Mathew Jonson & Sebastian Mullaert

During their short but prolific career, A2L released two albums & numerous EPs on labels such as 1st Bass / Big One and Force Inc between 1988 and 1990. This is a collection of early and rare underground British psychedelic house gems from 1989, blending the trippy, mind-expanding sounds of machine funk, new beat, industrial/ebm, samplers and turntables techniques, with the birth of acid house wonderlandand and captures the raw energy of the UK rave scene. During their short but prolific career, A2L released two albums, one of which strangely landed on a South African label. They also dropped numerous EPs on labels such as 1st Bass / Big One (home to acts like Deskee, Longsy D, and King Bee) and the German label Force Inc (which hosted artists like Alec Empire, Porter Ricks, and Mike Ink), between 1988 and 1990. While Acid House is synonymous with the Roland 303, A2L is unlikely an acid house act. Instead, they stand as one of the finest examples of British psychedelic house music from the late 80s, falling between the likesof S-Express, Funtopia, Eon, and Acid Angels. With standout tracks like "Even Though It's Make Believe" and "Come On," A2L delivers infectious grooves over strobelight sample jams. This here is a collection of early and rare underground British psychedelic house gems from 1989, blending the trippy, mind-expanding sounds of machine funk, new beat, industrial/ebm, samplers and turntables techniques, with the birth of acid house wonderlandand and captures the raw energy of the UK rave scene. This is one testament to the creative freedom and experimental nature of that era. For fans of the burgeoning British psychedelic and acid house scene. Tracklist A1. A2L - Welcome U A2. A2L - Even Though It's Make Believe B1. A2L - We Want the World (Guitar Mix) B2. A2L - Rhythm Man C1. A2L - Trip Man C2. A2L - Trip Man (Spee Mix) C3. A2L - Come On D1. A2L - Bootsy Sly D2. A2L - Play Me Some Beautiful Dreamy Music

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Germany
Contact: gpsr@wordandsound.net

(incl 40p fanzine written by Matt Annis with photographs by Simon Pyke and Ian Brodie) Postpunk Theory is a meticulously curated compilation by the legendary Tony Thorpe, known for his work with The Moody Boys, 400 Blows, and The KLF. These classic tracks were played at parties by Thorpe at the time, making them his personal classics. The compilation features 16 rare and sought-after tracks from the post-punk era, including works by Mark Stewart and The Maffia, Basement 5, 23 Skidoo and more. Defining post-punk is no easy task. While punk was defined by a raw, rebellious simplicity, post-punk (1978-1986) expanded into a diverse array of sounds and ideas. It maintained punk's independent spirit but embraced experimentation, incorporating influences from various musical and cultural traditions, resulting in a movement far more eclectic and fragmented than its predecessor. At its core, post-punk broke away from traditional rock structures, blending genres like industrial, goth, and punk-funk with emerging dance music cultures. This era's spirit of innovation and defiance against musical norms continues to inspire, making post-punk a pivotal moment in music history that defies easy categorization. Tony Thorpe presents Postpunk Theory - Alpha ? is a meticulously curated compilation by the legendary Tony Thorpe, known for his work with The Moody Boys, 400 Blows, and The KLF. These classic tracks were played at parties by Thorpe at the time, making them his personal classics. The compilation features 16 rare and sought-after tracks from the post-punk era, including works by Mark Stewart and The Maffia, Basement 5, 23 Skidoo, African Headcharge, and more. Growing up in a vibrant musical environment in South London, Thorpe was deeply influenced by the eclectic sounds around him, from jazz-funk to Brit-Funk, and later, the post-punk records he discovered. As Thorpe recalls, "Post-punk was a mishmash of different cultures and ideas. Out of post-punk came dance music culture. That period was the most creative time because the culture was in its experimental phase." This compilation captures that innovative spirit, offering a glimpse into the era that shaped Thorpe's musical journey. The album comes as a limited 2xLP set, accompanied by an extensive 40-page fanzine. The fanzine, written by Matt Annis (Join The Future), dives deep into the post-punk movement, offering insight and context enriched with striking photographs by Simon Pyke and Ian Brodie. Tracklist A1. Basement 5 - Silicon Chip A2. Disconnection - Bali Ha'i (US Discomix) A3. A Certain Ratio - Shake Up A4. 23 skidoo - Language B1. PIL - Home Is Where The Heart Is B2. Mark Stewart And The Maffia - Jerusalem B3. The Unknown Cases - Masimbabele (The Original Version) B4. Allez Allez - She's Stirring Up (Dub) C1. Animal Magic - Standard Man C2. Lifetones - Distance No Object C3. Snakefinger - I Gave Myself To You C4. Startled Insects - Overrzoom D1. Maximum Joy - Silent Street / Silent Dub D2. African Headcharge - Throw It Away D3. EP-4 - Tide Gauge D4. 400 Blows - Declaration Of Intent

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Tracklist A1. Jungle Neck - 8 Coffins A2. Jungle Neck - Kingdom Rise B1. Jungle Neck - Wadada B2. Jungle Neck - Body Guard C1. Jungle Neck - No Wicked C2. Jungle Neck - Vampire D1. Jungle Neck - Latin Flute D2. Jungle Neck - Zion Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era. For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.

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WAS - Word and Sound Medien GmbH
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Germany
Contact: gpsr@wordandsound.net

(limited edition white vinyl, printed innersleeve) Hypnotone's iconic self titled mini album reissued! Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl. Tracklist A1. Hypnotone - Dream Beam A2. Hypnotone - Junovia A3. Hypnotone - Potion 90 A4. Hypnotone - Italia B1. Hypnotone - In Joy B2. Hypnotone - SBX B3. Hypnotone - Sub Hypnotone's iconic self titled mini album reissued! Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl. Exclusive liner notes by band member Tony Martin "The Hypnotone Story: From Manchester to Creation" and including after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Formed in the vibrant milieu of Manchester's legendary Hacienda nightclub, Hypnotone emerged from the creative partnership of Tony Martin and Martin Mittler. Tony, initially involved as the in-house lighting designer, and Mittler, a bar staff member, fused their interests and talents amid the fervor of the late '80s Acid House movement that pulsated through the club. Their musical venture began earnestly after an introduction to Alan McGee, head of Creation Records. This connection would soon lead to a record deal, propelling Hypnotone into the heart of the emerging electronic dance music scene, releasing 2 albums, multiple singles and standout remixes for artists such as Primal Scream, Sheer Taft, and The Lilac Time. With Creation Records' support, Hypnotone crafted their unique sound combining state-of-the-art digital samplers like the Akai S1000 with a collection of classic analog synths. Their debut self titled mini album includes after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Hypnotone not only shaped their distinct sonic footprint but also influenced the broader trajectory of electronic music. Their journey, marked by innovation anda deep affinity for Manchester's music scene, exemplifies the transformative power of the era's cultural and technological shifts in music. This is another must have for collectors and fans of early British (pop) house music, and very happy memories.

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WAS - Word and Sound Medien GmbH
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Germany
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Tracklist A1. 100hZ - Catching Spyders (In This Place) A2. Airtight - Housewerk FXTC B1. Detroit Diesel - Dreams For Santiago B2. Techno Grooves - Hiawa C1. The Moody Boys - Jammin' (Ital Mix) C2. Shaka - Pussyfooter D1. Fortune & Fame - Is This Your Life D2. Nagai Eri - Delta File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene. On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shopof the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK. Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan. File under house, breakbeat, techno and warehouse rave music

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WAS - Word and Sound Medien GmbH
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Germany
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Tracklist Tracklist A1. Ben J'ammin M - Evolvic A2. Uncle 22 - Pain B1. Point Zero - Coastal B2. Escape - Escape (The Optical Mix) C1. Ike - Euphoria C2. Minimal Man - Outside The Window (Track 1232) D1. Mad Musician - Jazz Out D2. Sävel - Sunflower File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene. On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shop of the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK. Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan. File under house, breakbeat, techno and warehouse rave music

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Featuring 24 restored and remastered tracks stretched across two volumes, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue is explored in detail across the two-part compilation. TRACKLISTING A1. Lab Technicians - We Gave U Life A2. Aural Exciter - U = Euphoria A3. Original Clique - "F" (Whistle Mix) B1. Pierrepoint - Tonnerre B2. A.E.K. - Lick It B3. Zubbizerretta - Wake The Town (Somnabulist Mix) C1. Estudiantes - Let The Music Into Your Mind C2. Zeco - The Witch Trials C3. Big Showdown - They're Here D1. The Rhythm Squad - Animal House (Original Mix) D2. The Rhythm Squad - Manhunt (Instrumental) D3. Nine-L - Islands, Part 2 INFO Tony Boninsegna: Notes From The Underground 1986-1994 (Volumes 1 and 2) Cold Blow / Musique Pour La Danse The story of dance music is littered with hidden heroes and underground activists whose immense contributions have been overlooked, ignored and under-documented. Tony Boninsegna, a producer who made and released countless classic cuts and forgotten gems during the acid house and rave era, is one such example. Melding elements of all that was popular in underground clubs at the time to create his own dancefloor-friendly sound worlds, Boninsegna amassed a huge catalogue between 1986 and '94, while hiding his involvement via an array of oddball aliases and opaque pseudonyms. Boninsegna's story first came to light four years ago when he appeared in Join The Future: Bleep Techno and the Birth of British Bass Music, Matt Anniss's critically acclaimed alternative history of UK dance music in the rave era. Now Cold Blow has joined forces with Musique Pour La Danse to deliver a much-needed anthology of his greatest productions and co-productions - many rare or hard-to-find - for the first time. Featuring 24 restored and remastered tracks stretched across two volumes on vinyl and digital, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue, as well as an indication of the sheer volume of aliases he utilised during the period, is explored in detail across the two-part compilation. Fittingly, volume one features two previously unreleased recordings that mark his earliest explorations of the emerging house sound (both as The Rhythm Squad, with Richard Compton), alongside touchstone releases such as Zeco's 'The Witch Trials' (a 1989 production that marked his first outing on vinyl), celebrated workouts recorded with regular collaborator Mykey Tee (Lab Technicians' bleep-inspired 'We Gave U Life', Big Showdown's epic 'They're Here' and AEK's mind-mangling, bleep & breaks number 'Lick It'), and genuinely overlooked gems (the proto-tribal house of Pierrepoint's acid-smothered 'Tonnerre' and saucer-eyed rush of Estudiantes' 'Let The Music Into Your Mind'). It all adds up to the definitive musical retrospective of a genuine underground, rave-era hero whose time in the spotlight may finally have arrived.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Featuring 24 restored and remastered tracks stretched across two volumes, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue is explored in detail across the two-part compilation. TRACKLISTING A1. Lab Technicians - We Gave You Life (Original Version) A2. Nine-L - Untitled (Houston, We Have A Problem B2) A3. Sykosis 451 - Monsoon B1. Original Clique - U = Underground B2. Original Clique - Now Hear Me Now B3. MI7 - Show I C1. Napoleon - Fortuna C2. Napoleon - La Chaux Du Fonds C3. Ragga Head - Give The People What They Want D1. Return Of The Living Acid - Big Dipper D2. Ministry Of Fear - Original Cliché D3. Nine-L - Untitled (Houston, We Have A Problem A2) INFO Tony Boninsegna: Notes From The Underground 1986-1994 (Volumes 1 and 2) Cold Blow / Musique Pour La Danse The story of dance music is littered with hidden heroes and underground activists whose immense contributions have been overlooked, ignored and under-documented. Tony Boninsegna, a producer who made and released countless classic cuts and forgotten gems during the acid house and rave era, is one such example. Melding elements of all that was popular in underground clubs at the time to create his own dancefloor-friendly sound worlds, Boninsegna amassed a huge catalogue between 1986 and '94, while hiding his involvement via an array of oddball aliases and opaque pseudonyms. Boninsegna's story first came to light four years ago when he appeared in Join The Future: Bleep Techno and the Birth of British Bass Music, Matt Anniss's critically acclaimed alternative history of UK dance music in the rave era. Now Cold Blow has joined forces with Musique Pour La Danse to deliver a much-needed anthology of his greatest productions and co-productions - many rare or hard-to-find - for the first time. Featuring 24 restored and remastered tracks stretched across two volumes on vinyl and digital, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue, as well as an indication of the sheer volume of aliases he utilised during the period, is explored in detail across the two-part compilation. Volume two continues in a similar vein while devoting more disc space to Boninsegna's breakbeat-driven productions of the early 1990s. So, alongside more must-have tracks from the producer's Chill-released projects (Return of The Living Acid's surging acid thumper 'Big Dipper', MI7's twisted bleep and breaks monster 'Show I', and a couple of killer cuts alongside Mykey Tee as Original Clique), Cold Blow & Musique Pour La Danse have also made room for the proto-jungle brilliance of Ragga Head's 'Give The People Junglis', the tongue-in-cheek excellence of Ministry of Fear's 'Original Cliché', two top tracks as Napoleon, and the wild, acid breaks breathlessness of 'Monsoon' by Sykosis 451. It all adds up to the definitive musical retrospective of a genuine underground, rave-era hero whose time in the spotlight may finally have arrived.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

(2023 remaster) Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip. TRACKLISTING A1. A3000 - Sonic Stripes A2. A3000 - Flow B1. A3000 - Rise B2. A3000 - Phantome Of House C1. A3000 - Shelloid C2. A3000 - P.S.E. D1. A3000 - Part Of The Planet D2. A3000 - Destination Underwood INFO 8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide. Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip. Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records. Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more. Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album. www.markwigan.com This album is for Steen who what there on the night, and Louis the dancing cat. And to all that where around there then, and somehow still are.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

(Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: THE SCIENTIST / KCC / R.SOLUTION / BIOSPHERE / A CERTAIN RATIO / A MAN CALLED GERALD / UNIQUE 3 / HYPERSONIC / HEYCHILD TRACKLIST A1 The Scientist - Spiral Symphony (Sample Me Mix) 03:00 A2 KCC - Def Cõn Bass 04:36 A3 R. Solution - Blowing My Mind 04:04 B1 Biosphere - Baby Satellite 05:06 B2 A Certain Ratio - Spirit Dance 05:39 C1 A Man Called Adam - Midievil (The Inquisition) 06:46 C2 Unique 3 - Digicality 04:48 D1 Hypersonic - Dance Tones (Tekno Mix) 05:28* D2 Heychild - Heychild's Theme 06:08 * not on CD version / vinyl exclusive + (Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: THE SCIENTIST / KCC / R.SOLUTION / BIOSPHERE / A CERTAIN RATIO / A MAN CALLED GERALD / UNIQUE 3 / HYPERSONIC / HEYCHILD + Artwork from Legendary Designer Trevor Jackson + Extended liner notes from Dance Music Historian Matt Anniss (Join The Future), Mastering by Robert Gordon (Forgemaster / Warp) + Half Speed mastering & cut at 45RPM for louder bass, pressed on heavy vinyl. INFO At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond. This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music. A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner. Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

(Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: TERRA INCOGNITA / TEK 9 / UBIK BONESHAKER / BREAK THE LIMITS / TECHNO EXCURISON / TRAK 1 / KLF TRACKLIST A1 Terra Incognita - Alien Element (UK Mix) 04:26 A2 Tek 9 - Space 91 03:12 A3 Boneshakers - Don't Go Away (Original Dub Mix) 03:38 B1 Ubik - Bass Generation 06:08 B2 Break The Limits - Drums Of Freedom 05:06* C1 Techno Excursion - Come With Me 06:01 C2 Trak 1 - For This II 04:32 D1 Three Sons - First Step 04:03 D2 KLF - What Time Is Love? (Moody Boys vs KLF Mix) 07:38 * not on CD version / vinyl exclusive + Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: TERRA INCOGNITA / TEK 9 / UBIK BONESHAKER / BREAK THE LIMITS / TECHNO EXCURISON / TRAK 1 / KLF + Artwork from Legendary Designer Trevor Jackson + Extended liner notes from Dance Music Historian Matt Anniss (Join The Future), Mastering by Robert Gordon (Forgemaster / Warp) + Half Speed mastering & cut at 45RPM for louder bass, pressed on heavy vinyl. INFO At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond. This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music. A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner. Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

(limited edition white 180gr vinyl) rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network). Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion. TRACKLISTING A1. rEAGENZ - Ä (2021 Remaster) A2. rEAGENZ - Long Leaves (2021 Remaster) B1. rEAGENZ - ß (2021 Remaster) B2. rEAGENZ - Ö (2021 Remaster) C1. rEAGENZ - DJ Friendly (2021 Remaster) C2. rEAGENZ - Ü (2021 Remaster) D1. rEAGENZ - Tz D2. rEAGENZ - Hollow Mountain (2021 Remaster) INFO Musique Pour La Danse presents rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network). Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion. Nearly 30 years after its release, rEAGENZ remains a crucial milestone of electronic music. The duo famously met at an early gig of British IDM heroes Autechre and then recorded its debut album between its respective studios in San Francisco and Heidelberg. This is a record where the sense of in betweenness is not only geographical. It is indeed a beautiful hybrid that explores the relationship between lush ambient textures and intricate IDM/techno rhythms, with striking and memorable results. Rather than trying to fit in pre-determined templates, rEAGENZ invites you in a paradigm of its own. In these unprecedented times without access to clubs and dancefloors, this is a much needed reminder, as it is one of those albums that argues that the enjoyment of electronic music is anything but confined to the formulas and expectations of music for clubs. It's all about diving into gorgeous and compelling soundscapes, wherever you might be listening and dancing. ä, ö, b, ü, ß, tz recorded at reflective studio, san francisco, summer 1993 long leaves, hollow mountain, dj friendly recorded at resource studio, heidelberg, summer 1994 by jonah sharp and david moufang. originally released in 1994 on reflective records / source records original artwork cebra & env / reissue design env (jonas grossman)

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(180 gr vinyl) Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021. This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label. TRACKLISTING A1. Space Time Continuum - Fluresence (2022 Remaster) A2. Space Time Continuum - Transmitter (2022 Remaster) B1. Space Time Continuum - Drift (2022 Remaster) B2. Space Time Continuum - Drug #6 (2022 Remaster) INFO Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021. This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label. There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down. Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens. Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts. Needless to say, zero gravity listening is strongly encouraged.

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Limited Edition Ocean Blue Double Vinyl. DLP Donkey Kong Country OST DLP 3 [Recreated], mastered for vinyl, fully licensed, half speed mastering, colored vinyl (ocean blue). TRACKLIST Side 1 - The Beginning of The End 1. Dixie Beat 00:45 2. Crazy Calypso 01:15 3. Northern Kremisphere 02:28 4. Wrinkly's Safe Cave 00:34 5. Hangin' At Funky's 01:08 6. Crystal Chasm 01:08 7. Sub-map Shuffle 02:55 8. Stillt Village 02:33 9. Bonus Time! 01:31 10. Mill Fever 03:34 Side2 - Danger Zone 1. Brother Bear 00:49 2. Frosty Frolics 02:12 3. Swanky's Sideshow 01:29 4. Cranky's Showdown 01:05 5. Boss Boogie 01:38 6. Treetop Tumble 02:53 7. wrinkly 64 01:27 8. Hot Pursuit 03:37 9. Enchanted Riverbank 02:49 Side 3 - The Wild World 1. Brothers Bear Blues 01:08 2. Water World 02:53 3. Cascade Capers 03:01 4. Get Fit Agogo 00:19 5. Nuts and Bolts 02:17 6. Pokey Pipes 02:29 7. Rockface Rumble 02:15 8. Cavern Caprice 02:50 9. Jungle Jitter 02:49 Side 4 - K.Rool's Reckoning 1. Big Boss Blues 01:52 2. Game Over 00:16 3. Baddies On Parada 02:05 4. Krematoa Koncerto 02:03 5. Rocket Run 03:03 6. Mama Bird 01:48 7. Chase 01:16 8. Jangle Bells 03:08 INFO Musique Pour La Danse is proud to present the Donkey Kong Country 3 OST [Recreated] of the much appreciated and globally followed Donkey Kong Country OST recreation project led by NY-based composer and producer Jammin’ Sam Miller. Using hex SPC data crudely converted to MIDI, Jammin' Sam Miller painstakingly recreated DKC's soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing the sounds with added effects and mastering. To find out more about his process watch an explanatory video here: cutt.ly/ulUHE6J Remastered for vinyl, licensed, and presented in a limited edition blue cascade double LP.

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An historical live recording at The Brain Club that captures the unique vibe and flow of a brand new life-changing musical era in 1990 London Soho. Includes liner notes by The Brain club co-owner Sean McLusky, writer ("Bass, Mids, Tops") and DJ Joe Muggs and original sleeve art by the other The Brain club co-owner Mark Wigan, like you were back there. For fans of ambient, acid house, and fucking brilliant live music!! TRACKLIST A1. Irresitable Force - Medley #1 A2. Ramjac Corporation - Wikki Loop A3. Ramjac Corporation - Para Ti A4. Irresistible Force - Let's Go Swimming A5. Ramjac Corporation - Massif B1. Irresitble Force - Medley #2 B2. Ramjac Corporation - Keep on Turning On B3. Irrestible Force - Finale INFO Back in the late 80s label owner Olivier Ducret entered 11 Wardour Street in London, home of the mighty Brain Club, a gallery · club · bar owned by Sean McLusky and Mark Wigan, where many (acid) house and techno visionaries played their early live on Thursday night to less than 50 people, that was quite intimate: Orbital, Simon Lovejoy, Mr Monday, If?, Doi-Oing, Nexus 21, Funtopia, Hi-Ryze, Adamski, 808 State, Ultramarine and of course, Mixmaster Morris's Irresistible Force and Irdial's RAMJAC Corporation. The energy and the creativity was incredible, at its peak, everything was fresh, innocent, naïve, new and oh so exciting. Boundaries in genre did not exist, and everyone was welcome aboard, no superstar, no business, just pure great fun. The crowd was eclectic, you could bump into Mark Moore or Neneh Cherry while the oung guns Andrew Weatherall or Steve Bicknell were spinning. This is most possibly where it all started for me & the label and this unique recording captures it all like no other, like a time capsule, impressively, and amazingly, a classic slice of British rave history unearthed via Switzerland. Just close your eyes and go back to the phuture. The Irresistible Force is underground legend, ambient dj, writer, critic of corporate dance business (thanks for that) and producer Mixmaster Morris. He became involved with the emerging UK acid house scene, touring with The Shamen and releasing his first and still outstanding album "Flying High" on Caspar Pound's great Rising High Records (to be reissued on WRWTFWW with that classic T-Shirt "I Think Therefore I Ambient"). He played all raves, clubs, radios and festival, all around the world, did so many mixtapes and compilations and more albums, always so enjoyable and and still is one of the most truly enthusiastic DJ around. He's currently preparing 3 new albums to be release on Ninja Tune. mixcloud.com/mixmastermorris Ramjac Corporation is Paul Chivers, producer, percussionist, sound artist and teacher, with first release on the cult London label Irdial Discs, one of UK's unsung electronic pioneers, known for his voltaic live shows during the heady Summer of Love in 1988 and beyond. Jamming his own flavour of sampled beats live from his Atari and Emulator, Ramjac performed at the now legendary Sunrise, Energy and Back To The Future raves and went on to tour with Orbital, The Shamen and The Irresistible Force. Ramjac went from playing from 50 to 10,000 ravers in a matter of months. In 2018 London-based record label Emotional Rescue have announced the reissue of Ramjac Corporation’s debut extended player “Cameroon Massif!” mixing a love of techno and house with dub bass and break beats into a proto-jungle swirl. ramjac.co.uk Sean McLusky went on to set up Brainiak Records with Tim Fielding, the legendary Live At The Brain albums, then they went to mastermind various London clubs like Love Ranch, Club UK, Sonic Mook and Mr C's The End. Today Sean McLusky runs Whitechapel Gallery in Hackney where this album release party is held on 11.03.2022. Sean wrote liners notes for this album. whitechapelgallery.org Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album. www.markwigan.com This album is for Steen who what there on the night, and Louis the dancing cat. And to all that where around there then, and somehow still are.

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THE THRESHOLD HOUSEBOYS CHOIR (PETER "SLEAZY" CHRISTOPHERSON OF COIL) “FORM GROWS RAMPANT” (Heavy 180g black vinyl. First time on vinyl. 350gsm Gatefold, interior sleeve printed. Half Speed Mastering. 45 rpm) The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end. File under COIL Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard. TRACKLISTING A1. The Threshold HouseBoys Choir - Part One: A Time Of Happening A2. The Threshold HouseBoys Choir - Part Two: Intimations Of Spring B. The Threshold HouseBoys Choir - Part Three: So Young It Knows No Maturing C. The Threshold HouseBoys Choir - Part Four: So Free It Knows No End D. The Threshold HouseBoys Choir - Part Five: As Doors Open Into Space INFO The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end. Despite the name, it was a solo project which relied heavily on computer generated vocals. The name was derived from a play on words, combining the terms houseboy, house of boys, boys' choir, and Threshold House, which was Coil's own label. "Form Grows Rampant" is the soundtrack of a film shot by Christopherson (a video capture at the GinJae Vegetarian Festival in the south of Thailand) and his first major musical project since the tragic death of John Balance and the subsequent demise of Coil. The music is a suite of lenghty dense atmospherics that combine shuddering electronics with sampled vocals, eerie digitalia, buried melodies and sinister undercurrents hinting at a gleaming heart of darkness, with a joyful melodic progression that sounds positively triumphant towards the end of the disc. It's both Coil-esque and quite different, and undoubtedly is the worthy successor of the legendary group that Christopherson created with his partner John Balance. First released in small quantities in 2007 as a CD/DVD set, this is the first time it is released on vinyl, CD and digital. This reissue has been mastered from original files by Sidney Claire Meyer at former Deutsche Grammophon studios Emil Berliner in Berlin, using the half speed mastering process, and pressed on heavy vinyl. File under COIL Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard.

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Germany
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(Vinyl part 2 of 2) Repress of eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever. TRACKLIST A1. Funky Acid Makossa A2. Mondolay Break B1. Techno Bass B2. I Want The People To Know INFO Musique Pour La Danse welcomes celebrated Brooklyn DJ Frankie Bones and is thrilled to announce the release of 2 new exclusive vinyl EPs in the long lasting Bonesbreaks serie in collaboration with the artist own imprint Bangin Music. Spinning records since the early 80’s, Frankie Bones imported Rave culture in the USA after he played Energy in UK in front of +25K. His Brooklyn Storm Raves and unique sound signature were the foundation of the rave movement in the whole United States of America. Frankie Bones had classic releases on Nu Groove, ESP-Sun, Logic, Rave Age, Underworld, Trax, XL, ran the successful Sonic Groove Records shop with brother Adam X aka Traversable Wormhole and Heather Heart and collaborated with Lenny Dee, Nico, Tommy Musto, Joey Beltram, KLF and the The Moody Boys to name a few. The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.’s and reflects the artist deep love for dope breaks and dirty techno sounds. Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever.

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DE - 22113 Hamburg
Germany
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(incl insert with illustrations & liner notes) SPACED OUT!, a compilation curated by Belgian artist and producer DJ Athome (Front de Cadeaux) which focuses on psychedelic dub, space rock, and early electronica created in the UK's festival scene between 1986 and 1996. Includes a riso print with foreword by acclaimed philosopher Timothy Morton, along with liner notes by David Borsu, one of the key players of Liège's musical collectives in the 90s and illustrations by designer Andrew Beltran. TRACKLISTING A1. Eat Static - Kothluwalawa A2. Magic Mushroom Band - Aravinda A3. The Ullulators - Zulu Proons B1. Ozric Tentacles - Secret Names B2. Revolutionary Dub Warriors - Dread v1 B3. Junkwaffel - Substrata C1. The Ullulators - Simply Conscious dub C2. Magic Mushroom Band - Squatter In The House C3. Ozric Tentacles - Sploosh! D1. Divine Soma Experience - Music Is Magic D2. Extremadura - Epsilon

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(limited edition neon green vinyl) rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network). Previously only available in CD format, this sought-after album which nonetheless remains too under appreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion. TRACKLISTING A1. rEAGENZ - Ä (2021 Remaster) A2. rEAGENZ - Long Leaves (2021 Remaster) B1. rEAGENZ - ß (2021 Remaster) B2. rEAGENZ - Ö (2021 Remaster) C1. rEAGENZ - DJ Friendly (2021 Remaster) C2. rEAGENZ - Ü (2021 Remaster) D1. rEAGENZ - Tz D2. rEAGENZ - Hollow Mountain (2021 Remaster)

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Musique Pour La Danse presents Roomservice, Dutchman Orlando Voorn's forgotten yet unforgettable IDM-leaning, home-listening electronica / techno album from 1994 under his Living Room alias, originally released on the producer's cult Night Vision label. Praised unequivocally by those lucky enough to have heard it, this criminally underrated record nonetheless deserves pride of place when talking about forward-thinking electronic music from the early 90s.

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Musique Pour La Danse invites you to rock your body and free your brain with the second and third volume of Break The Limits. Break The Limits are Bay B Kane and Mister E, two East London underground pioneers who released pivotal and visionary EPs between 1990 and 1991. Nearly 30 years later, it's still fresh.

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LP + free bonus mix cd + liner notes by Geert Sermon [The Sound Of Belgium] A timeless collection of unintentional psychedelic, post-everything, and pre-anything music with his one of a kind, unique, selector air, compiled by by Dj Morpheus aka Samy Birnbach, member of post punk / wave band Minimal Compact and responsible for compiling the classic downtempo / ambient late 90s Freezone series on SSR Records (parent label of Crammed).

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First released in 1994 and remastered for the 21st century. An absolutely georgous 12" by Orlando Voorn under his Baruka moniker focusing on ambient house / IDM and downtempo, think of the heyday of Black Dog, New Electronica, Artificial Intelligence, and Fat Cat Records shop, with Orlando's touch. And a truly delicious acid line on Circles. TRACKLISTING A. Baruka aka Orlando Voorn - Raver Of The Lost Funk B1. Baruka aka Orlando Voorn - Anti Political Behaviour B2. Baruka aka Orlando Voorn - Circles

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First released in 1994 and remastered for the 21st century. As the title subtly suggest, this has to be played LOUD! And it the recent days, the title tune (that FX mix) has been played recently by the usual suspects. A classic and strong 12" by Orlando Voorn under his Baruka moniker focusing on twisted funky Detroit Techno sound with his special signature. A colorful release. TRACKLISTING A. Baruka aka Orlando Voorn - Play It Loud (FX Mix) B1. Baruka aka Orlando Voorn - Technison B2. Baruka aka Orlando Voorn - Fusion

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(Playboy - In Da Jungle (Tom Middleton's Mod Wheel Safari Remix) / Fix - Flash) We are thrilled to present here the latest release in Orlando Voorn's neverending "Collected" serie, an anthology of music produced by one of the most original and trulypioneering artist in the world of electronic dance music. TRACKLISTING A. Playboy - In Da Jungle (Tom Middleton's MOD Wheel Safari Mix) B. Fix - Flash

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The pièce de résistance of the 'Collected 1984 - 1989' project, all the music on this LP has never been heard before, except for a single tune released on a rare 7" in 1988. The track selection and sequence is the result of Ducret & Isar closely listening to the many hours of unreleased material Desaever shared with them. Saved from oblivion and irremediable decay, the music on this LP is now just waiting to be played and listened as well as to inspire.

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The latest release by Musique Pour La Danse is a reissue of a rare and cult record, Super Nova's Planetary Invazion EP. It is part of a 4 EP reissue series of Nate Krafft's music under several aliases (Super Nova, Naquil). Originally released by Infra in 1996, this is an off-kilter EP that should be filed under techno / electro / Detroit but that also goes beyond these categories.

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Musique Pour La Danse is proud to present this 2 x LP limited edition reissue of THE PURPLE UNIVERSE, an album originally released in 1993 by Swiss duo SYNECTICS (Marco Repetto & Stefan Riesen) on legendary braindance label REPHLEX ran by Richard D.James (Aphex Twin) & Grant Wilson-Claridge. Bearing CAT number 06, this early release is one of Rephlex's best-kept secrets. The 2 x LP edition includes 3 tracks from the CD version, never available on vinyl before.

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