from Karlsruhe to Würzburg and back. Always look from above, down on this small world with its people and human-like creatures. A few of them approaching, as always. Timothy Morris, Slice, Johannes Onetake, DJ Ketch, Toby Tobsucht. Beep beep, album ready.


Birdy Sanjazz und Philo Philta. Ein Dreamteam an Vögeln. Birdy streut Beats wie Vogelfutter, Philta macht pickypicky. Einer nach dem anderen. Man hört noch „Grrrrr, mehr als einen 16er gibt es nicht pro Korn“ und schon ist er weitergeflattert. Was war dieser Winter lang, aber zum Glück war das Vogelhäuschen immer gut gefüllt. Jetzt ziehen sie wohlgenährt weiter, von Karlsruhe nach Würzburg und zurück. Blick immer von oben, nach unten auf diese kleine Welt mit ihren Menschen und menschenähnlichen Wesen. Ein paar von denen wie immer mit im Anflug. Timothy Morris, Slize, Johannes Onetake, DJ Ketch, Toby Tobsucht. Pieppiep, Album fertig.
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Rights: World excluding France & UK

Blue vinyl / 12"

Tracklist:

A
Sugababes - Run for Cover [MNEK Remix] (3.32)
Sugababes - Same Old Story [Blood Orange Remix] (3.48)

B
Sugababes - Overload [Metronomy vs Tatyana Remix](4.21)
Sugababes - Overload [Majestic Remix](4.59)


Release Info:
To honour twenty years since the release of Sugababes’ iconic debut album ‘One Touch’, the band released a series of brand-new remixes, These remixes are available on blue vinyl for the first time as a RSD exclusive. The reworks from Majestic, Metronomy, Blood Orange and MNEK offer a fresh take on classic singles “Overload’, ’Same Old Story’ and ‘Run For Cover’ Pressed to blue vinyl with new artwork featuring archive photographs. More

Clear Vinyl Version!

First vinyl pressing of Baroque by Japanese composer and multi-instrumentalist Susumu Yokota. The full length album was originally released by United Sounds Of Blue in 2014, a subdivision of Frogman Records in CD format. Now it is being re-released by Barcelona-based record label Modern Obscure Music as a double LP and in digital format. Baroque is one of the most significant albums of Susumu signed under his original name, and this is the first time the album will be pressed on a double LP 12". Yokota, was an eclectic, highly prolific electronic musician and composer from Japan who died in 2015 at 54. "There is always fear, rage, and ugliness existing behind beauty. I have been trying to express ki-do-ai-raku (the four emotions: joy, anger, sorrow, and happiness) through music. I would like to express even one's hidden emotion with reality. It's my eternal goal." Baroque is a clear example of this, thought the deep listeing of the album you can experiment all of that feelings in just one record and feel how his music infulenced the next generation of producers during the two next decades till today. The Tokyo-based artist devoted his time and creative energy to achieving this goal, and the result is a vast discography that begins with banging early acid house tracks in the 1990s, moves across the next two decades to include deep house and Detroit-influenced techno, a stunning run of ambient electronic albums and, in his last decade, a glorious confluence that wove his various skills into a series of borderless electronic records. Modern Obscure Music team is really excited to bring this gem to the light, Baroque is remastered and distributed in two 12" to be played in clubs and home sound-system bringing the best quality of sound to have the best experience. Susumu Yokota (?? ? Yokota Susumu, or ???·??? Susumu Yokota (April 22,1960 - March 27, 2015) Also known by the pseudonyms Stevia and Ebi, among other.

Some info was extracted from https://insheepsclothinghifi.com

TRACKLIST

A1 Deformed Pearl 6:06
A2 Deep Sea Diva 5:54
A3 Gem Stones 5:37

B1 Keel 5:12
B2 Re 4:47

C1 Extension 4:25
C2 Royal Flush 5:50
C3 Boreas 5:25

D1 Spinner 5:44
D2 Nacre 6:04

All tracks written and produced by SUSUMU YOKOTA
A&R and Art Direction DAI SATO & KENGO
Original art direction and design by SHIN-ICHIRO HIRATA (PRIMITIVEHANDS INC.)
Photo by HIROHIKO IKEDA
Mastered by THORU KOTETUSU
Remastered by PEDRO PINA
Design adapted by ALBERT PÉREZ CASDO
Reissued by PEDRO VIAN on MODERN OBSCURE MUSIC

MOMA002

® FROGMAN RECORDS 2004
© MODERN OBSCURE MUSIC 2022
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CD

Tracklist:

A1) Trudelutt 05:03 min
A2) Oli's Balloon 02:22 min
A3) All Good Things Are Four 05:04 min
A4) Tolv 03:13 min
A5) Sora 03:45 min
A6) Kogia 05:39 min
B1) Ayet 08:49 min
B2) Penguin 04:29 min
B3) La 04:23 min

Info:

Pianist Masako Ohta and trumpet player Matthias Lindermayr's music flows in gentle waves, moving with ease between every theme they imagine. Their music is largely improvised, embracing chance and following sound down winding paths. Their debut collaborative album, MMMMH, highlights this loose process through its relaxed pace, surprising turns, and drifting style. The album presents small vignettes that each encapsulate their free-flowing motion and tranquil melodies, drawing from simple ideas to create a fully bloomed, radiant sound.

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LP / Album

GENRE/S: Electronic / Ambient / Indie / Minimal Music

TRACKLISTS:
1 Loan - Oh No Noh // 01:47
2 Drift - Oh No Noh // 03:55
3 Chiralities - Oh No Noh // 02:30
4 Kanzi - Oh No Noh // 04:26
5 Relying On Words Alone - Oh No Noh // 03:36
6 Slur - Oh No Noh // 03:30
7 Flaw - Oh No Noh // 03:28
8 Skvader - Oh No Noh // 02:15
9 Gosiwon - Oh No Noh // 03:19

SHORT INFO:
Finding beauty, where one wouldn’t suspect it in the first place. Discovering music, where there used
to be only sound a moment before. Forming an orchestra out of everyday surroundings, the
main thing out of the incidental, the fulfilling momentary situation out of the profane
togetherness. All of this is part of the goal, meaning and sense of Oh No Noh, the project of
Leipzig based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom.
All of this floats and shines through "Kanzi", the second Oh No Noh album to be released on
November 18th, 2022.





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TAPE / Album

GENRE/S: Electronic / Ambient / Indie / Minimal Music

TRACKLISTS:
1 Loan - Oh No Noh // 01:47
2 Drift - Oh No Noh // 03:55
3 Chiralities - Oh No Noh // 02:30
4 Kanzi - Oh No Noh // 04:26
5 Relying On Words Alone - Oh No Noh // 03:36
6 Slur - Oh No Noh // 03:30
7 Flaw - Oh No Noh // 03:28
8 Skvader - Oh No Noh // 02:15
9 Gosiwon - Oh No Noh // 03:19

SHORT INFO:
Finding beauty, where one wouldn’t suspect it in the first place. Discovering music, where there used
to be only sound a moment before. Forming an orchestra out of everyday surroundings, the
main thing out of the incidental, the fulfilling momentary situation out of the profane
togetherness. All of this is part of the goal, meaning and sense of Oh No Noh, the project of
Leipzig based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom.
All of this floats and shines through "Kanzi", the second Oh No Noh album to be released on
November 18th, 2022.





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Limited Colored Vinyl Edition!

Super smooth 4 track EP, limited silver 10 Inch. What an exciting moment, when you can work with one of the legends of the game. Greek producer DJ "S" is one of the early Edit producers around, and with his own downbeat sound he quickly became one of the big names in the European Disco scene. He perfected his craft as a multi-talented music producer, experimenting with vintage black sounds and reviving old-classics in the form of remixes which made a serious impact among the internet and on his YouTube Channel which counts thousands (over 260k) of faithful followers!

A1 Dj "S" - Groovin'
A2 Dj "S" - Sweet Love

B1 Dj "S" - Back again
B2 Dj "S" - U
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GENRE/S: Techno, Dub

TRACKLIST:
A1: Andre Kronert - Unrest
A2: Alex.Do - Forward
B1: Thomas Hessler - Together
B2: Stefan Rein - Loophole


SHORT INFO:
The UKW club in north-east Germany and its street location number calling 49b.
A unique building and home for music enthusiasts where no fame exists.
The new inhouse label is now starting its output with music from friends and regulars of the club.
The label philosophy is simple: Music from the heart that moves.
This first release comes as a compilation splitted into two parts packed with chords, raw analog drums, dubby elements dreamy pads and bleepy elements









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12" - Australia

Vessel 05: The founders edition.

A special artist split featuring Vessel label heads Norachi & Miris. A and B. Deep and deeper. Sunshine, rain, joy and pain.


GENRE/S:
Deep House / Dub Techno

TRACKLISTS:
1. Miris - Mr. Duffy Lived a Short Distance From His Body
2. Norachi - Sunshine

SHORT INFO:


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Territorial Rights: World excluding France & UK

1x 140 G Black Vinyl, Gatefold Sleeve, White Inner, sticker.


SHORT INFORMATION/ SHORT BIOG
Charlotte Dos Santos announces debut album Morfo with lead single 'Hello Hello'. Described as 'as assured as Solange' by The Guardian, Charlotte Dos Santos is a formidable multi-faceted producer, single and composer who has worked with the likes of Blood Orange and Gotts St Park and makes music free of any confines
“MORFO is a sonic tale about transformation, about love and pain. It's a playful journey through my deepest inner thoughts combined with elements of music I admire, such as Soul, R&B, Funk, MBP/Samba and Classical. I am a child of the world, born in two cultures and on this album I am digging deeper into my ancestral roots and into my consciousness, and MORFO is the result”. – Charlotte Dos Santos


TRACKLIST
LP
A Side
1. Hello Hello 2. The Player and The Fool 3. Patience 4. Away From You 5. Cupid’s Bow 6. Interlude 7. Angel in Disguise

B Side
1. Filha Do Sol 2. Ghost In The Shell 3. Bye 4. Crooked House 5. Just Sayin 6. Aria 4 Arien



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Strictly limited disco 12" with two songs by Upstairs from 1980.

Side A features an exceptional track from their highly sought-after album "It's Hard To Get In The Showbiz" called "Get On A Plane". The song is still totally under the radar in the collector's scene and serves us with a smooth uptempo Disco Funk groove, a super mellow AOR vibe and a catchy chorus! The exclusive 12" mix has an extended ending to give you more of the final "Copa Cabana" chorus.

The flip side contains the instant classic "You're Just Yourself", a track which could already be found on the "Boogie on the Mainline" double vinyl compilation. Giving it more space, power and loudness on 45 rpm with a new master we hope this perfect soulful tune will get even more spins in this "audiophile" edition.

Side A
Get On A Plane (Extended Mix)

Side B
You're Just Yourself
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– original release on Italian Records EXIT 513


SPECIAL EDITION 12” single RED vinyl /400 copies
180 gr.

GENRE/S:
Italo Disco

TRACKLISTS:
A01 – STRANGER IN A STRANGE LAND (Vocal Extended) 6:50

B01 – STRANGER IN A STRANGE LAND (Club Mix) 7:31

4. VITAL SALES POINTS:
"CCR - Club Culture Rarities" the record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.

The 9th release on "CCR - Club Culture Rarities" Stranger In a Strange Land of N.O.I.A. originally released on Italian Records in 1983


Ask for it and stay tuned. More

Track list:

A1 Love Attack
A2 Make Me Feel Ft. Tee Amara
B1 Next to You
B2 Love Attack (Lorenz Rhode Remix)

Release Info:

Back from a hot summer we are presenting you this great new release by Steve Mill who truly captures the sun and warmth in these new jams for us. The Greek born artist who lives between Berlin and Thessaloniki just released his “The Mistake EP” on Tensnake’s own True Romance label where we could already hear his soulful and groovey disco infused sound.

The opener “Love Attack” is a real “good times” tune with catchy vocal snips and a bad ass funky arpeggio bass line topped with spaced out strings and pads, this one reminds us a lot of Krystal Klear material and our own Lorenz Rhode. Saying that, we of course could not think of anyone better than him to take on this tune and drawing the inspiration to create his own super funked up version! As always all parts are played and recorded live in his Cologne studio with the same hot summer vibes on this one as well! You can find the vox version on vinyl and an instrumental as bonus digital track to get your party really started. On repeat!

“Make Me Feel” featuring the Berlin based vocalist Tee Amara has disco flavors all over it and is just an irresistible house tune, majestic and soulful. Followed by the slow and developing “Next to You” that’s steadily building towards a crescendo “heaven” gem, much in the tradition of disco edits from back in the 80’s. It reminded us a lot of our old Ben La Desh records we put out some good 10 years ago. Maybe this one is our personal fave, for sure a tune you could drop on any floor: disco, electro or house.

Get in the groove with Steve and Lorenz and let us surprise you with a truly funky, groovey and above all positive vibes only release to reminiscent the summer time. Enjoy!


All tracks have been mastered by Salz Mastering in Cologne. Photography & Art by Break 3000. More

2023 repress

2LP with printed inner sleeves

Tracklist

1. The Mod 4 - A Puppet
2. The Yardleys - Just Remember
3. Decompressed Impossibility - You Can't Ride Away
4. The Living End - Brigitta
5. The Newports - Feelin' Low
6. The Landlords - I'm Through With You
7. The Prisners Dream - Autumn Days
8. The Fortels - She
9. The Bohemians - Say It
10. Tresa Leigh - Until Then
11. WM. Penn & The Quakers - Ghost Of The Monks
12. The Tempters - I Will Go
13. Jerry McGee - Twilight Zone
14. Carroll - The Boy Called Billy Joe
15. The Common People - Here, There & Everywhere
16. Dennis Harte - Summer's Over
17. Toe Head - Goodnight Jackie


Short info:

A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.






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CD digipak with booklet

Tracklist

1. The Mod 4 - A Puppet
2. The Yardleys - Just Remember
3. Decompressed Impossibility - You Can't Ride Away
4. The Living End - Brigitta
5. The Newports - Feelin' Low
6. The Landlords - I'm Through With You
7. The Prisners Dream - Autumn Days
8. The Fortels - She
9. The Bohemians - Say It
10. Tresa Leigh - Until Then
11. WM. Penn & The Quakers - Ghost Of The Monks
12. The Tempters - I Will Go
13. Jerry McGee - Twilight Zone
14. Carroll - The Boy Called Billy Joe
15. The Common People - Here, There & Everywhere
16. Dennis Harte - Summer's Over
17. Toe Head - Goodnight Jackie


Short info:

A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.
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LP, Special partial glossy print

Electronica I IDM I Leftfield
tracklist:
1. Afterimage
2. Isolation Street
3. Ghostmantra
4. People Fall Away
5. Tears In Rain
6. Floe
7. Pleasure System
8. A Forgotten Purpose
9. Cloud Mirror

short info:
Following on from 2018’s Echo Principle LP, the Pleasure System full length sees Steve Hyland return to the crisp
drum programming and colorful IDM soundscapes that dominated his debut on the FILM label. A veteran of
music production back in the driving seat after a long hiatus, Hyland’s approach on this latest offering draws on
the isolation of modern life for inspiration. Pleasure System sees the British artist ruminating on his place in the
world, and the mournful synth flourishes and washed-out drums, paired with more hopeful moments of
electronic abstraction communicate a delicate yin and yang, constantly working against one another to find
balance. More

2LP Gatefold black vinyl, mp3 Download PostCard

GENRE/S: Soul, Funk, Pop, AOR, Yacht

TRACKLIST:

LP:
SideA:
THE DUKES – Mystery Girl
PRIME TIME BAND - Fall In Love In Outer Space
KENNY NOLAN – You’re So Beautiful Tonight
PETER SKELLERN – Now That I Need You

Side B:
MARC JORDAN – Generalities
SEVERIN BROWNE – Stay
THE FARAGHER BROTHERS – Stay The Night
ALAN PRICE – Groovy Times

Side C:
JAMES FELIX – Open Up
HIRTH MARTINEZ – Altogether Alone
MAX LEAKE – Tell Me The Reasons Why
STPEHEN ENCINAS – Music In Me

Side D:
ERIC ANDERSEN - Can't Get You Out Of My Life
JIMMIE SPHEERIS – Beautiful News
JEANNINE OTIS & HEIKKI SARMANTO – Magic Song
PLEASURE – Nothin’ To It

SHORT INFO:

After smooth detours into Soul covers, French Neo-Disco, modern Sunset Disco and Brazilian AOR, in 2022 DJ Supermarkt's Too Slow to Disco series makes a joyous return to its original Westcoast AOR/Yacht roots. Celebrating the 10th TSTD compilation. Who would have thought….
The Berlin curator releases a killer 4th edition of the original compilation art form, "Too Slow to Disco", featuring forgotten and overseen gems from the mid 70s to the early 80s from a global world of smooth, brilliant lost and overproduced tracks from Finland via London and L.A. to Trinidad and beyond.
The great 'un-vanisher' of lost lazy classics, DJ Supermarkt once again unearthed some incredible music that labels, publishers (in many cases also those, who actually own the rights to those tracks…) and streaming services have often long overlooked. You're welcome, world!

These sixteen tracks of newly ‘un-vanished’ hit-making genius find us once more in that delightfully Westcoast state of mind, the musical breeze in our hair as we corner on the headland, the top most definitely down. Too Slow to Disco 4 is also a love letter to the genre-smashing bravery of that era, Yacht Pop rubbing shoulders with Christian Gospel, groovy Folk, Country-Soul and Blue-Eyed Soul. As ever, DJ Supermarkts genius is to uncover the musical through line that joins these missing-in-action names and the tunes that could have been their big moment. The result is a kind of joyous alternative history of the era, where a very different pantheon of pop gods became the names we love.

As usual these tunes feature ludicrous levels of musical competence, boasting tight grooves in tighter polyester, and yet there’s (almost) not a single household name in sight. DJ Supermarkt is once again looking for the special “geniuses” in the background and behind the sound, musicians and a-list composers, whose names are not well known, but who wrote million selling tracks for other acts in the spotlight: Like Kenny Nolan, who a.o. wrote “Lady Marmalade”, The Dukes, who penned Sheena Easton’s “Modern Girl”, Air Supply’s “Every Woman In The World” and Chaka Khan’s “Fate”, famously sampled by Stardust for their French House Club-Hit “Music Sounds Better With You”.

Four of these 16 tracks are taken from super rare private press vinyls, unearthed by Dj Supermarkt over several years by chasing down the original composers, musicians or producers, and now officially rereleased for the very first time.
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2 LP - Recycled coloured vinyl.
recycled sleeve
2 sticker sheets with the artworks of each track of the album - Territory: WORLD EX France

Tohu Bohu (released in 2012) has become Rone's most cult album, with tracks like Bye Bye Macadam or Parade. InFiné decided to celebrate the 10th anniversary of the album with an anniversary edition in recycled vinyl (random colour), recycled sleeve and 2 sticker sheets with the artworks of each track of the album.
It has been a decade since electronic producer and musician Erwan Castex, known by the pseudonym Rone, released his groundbreaking and breakout second album Tohu Bohu in 2012. Created in a three-month period soon after moving from Paris to Berlin, Tohu Bohu is more a contemplative, reflective record than it is an observation of his newfound present environment. The result is a truly transcendent, transportive album that has for ten years occupied a space in the electronic music landscape that is wholly its own.

Tohu Bohu was met with a steady landslide of critical acclaim, and hailed by The Creator’s Project as "a beautiful musical artifact from an increasingly powerful musical archaeologist", “grand in scale, yet delicately intimate" by Interview Magazine, and more in Rolling Stone, Vice, XLR8R, The Fader, Tiny Mixtapes, Resident Advisor, and The Atlantic. The tenth anniversary of the album will be celebrated with a special edition vinyl reissue on InFiné, made with fully recycled materials.

In the words of Death + Taxes Magazine in 2012, "Rone is one of the shining lights of electronic music in a decade of micro-genres and artists that burst brilliantly then fade into internet obscurity", and the decade following the release of Tohu Bohu is conclusive proof of that.

Tracklist 2LP:
A1 - Tempelhof
A2 - Bye Bye Macadam
A3 - Fugu Kiss
B1 - La Grande Ourse
B2 - Beast
C1 - Let´s Go feat High Priest of Antipop Consortium
C2 - King Of Batoofam
C3 - Parade
D1 - Icare feat. Gaspar Claus
D2 - Lili...Wood More

Tracklist CD: 1. Island Grammar, 2. Copy & Praise, 3. Entropie, 4. O**ne*, 5. New&&&, 6. Thistles, 7.
Fureur et Capitel, 8. P#, 9. M(((, 10. Causal Ambiguity, 11. Structure et Repetition

info text:
Loom & Thread appear to present a take on this most classical of springboards of improvised music:
the piano trio. Indeed, Daniel Klein on drums and Tobias Fröhlich on double bass forge that highly
engaging, interlocking framework, set in complex juxtaposition to what emanates from the corner of
Tom Schneider on keys. This would be a superbly satisfying triangle of planar relational wonder on its
own. Imaginative re-adaptation of unexpected shifts, re-grouped into coherent streams of musical
thought. Superb clarity despite the pressurised density of form, the emergence of intricate order from
spontaneous play.
And yet this would be an utterly incomplete description. Because a dozen directions and dimensions
and interdependent layers open like trap doors all around, shattering any first impression of a familiar
context within just a few seconds of listening. What appears to be piano improvisation in the post-bop
tradition soon exhibits abrupt disruptions, impossible shifts, improbable repetitions, movements in
frequency and dynamics beyond the physical capabilities of a fixed-pitch instrument deemed so
familiar.
How so? Tom Schneider samples his own playing and continuously feeds it back into the ongoing
collective stream of the trio. Assigning starting points to the sampled phrases, these are then treated
as independent musical events just like the individual tones they contain: a second order of access is
created. Signifier and signified in the hands of the same musician, thus driving a two-pronged plane of
immanence.
This meta-improvisation is thrown at the other two players who now find themselves embroiled in
some kind of three dimensional chess game: fending off simulacra and responding to both,
idiosyncratic primary phrases of tones and a vibrant multitude of sampled variants. Reflexivity: the
piano/sampler continuum with its multi-layered access points to improvisational mapping is then
attacking and soothing and further teasing the appropriately angular rhythm section. A wondrous
dissolution of the divide between experiencing now and accessing memory. More

LP, LTD, Transparent Vinyl

Christian Naujoks' work has been heard and seen in a wide range of contexts, from nightclubs to concert halls, art venues and the theatre. He released three solo albums on Berlin-based label Dial Records. After his critically-acclaimed album "Wave" (2016), which has been praised as a contemporary masterpiece of ambient romance and "the most exquisitely melancholy thing he's done yet" (Pitchfork), followed by numerous collaborative projects with performance artist Ei Arakawa, filmmaker Loretta Fahrenholz and composer Ari Benjamin Meyers, among others, Christian Naujoks is back with a new record produced during his exhibition "Soft Mouth Data Service" at Galerie Max Mayer in Düsseldorf.

- Releases on Dial Records, Staatsakt, Martin Hossbach
- Includes a unique cover of Kate Bush's "Running Up That Hill"





2. GENRE/S: Electronic, Pop, Ambient, Abstract

3. TRACKLISTS:
01 Melenkeyz
02 Aberrant Joan
03 No rave
04 Cosmic Stringz
05 Soft Cover
06 Service Industry
07 Woman Ascending The Stairs
08 Ambient Rave
09 Insomnia
10 Self-Castration In Ur Sleep
11 Tearz


4. SHORT INFO:
Christian Naujoks' work has been heard and seen in a wide range of contexts, from nightclubs to concert halls, art venues and the theatre. He released three solo albums on Berlin-based label Dial Records. After his critically-acclaimed album "Wave" (2016), which has been praised as a contemporary masterpiece of ambient romance and "the most exquisitely melancholy thing he's done yet" (Pitchfork), followed by numerous collaborative projects with performance artist Ei Arakawa, filmmaker Loretta Fahrenholz and composer Ari Benjamin Meyers, among others, Christian Naujoks is back with a new record produced during his exhibition "Soft Mouth Data Service" at Galerie Max Mayer in Düsseldorf.

Recorded live on site the eleven tracks featured on this album range from electronic ambient music, microtonal guitar excursions and abstract beats to a unique cover version of Kate Bush's Running Up That Hill - all characterized by Naujoks' evocative, humorously wistful approach to music-making and his self-aware yet unabashed search for fragile, intimate beauty. Showing once more that he can feign both naivete and virtuosity, camouflaging one as the other as he effortlessly dresses up art as pop and vice versa.

Naujoks engages in a referential world-building that stays geared toward the here and now. In "Aberrant Joan" he combines glitched string orchestration with melodic synth-flutes that call to mind the online activism of K-Pop stans. The bass line of the song diptych "No Rave" and "Ambient Rave" takes the music to a deeper dimension, echoing early 90s rave which is contrasted by Naujoks' crystal clear voice. The album closes with "Tearz", a duet for piano and drum sampler, which captures both the emotional gravity and the surprising lightness of the entire album in one track.

Edition of 300 copies pressed on transparent vinyl, lacquer cut by Mike Grinser. Includes inlay with liner notes by Colin Lang. Design by Laura Catania & Thomas Spallek, artwork by Christian Naujoks.

Created 11 years ago as a gallery without a fixed location, Galerie Max Mayer has since become an integral part of Düsseldorf's cultural landscape. In 2020 the gallery moved to the historic Schmela Haus built in 1971 by the Dutch architect Aldo van Eyck. The building in the Mutter-Ey-Straße, made of raw pumice concrete blocks, not only handles the exhibition spaces in a playful way, but also offers excellent sound. The resulting recordings are released under the title of the gallery's new publishing house: Mutter-Ey-Press(e). "Mother" Johanna Ey was a proto-gallerist and prominent figure in the Rhineland art scene at the end of the 19th century until after the second world war.

With Christian Naujoks' new vinyl album Mutter-Ey-Press(e) is happy to announce its first LP release that conveys his show "Soft Mouth Data Service" at the gallery space in 2021 that was conceived in direct interrelation with the audience.

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Vinyl LP Full Cover Inside Out incl. Inlay

Tracklist:

A1) Ecstatic (Dancing On My Mind) 04:07 min
A2) I’m Only 03:50 min
A3) Another Casualty 02:50 min
A4) Here We Go 01:28 min
A5) It Doesn’t Really Matter 03:41 min
B1) Territory (Phone Home) 02:30 min
B2) No, Not Today 02:30 min
B3) Ch-Ch Check My Position 03:36 min
B4) Spaced Out 02:48 min
B5) Scaffolding For Support 03:37 min


Short info:

Advanced Style. It’s only human. Bell Tower’s most intimate musical output to date. Promoting thoughtful, subtle, tongue in cheek electronic pop music since 2005.
This 10 Track LP has it all, deep & ecstatic (goofy many) moments.
Life is too short not to listen to this Album, still if you don’t it doesn’t really matter.
Or does it? Life’s a mystery…

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Tracklist:

A1. Retropolis
A2. Faster
B1. Juno Ninja
B2. CS-80

Release Info:
Welcome to Retropolis! Known for the inimitable Can’t Stop with Coloray, an unhealthy obsession with vintage music machines, a baroque style in the use of synthesizer melodies and a forewarn-looking approach to the past, Chris Barratt’s music as Eagles & Butterflies can be as fun-loving as melancholically beautiful. For his long overdue debut on Running Back, the english man dishes out a bit of both in a healthy bowl of broth.

Retropolis is not only the direction giving title, but bold and bonny at the same time. That its working title was Italo should tell you all you need to know. Suitable for big rooms, major moments, minor miracles and sophisticated car chase scenes alike. Faster takes off in another direction. Imagine two people falling in love during a bumper car ride – heartfelt vocals included.

On the flip side E&B follows a similar state of equilibrium. Like the highs and lows and ups and downs in a John Hughes movie, it also showcases the characteristics of two synthesizer classics: the exuberant piano version of Juno Ninja (please look at the digital release for a version devoid of it) offsets the poignant and plangent vibe of CS-80. In summary: made with lots of synthesizers and for fans of keyboard music. And always keep in mind: the future sounds and looks better than you think!







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WORLD EXCL USA

Format: 5LP Boxset matt with front
UV Spot varnish

Tracklist:
A1 Escape
B1 Elevation
C1 Dark Matter
D1 Dust & Gas
E1 Bottom Dweller
F1 Bottom Dweller (Meltdown Mix)
G1 Descent
H1 Swerve
I1 CHALLNGR 1.1
J1 CHALLNGR 1.2

4 out of 5 12”s are available separately, but only all 5 together will form the Dubfire logo on the spine.

Release Info:
DUBFIRE ANNOUNCES HIS DEBUT SOLO ALBUM ON HIS SCI+TEC IMPRINT
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless
drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy
award (2001) winning duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A
career filled with timeless tracks include his early works ‘Ribcage’ (2007), ‘Emissions (2007), ‘Roadkill’
(2007) and the highly acclaimed ‘Exit’ (2014) a debut collaboration with Kiss Kitten. Collaborative work
highlights include Luke Slater, Moscoman, Oliver Huntemann, Chris Liebing, Tiga and co-producing two
tracks on the legendary Underworld’s ‘Barking’ album. A true artist, he has always been heavily invested
in exploring boundaries or audio and visual technologies, which he displayed more than ever with his
HYBRID show. A two-year world tour with a goal to reinvent the concert experience in 2015, also became
his muse for his retrospective album ‘A Decade Of Dubfire’. A collection of all his biggest tracks and
remixes from the last decade, released in 2017. It may come as a surprise to many, with so many
landmark releases, that Ali ‘Dubfire’ Shirazinia hasn't yet released a totally solo album, until now.
EVOLV is an 11-track visionary into the mind of Dubfire to be released on his long-standing label
SCI+TEC. It’s concept? The journey of the ‘hybrid’ being and its evolution, which kicks off with ‘Dark
Matter’ and ‘Dust & Gas’ set a brooding atmosphere. The rougher percussion, and eerie lead in ‘Dark
Matter’ is accompanied by a stripped back sound and glitchy vocals sitting in a spaced-out atmosphere in
‘Dust & Gas’. Its deep and minimal drum work is exceptional. ‘Escape’, a deep, dark and pulsating track
that sets the tone for the body of work on the album. Coupled with ‘Elevation’ and it’s understated arpNew Release Information
and crisp percussion for the second single. ‘Bottom Dweller’ give you two different versions, the original
is straight forward, yet effective for a late-night head down cut, where the ‘Meltdown Mix’ takes a minimal
path, and faster pace. ‘Swerve’ sees Dubfire return to that stripped back sound with heavy swinging
percussion, a landmark and much-loved element in his music. Sonically, the journey so far has been like
a dystopian landscape, but ‘Decent’ brings a kaleidoscope of colour and sound before dropping into the
‘CHALLNGR’ duo. ‘CHALLNGR 1.1’ is perhaps the most contemporary track on the album. Dubfire picks
up the rhythm for a full-on dancefloor focused track. It’s no-nonsense techno at its best, with heaps of
pure energy. Two versions appear on the album, ‘CHALLNGR 1.2’ retains the BPM but reigns in the
percussion with a snappier approach and a more euphoric warped effect. Closing out, is a special digital
only track ‘The Bells Tolls’. This one drives the energy back to ground level, into a more unsettling and
mysterious end to a killer 11 track debut album. The music will also be accompanied by a new
audio-visual show from the revered DubLab team based in Portugal. Test shows at DGTL (Amsterdam),
Caprices (Crans-Montana) and in Sofia between 2018 and 2019 had created lots of buzz just before the
COVID-19 pandemic shut the world down for two years. But now the stage is firmly set for the new album
and live shows. As music evolves, so does Dubfire. EVOLV is a special project from this pioneering
producer showing his interpretation of techno in his own unique vision.

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Territories: World excl. UK + North America

FORMAT 12” 180g vinyl, full printed sleeve

TRACKLIST
01/A1 Multidimensional 05:39
02/A2 Invisible Rays 06:05
03/B1 Drivion 06:10
04/B2 Horizonsz 05:24

Release Info:

Oscean comes out firing from the outset on their new
12” entitled Multirays. The Argentinian duo of Andrés
Zacco and Sebastián Galante are following up on the
first release of their collaboration, Ideoma, also released
on Tresor Records. With Multirays, this burgeoning
collaboration reveals a promising evolution, moving into
more rhythmically diverse environments and playful
structures.
The opening track, Multidimensional, strikes with
confronting beats and a searching, woolly bass sound.
Constantly growing, it moves confidently with its
skittering percussion work, ebbing and flowing through
filter movements and expansive synths. Invisible Rays
draws in breathing techno pulses, as Zacco and Galante
cast drenches of feedback across the spectrum. A
deceptively mellow melody, recalling Spiral from their
debut EP, teases at a deeper melodic progression, but
the focus stays locked on the animated rhythms,
tempting towards divergent grooves but expertly
keeping feet on the floor.
In Drivion, Oscean investigates electro territories,
simultaneously bubbling and driving. Echoed
arpeggiations and upfront beats funnel impulses
between neurons. Broad synth gestures oer gateways
into abstraction before, without barely a hint, the
rhythms beat once more.
On the closing track, Horizonsz, the duo drive forth
through skipping rhythms and soul-searching bass
murmurs. Synth pads beckon with fresnel lens
reflections and rising warmth, motioning towards a
stunning moment of euphoria, where futurist mirages
coexist with distant memories.


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Four track album sampler, limited yellow 12 Inch E.P. featuring 4 smooth dancefloor gliders from our latest digital release: TSTD YACHT DISCO EDITS 5 compilation

TRACKLIST:

A1 Ben Jamin - Over You
A2 David Bay - Save On Love

B1 Saltywax - Hammer On The Block
B2 Mikeandtess - Hold Us
More

GENRE/S: Techno, Dub

TRACKLIST:
A1: Kyle Geiger - Save me
A2: Stojche - Dr. Jekyll
B1: Don Williams - Workout Drums A
B2: Mareena - Hingabe
B3: AVION - Haven

SHORT INFO:

The UKW club in north-east Germany and its street location number calling 49b.
A unique building and home for music enthusiasts where no fame exists.
The new inhouse label is now starting its output with music from friends and regulars of the club.
The label philosophy is simple: Music from the heart that moves.
This first release comes as a compilation splitted into two parts packed with chords, raw analog drums, dubby elements dreamy pads and bleepy elements







More

[2LP Gatefold]

“Music that came from some intimate and deeply ethereal place that effortlessly bridged the gap between the dance
floor and the home-listening environment. Pulshar is a unique dub-heavy, soulful, psychedelic journey.”
Vladimir Ivkovic.
“A crossover sound that the deepest electronic heads and mainstream music fans can equally enjoy. The energy in their
music is universal, and moves all who are exposed to it. One of my all-time favorites”
Rod Modell ( Deepchord / Echospace )


GENRE/S: Dub, Electronica, Deep House

TRACKLISTS:
A1 Down by the river
A2 Mr. Money man
A3 Maerdream
A4 ACT 2
B1 Better than tears
B2 S.T.A.R.S
B3 Da Creator
B4 Montparnasse 2am
B5 ACT 1
C1 Jungle fever
C2 Nospheratu
C3 Sacrifice of love
C4 Dream when it's wrong
D1 The price you pay
D2 California state of mind
D3 Stepping stones
D4 Marathon man

SHORT INFO:
A double vinyl compilation that perfectly captures Pulshar’s sound: an elegant mixture of Dub, Techno, R&B &
Ambient. Contains 12 tracks previously unreleased on vinyl.
This release was certainly not meant to be a 'Best of' compilation but it is a collection of special moments that Sergio and
Pablo wanted to capture and share on one definitive release.This is an opportunity to look back on Pulshar's career in a
retrospective and reflect about how their background and influences have led to the complete sound of the act.
UMBRA / LUX (title based on their production technique that naturally blends dark and light aesthetics) contains 17
tracks that traverse the gamut of their sound with an impeccable level of quality.

More

2022 Repress Edition, Beautifully Designed 2LP

When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.

Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid More

Tracklist:

A1 – Repeater
B1 – Nobody
B2 – Repeater (DJ Seinfeld remix)


Release Info:
Life and Death founder Manfredi Romano aka DJ Tennis debuts on Aus with ‘Repeater’ - here he delves deep into his own cosmos creating two cuts that are uniquely spacey whilst playful and powerful. DJ Seinfeld needs no introduction. His DJ Kicks mix and debut album for Ninja Tune have both been critically acclaimed. His ravey mix of 'Repeater' is a tension builder, his version simmers away for seven minutes patiently dropping metallic stabs and detroit fm synths licks. Manfredi’s career spans over two decades as agent, manager, promoter, label owner, dj and producer. His releases are few and far between so, it’s an honour for him to trust us with his art.





More

Tracklist

A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18


Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.

While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.



More

Special remarks : CD Digipack

Tracklist CD:
01. Dors-tu ? - 02. Regard en arrière - 03. Mélopée - 04. L’attente - 05. Elégie - 06. Prélude - 07.
La fille de la nuit - 08. Ni toi, ni moi - 09. Le beau jour - 10. Opaline - 11. Tant que mes yeux

Short Info:
On his fourth solo album, much as in Oh! (2020), the French composer, pianist and vocalist follows his
ongoing exploration of the crossroads between poetry and songs, piano and synth, old-time verses
and contemporary sounds. Inspired by the rhythms, effects and speech patterns of urban music, he
also delivers, with a warm and moving voice, the texts of three poetesses from the past.
Since 2013, Ezéchiel Pailhès has been crafting a unique French synth pop. On his first three albums,
he switched between songs inspired by poetry, instrumental ballads and electronica with hummed
choruses. This latest record is a collection of eleven new songs, two of which he wrote: "Opaline" and
"Ni toi, ni moi" (neither you nor me). The others are adaptations of poems written in the 16th, 18th and
19th centuries by French poetesses Louise Labé (1524-1566), Marceline Desbordes-Valmore (1786-
1859) and Renée Vivien (1877-1909).
Poetesses from the past...
From classical music to songs, poetry adaptation is an old French tradition. "My universe has always
embraced the musicality of this literary genre," the artist recalls. He actually started this project in 2017
with poems and sonnets by William Shakespeare, Pablo Neruda, Victor Hugo and above all Marceline
Desbordes-Valmore, who can be heard again on songs such as "Dors-tu?" (Are you sleeping?),
"Élégie" or "L'attente" (The wait). A figure of romanticism, the author left her mark on the early 19th
century through the quality of her texts and her formal inventions, particularly praised by Balzac, and
apparently a decisive influence on Verlaine and Baudelaire. "Marceline's poetry is very musical," says
Ezéchiel admiringly. "Her use of rhythm and repetition sounds great and takes on a new perspective
when set to music. In fact, she wrote some of her texts with singing in mind.”
“Ces longs secrets dont l'amour nous accuse,
Viens-tu les rompre en songe à mes genoux ?
Dors-tu, ma vie ! ou rêves-tu de moi ?”
“These long secrets for which love accuses us,
Do you come to my knees to break them in a dream?
Are you sleeping, my life! or do you dream of me”
(“Dors-tu ?”, after “Les pleurs” (the tears), 1833)
Besides her, we find the more famous, and rebellious, Renée Vivien, whose texts inspired three
songs, "Regard en arrière" (Looking backwards), "Mélopée" (Melopoeia) and "La fille de la nuit" (The
night girl). Sometimes nicknamed "Sapho 1900", this figure of lesbian culture and, more broadly, of
female genius, combined in her work the themes of desire, dreams, melancholy and the relationship
with nature.
“Ta forme est un éclair
Ton sourire est l’instant
Tu fuis, lorsque l’appel
T’implore, ô mon Désir !”
"Your shape is a spark of lightning
Your smile, the very moment
You flee, when the calling
Begs you, O my Desire!"
(After “Parle-moi, de ta voix pareille à l’eau courante” (Speak to me, with a voice like flowing waters)
and “Ta forme est un éclair” (Your shape is a spark of lightning), Renée Vivien, 1901)
Lastly, with "Tant que mes yeux" (As long as my eyes), Ezéchiel was inspired by a 1555 poem by
Renaissance poet Louise Labé, whose main topic explored female love, physical and spiritual desire,
and the torments and pains they generate.
" At the start of the project ", Ezéchiel continues, " I was interested in many poets, men and women,
past and present, before my selection was narrowed down to these three female authors. Their works,
often written in difficult or secret conditions, express a raging romanticism, a passionate soul, fuelled
by desperate and tormented love. I found it interesting, as a man coming from another world and time,
to face this otherness, to trade viewpoints. Obviously, I could loudly claim that the album was the
result of a concept, that it reflects today's world, and that it allows me to explore the notion of gender,
giving visibility to the work of a few women, while at the same time pairing these ancient texts with a
more modern and rhythmic music, and obviously, there is some truth in that. But more than anything, I
wanted to serve the text itself, to express the emotion and connection I felt with these works.”
Today's rhythms and prosody...
Ezéchiel Pailhès combines texts from French literature with electronic music, its effects and rhythms,
as well as a form of scansion that echoes rap, R&B or the current fusion between hip hop and pop,
which is part of our musical background and that of younger generations. "I wanted to cross-reference
texts from the beginning of the century with this type of music. I wanted to use today’s techniques to
tell the tale of different daily lives and experiences.
The album is thus marked by contemporary electronic orchestrations, in which he drops his favourite
instrument, the piano, and his digital collage technique to use more extensive synth melodies,
enhanced by drum machines, bringing a gentle and bright vibe to the romantic texts. Lastly, we can
hear slight digital tones of Auto-Tune, which Ezéchiel uses sparingly and inventively.

Beyond its sophistication, the term "melopoeia" means a "sung declamation", a "recitative song",
sometimes interpreted in a monotonous way. On this album, it could also refer to a sense of phrasing,
which does not come from rap, but rather from jazz, Ezéchiel's first love. " In the past, I tried to hide
my jazz culture, but it naturally came back on this new album, as can be heard, for instance, in Regard
en arrière.” With its verses anchored in our literary memory, the following track "Mélopée", perfectly
illustrates the album's vision. It manages to transcend eras, mixing past romanticism with a modern
prosody, fuelled by the nonchalance of hip hop and the warm chords of jazz.
“Qu’un hasard guide enfin mon désespoir tranquille
Vers l’eau d’une oasis ou les berges d’une île,
Où je puisse dormir, mon voyage accompli,
Dans la sécurité profonde de l’oubli”
"May chance guide my quiet sorrow, at last
To the water of an oasis, the shores of an island,
Where I may sleep, having traveled my way,
In the safe depths of oblivion".
(After “Sillages” (Trails), René Vivien, 1908) More

Special remarks : LP Vinyl incl. printed inner sleeve

Tracklist LP:
A1. Dors-tu ? - A2. Regard en arrière - A3. Mélopée - A4. L’attente - A5. Elégie - B1. Prélude -
B2. La fille de la nuit - B3. Ni toi, ni moi - B4. Le beau jour - B5. Opaline - B6. Tant que mes yeux

Short Info:
On his fourth solo album, much as in Oh! (2020), the French composer, pianist and vocalist follows his
ongoing exploration of the crossroads between poetry and songs, piano and synth, old-time verses
and contemporary sounds. Inspired by the rhythms, effects and speech patterns of urban music, he
also delivers, with a warm and moving voice, the texts of three poetesses from the past.
Since 2013, Ezéchiel Pailhès has been crafting a unique French synth pop. On his first three albums,
he switched between songs inspired by poetry, instrumental ballads and electronica with hummed
choruses. This latest record is a collection of eleven new songs, two of which he wrote: "Opaline" and
"Ni toi, ni moi" (neither you nor me). The others are adaptations of poems written in the 16th, 18th and
19th centuries by French poetesses Louise Labé (1524-1566), Marceline Desbordes-Valmore (1786-
1859) and Renée Vivien (1877-1909).
Poetesses from the past...
From classical music to songs, poetry adaptation is an old French tradition. "My universe has always
embraced the musicality of this literary genre," the artist recalls. He actually started this project in 2017
with poems and sonnets by William Shakespeare, Pablo Neruda, Victor Hugo and above all Marceline
Desbordes-Valmore, who can be heard again on songs such as "Dors-tu?" (Are you sleeping?),
"Élégie" or "L'attente" (The wait). A figure of romanticism, the author left her mark on the early 19th
century through the quality of her texts and her formal inventions, particularly praised by Balzac, and
apparently a decisive influence on Verlaine and Baudelaire. "Marceline's poetry is very musical," says
Ezéchiel admiringly. "Her use of rhythm and repetition sounds great and takes on a new perspective
when set to music. In fact, she wrote some of her texts with singing in mind.”
“Ces longs secrets dont l'amour nous accuse,
Viens-tu les rompre en songe à mes genoux ?
Dors-tu, ma vie ! ou rêves-tu de moi ?”
“These long secrets for which love accuses us,
Do you come to my knees to break them in a dream?
Are you sleeping, my life! or do you dream of me”
(“Dors-tu ?”, after “Les pleurs” (the tears), 1833)
Besides her, we find the more famous, and rebellious, Renée Vivien, whose texts inspired three
songs, "Regard en arrière" (Looking backwards), "Mélopée" (Melopoeia) and "La fille de la nuit" (The
night girl). Sometimes nicknamed "Sapho 1900", this figure of lesbian culture and, more broadly, of
female genius, combined in her work the themes of desire, dreams, melancholy and the relationship
with nature.
“Ta forme est un éclair
Ton sourire est l’instant
Tu fuis, lorsque l’appel
T’implore, ô mon Désir !”
"Your shape is a spark of lightning
Your smile, the very moment
You flee, when the calling
Begs you, O my Desire!"
(After “Parle-moi, de ta voix pareille à l’eau courante” (Speak to me, with a voice like flowing waters)
and “Ta forme est un éclair” (Your shape is a spark of lightning), Renée Vivien, 1901)
Lastly, with "Tant que mes yeux" (As long as my eyes), Ezéchiel was inspired by a 1555 poem by
Renaissance poet Louise Labé, whose main topic explored female love, physical and spiritual desire,
and the torments and pains they generate.
" At the start of the project ", Ezéchiel continues, " I was interested in many poets, men and women,
past and present, before my selection was narrowed down to these three female authors. Their works,
often written in difficult or secret conditions, express a raging romanticism, a passionate soul, fuelled
by desperate and tormented love. I found it interesting, as a man coming from another world and time,
to face this otherness, to trade viewpoints. Obviously, I could loudly claim that the album was the
result of a concept, that it reflects today's world, and that it allows me to explore the notion of gender,
giving visibility to the work of a few women, while at the same time pairing these ancient texts with a
more modern and rhythmic music, and obviously, there is some truth in that. But more than anything, I
wanted to serve the text itself, to express the emotion and connection I felt with these works.”
Today's rhythms and prosody...
Ezéchiel Pailhès combines texts from French literature with electronic music, its effects and rhythms,
as well as a form of scansion that echoes rap, R&B or the current fusion between hip hop and pop,
which is part of our musical background and that of younger generations. "I wanted to cross-reference
texts from the beginning of the century with this type of music. I wanted to use today’s techniques to
tell the tale of different daily lives and experiences.
The album is thus marked by contemporary electronic orchestrations, in which he drops his favourite
instrument, the piano, and his digital collage technique to use more extensive synth melodies,
enhanced by drum machines, bringing a gentle and bright vibe to the romantic texts. Lastly, we can
hear slight digital tones of Auto-Tune, which Ezéchiel uses sparingly and inventively.

Beyond its sophistication, the term "melopoeia" means a "sung declamation", a "recitative song",
sometimes interpreted in a monotonous way. On this album, it could also refer to a sense of phrasing,
which does not come from rap, but rather from jazz, Ezéchiel's first love. " In the past, I tried to hide
my jazz culture, but it naturally came back on this new album, as can be heard, for instance, in Regard
en arrière.” With its verses anchored in our literary memory, the following track "Mélopée", perfectly
illustrates the album's vision. It manages to transcend eras, mixing past romanticism with a modern
prosody, fuelled by the nonchalance of hip hop and the warm chords of jazz.
“Qu’un hasard guide enfin mon désespoir tranquille
Vers l’eau d’une oasis ou les berges d’une île,
Où je puisse dormir, mon voyage accompli,
Dans la sécurité profonde de l’oubli”
"May chance guide my quiet sorrow, at last
To the water of an oasis, the shores of an island,
Where I may sleep, having traveled my way,
In the safe depths of oblivion".
(After “Sillages” (Trails), René Vivien, 1908) More

Tracklist:

A1. Gurn Saucer
A2. Gas On Tap
B1. Tartine de Merde
B2. Quick Bowl

Release Info:

Portion out of control.

In a shocking act of extreme togetherness, and ruthless efficiency, a third Droid platter in one earth year.

The crack management team at Tape Man Enterprises have assured us this is not a temporary blip, more bacon donors will be flying through the cosmos...as sure as night follows day, thus proving that for some ineptitude can work as a lifestyle choice and pigs do fly.

Hopefully this humble offering can pierce the shitstorm of life and help replenish your joy batteries..

Join us next time for more of not the same.
Dem Idjuts

More

LP - - Second album from Manni Mono aka Schu von Blumentopf - Releases on Wertstoff Musik & Eskapaden Musik


GENRE/S: Instrumental Hip-Hop/LoFi-Beats/Boom Bap

TRACKLISTS:

1. so_tired
2. e_need_s
3. 3_candles
4. 09.15
5. sage_scent
6. that_girl
7. room_22
8. three
9. maury _t
10. save_O.K


SHORT INFO:


Behind Manni Mono hides Schu, he was 1/5 of the band "Blumentopf" and has given the band as a lyricist and rapper several Top10 albums.
He finally exchanged the mic for a sampler.
On "Pension Central" he now celebrates with us his vinyl debut on album length.
Almost infinite samples and set pieces are disassembled down to their molecular structure and put together to a nerdy and yet unique mosaic.
"Pension Central" is a true Frankenstein in the world of beat

Hinter Manni Mono verbirgt sich Schu, er war 1/5 der Band „Blumentopf“ und hat der Band als Texter und Rapper mehrere Top10 Alben beschert.
Das Mic hat er konsequent gegen einen Sampler eingetauscht.
Auf „Pension Central“ feiert er nun mit uns sein Vinyl Debut auf Albumlänge.
Nahezu unendlich viele Samples und Versatzstücke werden bis auf ihre Molekular-Struktur zerlegt und zu einem nerdigen und gleichwohl einzigartigen Mosaik zusammen gesetzt.
„Pension Central“ ist ein wahrer Frankenstein in der Welt der Beats.


More

Genre: Deep House, Minimal, Ambient

Tracklist 2x12“ Vinyl & Digital:

A1 Desires
A2 Interborough
A3 Apparent Calm Palms
B1 Quiet Decay
B2 Chimera
C1 Behind Their House
C2 Transfiguration
C3 Slalom
D1 Unfold
D2 Conclusions

Info:

Stólar label boss Philipp Priebe delivers his new album ‘Apparent Calm Palms’ this October, joining the roster of Mainz/Hamburg, Germany’s Feuilleton.
Berlin-based artist Philipp Priebe has been steadily making his mark on the contemporary deep hazy house and leftfield electronica scene over the past few years with a series of releases on his own Stólar imprint. Here though we see him deliver his second album following his debut LP ‘The Being Of The Beautiful’ released on Japan’s IL Y A Records back in 2014. Feuilleton is the brainchild of Chris Gruber (Fossar) and Tim Eder and since 2018 has unveiled material from the duo themselves, RR (René Raabe), Snad, Gari Romalis, Melina, Jakob Seidensticker and more.
Throughout the ‘Apparent Calm Palms’ LP Priebe delivers a concoction of styles and sounds cohesi-vely fused together to form the bigger concept which is he tells us is ‘’an album about small towns and villages and the needs and desires that brings one night out in clubs. The transport/travel, the preparty, all the things that you had to do, when you are not directly living in the big party places, but still want to have a decent night out, away from your usual suspects.’’.
Throughout the ten-track LP Philipp delivers ethereal deep house with opening track ‘Desires’, the succeeding ‘Interborough’ and ‘Chimera’, murky dub house leaning cuts like ‘Quiet Decay’, ‘Slalom’, ‘Unfold’ and ‘Conclusions’ while ‘Transfiguration’ showcases a more classic Chicago House influence. Title-track ‘Apparent Calm Palms’ and the interlude ‘Behind Their House’ then see Priebe offer a foray into textural ambient sounds, once again showcasing his unique ability to craft raw, understated and emotion fuelled material across a variety of genres.
Mastering by Sven Weisemann and Lacquer Cut by Stefan Betke


More

2022 REPRESS - ORIGINAL ART

Richie Hawtin continues his reconnection to the dancefloors, following on from the 'Time Warps' EP from late last year. 'Acid King' goes from melodic introspection back to his intense and hypnotic acid style that first brought him to the stage in the early '90s.
Written, mixed, edited & produced by Richie Hawtin.


TRACKLIST:

A1. Acid King (Full Tilt Mix) [10:41]
A2. . Acid King (Vox) [01:57]
B1. Acid King (F.U.S.E. Bass Dub) [05:45]
B2. Acid King (Bonus Beat) [02:51]



"What started out as a studio experiment searching for the soft, warm distortions that were inherent in all my early 1990s F.U.S.E & Circuit Breaker ACID tracks, morphed into something else..."
Richie Hawtin - 'Acid King'
More

Repress!

A fantastic Remix Package with Tracks from Dj Jauche s last Album „Spreekind“. Remixed by Tigerskin, YSE, Jay Eff & Frankman Gledd. Deep House at it Best. Soulful and Timeless Music.

Tracklist:
01 Dj Jauche - Simple Situation ( Gleed Remix )
02 Dj Jauche - Simple Situation ( Jay Eff & Frankman Remix )
03 03 Dj Jauche - Spreekind ( Tigerskin Remix )
04 04 Dj Jauche - Get Up And Start ( YSE Remix )
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2022 REPRESS
For its 3. release Infoline showcases never heard compositions of Marco Repetto (former Grauzone).

Special remarks : 2x12" LP Gatefold + 1x12" Bonus

includes:
1x12" Maxi (ILG003X)
2x12" LP (ILG003)

Genre: Acid House, Experimental, Industrial, Techno

LA LUNA SOTTO IL PONTE - L`Alchimia Dell Svanimento (ILG003)

A1 Celeste Sensibile
A2 Futurismo Luminescente
B1 Selvatico
B2 Teoria Della Meta?
B3 Baco Elettrico
C1 Leggere Nell Animo
C2 Allosauro
D1 Strada Feller
D2 Canale Dei Misteri
D3 Tra Due Onde
D4 Viaggiare A Vuoto
D5 Opera Abbuiata

#########################################
R.EPEE - QQX-7 (ILG003X)

A. E-Bear (R.Epee / Grauzone)
B. Eleventh Movement (R.Epee)

Short Info:
For its 3. release Infoline showcases never heard compositions of Marco Repetto (former Grauzone). La Luna Sotto Il Ponte is a 2x12' compilation and a never used alias of Marco Repetto. The compilation features tracks written between 1983 - 1989. Some years after his break up with Grauzone (1981), Marco went on a darker and more industrial path, which was a common route for experimental composers at that time. Expect a solid mixture of unreleased Industrial/EBM cuts. The bonus EP replaces La Luna Sotto Il Pontes grim and dark compositions for a much more utopian mind-set and movement in its heyday. It's 1988/1989 - Acid House is everywhere.
More

2LP + Download , 2020 Repress of this Italo balearic Classic!

Feel Fly is the alter ego of Daniele Tomassini: DJ and producer, composer of sound for theater and cinema, member of multiple hybrid projects,
both live and studio. Based in Perugia (IT), the co-founder of the monthly party Afro Templum, has been for years an active organizer of musical and cultural events in the underground city scene.
Raised between the walls of the historical and transversal Norman Club, he is currently a resident of the Tangram and Numbers parties at Perugia's Urban Club, which led him to share the console with many important national and international artists.
An avid collector of synths, keyboards and any noisy toy he can lay his hand on, after appearances on on "Roots Underground" and his own"Too Romantic" it's now time for his first full length release "Syrius" on "Internasjonal" co-produced and mixed by Prins Thomas.

“In the mystical crescendo of soft cosmic-melodic carpets and expansive Balearic pulses, Feel Fly tinges his sounds with Neo Disco, House, Synth-pop and Italo incursions. A slow pilgrimage permeated by immersive and dreamy beats that envelop you ."

Prins Thomas , April 2019

Tracklist:
A
1. Il Teorema Del Delirio 6:56
2. Syrius 4:11

B
1. 10.01 5:22
2. Endless Truth 6:45

C
1.Brzone23 6:22
2.Arpini 5:43

D
1.Athenâ 6:08
2.Dromo Celeste 6:53



• https://www.facebook.com/feel.fly/
• https://soundcloud.com/feel-fly
• https://www.residentadvisor.net/dj/feelfly
• https://www.mixcloud.com/feelfly/
• https://www.youtube.com/c/feelfly
• https://www.instagram.com/feel_fly/





More

2022 REPRESS Edition, 1LP+MP3
Carefully ReEdited, 100% Original

Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.
Special remarks : LP with digital download card

Tracklist
LP A1 If I Should Fall In Love, A2 I'm In Love With An Angel, A3 Sincerita, A4 Sulla Luna
B1 Tomorrow May Never Come, B2 Lady Of Mine, B3 Wild Dream


Short info:

Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.

Sicilian by birth, Tossini drifted around the world between Italy, Germany and Canada, before finally settling in New Jersey. After the passing of his mother and the breakdown of a second marriage, an anxious and depressed Tossini took to songwriting as a form of therapy, crafting disarmingly candid lyrics from his extraordinary life and loves. Whatever industry savvy or musical virtuosity he lacked was made up for by unflinching resourcefulness and infectious charisma. Befriending bandleader Peppino Lattanzi at local club The Rickshaw Inn, he was encouraged to animate his singular songs with an ambitious cast of 9 players and 5 backing vocalists, sincerely credited as his Friends.

The Atlantic City basement sessions are a low budget, high romance testament to Tossini's character and the power of positive thinking. From the defiant, Casiotone samba of If I Should Fall In Love, to Wild Dream's dizzying escapism and the native tongue croons of Sulla Luna and Sincerita, Lady Of Mine hums with the inimitable magic of a true original. Piercing the heart with an effectively sparse combination of humming keys, CompuRhythm drums, horn flourishes and backing divas, ample room was left for Tossini to frankly deliver his much-needed life lessons.

Underperforming commercially at the hands of short lived label IEA Records, Lady Of Mine has since earned a place in the outsider music canon. Recently peaking interest as a cornerstone of the Sky Girl compilation, the private press trades for inordinate sums, typically with no financial benefit to its creator. Lady Of Mine is now finally reissued on the artist's own terms via Joe Tossini Music, in partnership with Efficient Space, restored from original master tapes with unseen photos, extensive liner notes and Tossini's trademark wisdom.

Devoutly independent, Tossini has previously self-released the 2015 instrumental album When You Love Someone as well as two books - a new fiction novel The Devil In White and his autobiography The Account of My Life.
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LP
GENRE/S: Hip Hop Instrumental

TRACKLISTS:
1. Max Fresh & Deef Cosby, Slize, dédé - Yum 03:30
2.Max Fresh & Deef Cosby, Slize, Roboti Niro - Yum (Remix) 03:55
3.Max Fresh & Deef Cosby, dédé - Yum (Instrumental) 03:30
4.Max Fresh & Deef Cosby,Roboti Niro - Yum (Remix Instrumental) 03:55
5.Max Fresh & Deef Cosby, Roboti Niro - Niemals satt 03:27
6.Max Fresh & Deef Cosby, dédé - Niemals satt (Remix) 02:36
7.Niemals satt (Instrumental) 03:27
8.Max Fresh & Deef Cosby, dédé - Niemals satt (Remix Instrumental) 02:36


Slize, Max Fresh und Deef Cosby haben sich nicht abkochen lassen und zusammen mit dédé und Roboti Niro eine saftige Platte angerichtet, die vom Meisterkoch mit Michelin Stern Nadim Kabel aka Air Fork One abgeschmeckt und verfeinert wurde.
Zwei Tracks, zwei Remixe und die dazugehörigen vier Instrumentals ergeben ein Menü, das jedem geneigten Head das Wasser im Munde zusammenlaufen lässt.
"Yum" ist nicht nur ein Leckerbissen für Feinschmecker, sondern das, was Rap derzeit mal wieder braucht. Straighter Rap auf straighten Beats. Instant classic also.
Besonders die Remixe beweisen dabei, welche ungekannten Aromen ein und derselbe Track in neuem musikalischen Speckmantel entfalten kann. So ermöglichen die Köche es ihren Gästen, selbst die feinsten geschmacklichen Nuancen entdecken zu können.
Für die Labelarbeit zeigt sich "Das Label mit dem Hund" verantwortlich, welches schon bei zahlreichen andere Untergrund-Releases seinen Löffel im Topf hatte. Bon appétit!
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Rights: World excluding France & UK

Format: 1 X White Vinyl, deluxe Gatefold Mirror-Board Edition,Printed Inner Sleeve with new sleeve notes,download card,sticker

SPECIAL REMARKS :

- REMASTERED ALBUM
- DELUXE & LIMITED EDITIONS – ALL ONE RUN ONLY.

DELUXE WHITE VINYL : Remastered Album 1 X White Vinyl, Deluxe Gatefold Mirror-Board Edition,Printed Inner Sleeve with new sleeve notes,download card,sticker


BIOG

To celebrate the 30 year anniversary of Shakespears Sister’s seminal album ‘Hormonally Yours’,London Records have announced special edition releases across multiple formats.
A double platinum and top 3 UK album ‘Hormonally Yours’ secured Siobhan Fahey and Marcella Detroit a place in British pop history, spawning the single Stay - which spent a staggering eight consecutive weeks at the top of the UK charts - and winning the duo an Ivor Novello Award for Outstanding Contemporary Song Collection.
‘Hormonally Yours’ also features singles ‘Goodbye Cruel World’ and ‘I Don’t Care’, tackles friendships gone wrong on ‘My Sixteenth Apology’, powerful, dangerous attraction on ‘Emotional Thing’ and documents a friend’s coming out on ‘Are We In Love Yet?’ Fan favourite ‘The Trouble With Andre’, the full-throttle glam-blues of ‘Cat Woman and glorious finale ‘Hello (Turn Your Radio On) is the album’s glorious finale: an exhalation; a glorious, earth-shuddering moment that recalls the epic melancholy of David Bowie’s ‘Five Years’ and The Beatles’ ‘A Day In The Life’.
Shakespears Sisters second LP, Hormonally Yours, provided the perfect encapsulation of Shakespears Sister’s musical ying and yang; a deftly delivered balance of pop melody with a spikey alternative darkness

VINYLS TRACKLISTING:

1 Goodbye Cruel World 4:05
2 I Don’t Care 4:15
3 My 16th Apology 4:16
4 Are We in Love Yet 3:45
5 Emotional Thing 3:48
6 Stay 3:48
7 Black Sky 4:08
8 The Trouble with Andre 4:38
9 Moonchild 4:27
10 Catwoman 3:59
11 Let Me Entertain You 4:44
12 Hello (Turn Your Radio On) 4:12
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Rights: World excluding France & UK

Format: 1 X Black & White Splatter Vinyl, deluxe Gatefold Mirror-Board Edition,Printed Inner Sleeve with new sleeve notes,download card, sticker

SPECIAL REMARKS :

- REMASTERED ALBUM
- DELUXE & LIMITED EDITIONS – ALL ONE RUN ONLY.

DELUXE SPLATTER VINYL : Remastered Album, 1 X Black & White Splatter Vinyl, Deluxe Gatefold Mirror-Board Edition,Printed Inner Sleeve with new sleeve notes,download card, sticker

BIOG

To celebrate the 30 year anniversary of Shakespears Sister’s seminal album ‘Hormonally Yours’,London Records have announced special edition releases across multiple formats.
A double platinum and top 3 UK album ‘Hormonally Yours’ secured Siobhan Fahey and Marcella Detroit a place in British pop history, spawning the single Stay - which spent a staggering eight consecutive weeks at the top of the UK charts - and winning the duo an Ivor Novello Award for Outstanding Contemporary Song Collection.
‘Hormonally Yours’ also features singles ‘Goodbye Cruel World’ and ‘I Don’t Care’, tackles friendships gone wrong on ‘My Sixteenth Apology’, powerful, dangerous attraction on ‘Emotional Thing’ and documents a friend’s coming out on ‘Are We In Love Yet?’ Fan favourite ‘The Trouble With Andre’, the full-throttle glam-blues of ‘Cat Woman and glorious finale ‘Hello (Turn Your Radio On) is the album’s glorious finale: an exhalation; a glorious, earth-shuddering moment that recalls the epic melancholy of David Bowie’s ‘Five Years’ and The Beatles’ ‘A Day In The Life’.
Shakespears Sisters second LP, Hormonally Yours, provided the perfect encapsulation of Shakespears Sister’s musical ying and yang; a deftly delivered balance of pop melody with a spikey alternative darkness

VINYLS TRACKLISTING:

1 Goodbye Cruel World 4:05
2 I Don’t Care 4:15
3 My 16th Apology 4:16
4 Are We in Love Yet 3:45
5 Emotional Thing 3:48
6 Stay 3:48
7 Black Sky 4:08
8 The Trouble with Andre 4:38
9 Moonchild 4:27
10 Catwoman 3:59
11 Let Me Entertain You 4:44
12 Hello (Turn Your Radio On) 4:12
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LP, Limited, Download

Genre: Balearic, Disco, Indie Dance, Electonic

Tracklist:


A
1 Giorgio Lopez Chalet Miseno 00:06:27
2 Giorgio Lopez Journey To Punta Pennata 00:05:20
3 Giorgio Lopez Lido Florida Theme 00:04:31
B
4 Giorgio Lopez Luna Mirabilis 00:05:04
5 Giorgio Lopez Dragonara Punch 00:04:57
6 Giorgio Lopez via Faro 00:04:56




Short Info:

The Neapolitan producer makes a comeback on Horisontal Mambo with an ideal follow-up to his previous LP “Palinuro Phonebox”
and once again teams up with label boss Prins Thomas for some mixdown touches.
Halfway between italoboogie and Balearic beats, Chalet Miseno is a nostalgic ode to some 90s “estate italiana” holidays seen through the eyes of a kid.
From the catchy beats of the title track (with its roaring motorbike intermezzo) and “Dragonara Punch”, to the dreamy soundscapes of “Luna Mirabilis”
this album is guaranteed to be the perfect soundtrack to a hot summer (and a refresher for the long winter).

Mambo HQ August 2022



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Tracklist:
A – Enjoy The Silence Remix

Release Info
Fedele harnesses an all-time classic, twisting Enjoy The Silence into a modern
dance-floor bomb on this white label 12” from Italy’s Obscura Music.

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GENRE/S: Techno

TRACKLISTS:
A1. Be Aware
B1. Be Aware (Truncate Mix)
B2. Be Aware (Acappella)

SHORT INFO:

Josh Wink is as iconic as it gets in electronic music. The Philly artist crafted several of the genre's most enduring hits early in his career and has continued to remain at the forefront of the scene ever since. His Ovum label is part of the reason for that, as are superb new tunes like this one. Truncate is one of the new techno dons, known for his funky signature style of jackin’ tracks, along with crafting vast, all-consuming grooves that dominate dance floors. He has done so mostly on his own label and together the pair cook up some real magic on this new release. ‘Be Aware’ came about during a multi-day studio session at Truncate’s LA studio and is the first of two EPs that will be released from that same creative collaboration.Josh has been a fan of Truncate’s for years and had him remix his 2016 single 'Shoelaces' and 2017 single 'Resist', while in return Josh remixed Truncate’s 2017 tune 'Concentrate'. The timeless 'Be Aware' is a ghoulish techno track with freaky vocals that keep you looking over your shoulder. A sparse lead synth rises and falls to edgy effect, slick drums roll deep and unique tweaked effects flesh out this most well-crafted of tracks. Truncate offers his own impactful interpretation, where the tempo quickens and builds into an infectious powerful groove that has immense impact. This EP is a perfect example of an artist collaboration, where you can equally hear the signature sound of each producer in one distinctive track. This is the first coming together of these two underground icons and the results are unsurprisingly powerful.



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Tracklist:

A1) Dreamweaver 4:00min
A2) Time To Love For Essie 4:26min
A3) Time To Love For Essie (Deep Instrumental Mix) 4:29min

Short info:

Text

Aksel & Aino are back with their unmistakable mix off deep analogue instrumentation and poetic vocals. Dreamy pop from Scandinavia that follows up their 2020 released album „Lullabies For Submarines“.
As always this caters to moments on & off the dancefloor.


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