trickfinger (john frusciante)

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Label:Acid Test
Cat-No:atcd05
Release-Date:06.04.2015
Genre:
Configuration:CD Excl
Barcode:827170147126
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Last in:07.10.2015
+ Show full info - Close
backorder
Last in:07.10.2015
Label:Acid Test
Cat-No:atcd05
Release-Date:06.04.2015
Genre:
Configuration:CD Excl
Barcode:827170147126
1
trickfinger (john frusciante) - afterbelow
2
trickfinger (john frusciante) - beforeabove
3
trickfinger (john frusciante) - rainover
4
trickfinger (john frusciante) - sain
5
trickfinger (john frusciante) - 85h
6
trickfinger (john frusciante) - 430
7
trickfinger (john frusciante) - 100mc4
8
trickfinger (john frusciante) - phurip
CD - ATCD05 UPC: 827170147126 Release 06.04.2015 Tracklist: TBC The latest chapter in the electronic evolution of guitarist John Frusciante features a new project under his Trickfinger guise and has him utilizing the classic hardware that spawned the eternal acid template. Frusciante's desire to cede control to machines has paradoxically allowed him to present a singular take on elemental dance music, a brilliant and unexpected entry into Acid Test's growing canon of modern, 303-focused dance music. Words from the Artist "I started being serious about following my dream to make electronic music, and to be my own engineer, five years ago. For the 10 years prior to that, I had been playing guitar along with a wide range of different types of programmed synthesizer and sample based music, emulating as best as I could, what I heard. I found that the languages machines forced programmers to think in had caused them to discover a new musical vocabulary. The various forms of electronically generated music, particularly in the last 22 years, have introduced many new principles of rhythm, melody, and harmony. I would learn what someone had programmed but their thought process eluded me. Programmers, particularly ones fluent on machines from the early 80s and/or tracker programs from the 90s, clearly had a theoretical foundation in their employ but it was not the theory I knew from pop/rock, jazz or classical. The hands relationship to the instrument accounts for so much of why musicians do what they do, and I had come to feel that in pop/rock my mind was often being overpowered by my hand, which I had a strong desire to correct. I was obsessed with music where machine intelligence and human intelligence seemed to be bouncing off one another, each expanding with the incorporation of what it received from the other.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net
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Label:Acid Test
Cat-No:atlp05
Release-Date:06.04.2015
Genre:
Configuration:2LP Excl
Barcode:827170582460
backorder
Last in:05.06.2020
+ Show full info - Close
backorder
Last in:05.06.2020
Label:Acid Test
Cat-No:atlp05
Release-Date:06.04.2015
Genre:
Configuration:2LP Excl
Barcode:827170582460
1
trickfinger (john frusciante) - afterbelow
2
trickfinger (john frusciante) - beforeabove
3
trickfinger (john frusciante) - rainover
4
trickfinger (john frusciante) - sain
5
trickfinger (john frusciante) - 85h
6
trickfinger (john frusciante) - 430
7
trickfinger (john frusciante) - 100mc4
8
trickfinger (john frusciante) - phurip
2LP - ATLP05 UPC: 827170582460 Release 06.04.2015 Special remarks: : 2LP Inside Out Gatefold Vinyl + MP3 Downloadcode Tracklist LP: A1 After Below A2 Before Above B1 Rainover B2 Sain C1 85h C2 4:30 D1 100mc4 D2 Phurip The latest chapter in the electronic evolution of guitarist John Frusciante features a new project under his Trickfinger guise and has him utilizing the classic hardware that spawned the eternal acid template. Frusciante's desire to cede control to machines has paradoxically allowed him to present a singular take on elemental dance music, a brilliant and unexpected entry into Acid Test's growing canon of modern, 303-focused dance music. Words from the Artist "I started being serious about following my dream to make electronic music, and to be my own engineer, five years ago. For the 10 years prior to that, I had been playing guitar along with a wide range of different types of programmed synthesizer and sample based music, emulating as best as I could, what I heard. I found that the languages machines forced programmers to think in had caused them to discover a new musical vocabulary. The various forms of electronically generated music, particularly in the last 22 years, have introduced many new principles of rhythm, melody, and harmony. I would learn what someone had programmed but their thought process eluded me. Programmers, particularly ones fluent on machines from the early 80s and/or tracker programs from the 90s, clearly had a theoretical foundation in their employ but it was not the theory I knew from pop/rock, jazz or classical. The hands relationship to the instrument accounts for so much of why musicians do what they do, and I had come to feel that in pop/rock my mind was often being overpowered by my hand, which I had a strong desire to correct. I was obsessed with music where machine intelligence and human intelligence seemed to be bouncing off one another, each expanding with the incorporation of what it received from the other.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net
More

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