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Aqua (label sleeve / blue vinyl)
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Cat-No: SNFCC009
Release-Date: 14.01.2022
Genre:Electronica
Configuration: 12"

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Cat-No: SNFCC009
Release-Date: 14.01.2022
Genre:Electronica
Configuration: 12"

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Mathieu Faubourg - Aqua (00:00) Mathieu Faubourg - Aqua (00:00) 1 Mathieu Faubourg - Aqua
Mathieu Faubourg - Galactic (00:00) Mathieu Faubourg - Galactic (00:00) 2 Mathieu Faubourg - Galactic
Mathieu Faubourg - Velvet (00:00) Mathieu Faubourg - Velvet (00:00) 3 Mathieu Faubourg - Velvet
Mathieu Faubourg - The Clouds (00:00) Mathieu Faubourg - The Clouds (00:00) 4 Mathieu Faubourg - The Clouds
Tracklisting:
A1 Mathieu Faubourg - Aqua
A2 Mathieu Faubourg - Galactic
B1 Mathieu Faubourg - Velvet
B2 Mathieu Faubourg - The Clouds

Release Note:
Making a splash on the European house scene for the past five years, Matthieu Faubourg is the perfect fit to Shall Not Fade, with his hazey pieces that carry just the right amount of groove. Since his breakout hit, "Please Stay", a ten-minute deep house voyage, Faubourg has played across Europe and last year dropped his debut album replete with subtle jazz and hiphop
references.

Joining the Classic Cuts series with four tracks of bliss, Aqua EP is Faubourg's first for Shall Not Fade. The title track's gently dramatic synths ease us into space age soundscapes in "Galactic". Deep proto-house grooves give this one a futuristic disco feel with plenty of high class production to go with it. "Velvet" focuses on sing-your-heart-out balladic vocals, eighties pop hit
vibes which are super-listenable, while "In The Clouds" euphoric strings and subtle but deep bassline make for a blissed out instrumental closer.

Aqua EP drops Friday 14th January via Shall Not Fade.

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Mountain Man Exit / Orlo
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Label: We Jazz
Cat-No: WJ0718
Release-Date: 14.01.2022
Configuration: 7"

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Label: We Jazz
Cat-No: WJ0718
Release-Date: 14.01.2022
Configuration: 7"

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Timo Lassy - Mountain Man Exit (00:00) Timo Lassy - Mountain Man Exit (00:00) 1 Timo Lassy - Mountain Man Exit
Timo Lassy - Orlo (00:00) Timo Lassy - Orlo (00:00) 2 Timo Lassy - Orlo
Timo Lassy follows up his new album "Trio" on We Jazz Records by sharing two non-album cuts from the same sessions on a new 7" vinyl single / digi release. "Mountain Man Exit" is a stormy number featuring the trio of Lassy (tenor sax), Ville Herrala (bass) and Jaska Lukkarinen (drums) in full flight plus Tuomo Prättälä (of Ilmiliekki Quartet) on synth duties. Album track "Orlo" gets a new treatment, edited for the 7" and taking shape as a tough-as-nails mix breaking new ground here without the string section.

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Neck Back/ Cinthie Remix
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Label: talman
Cat-No: TALMAN13
Release-Date: 14.01.2022
Genre:House
Configuration: 12"

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Label: talman
Cat-No: TALMAN13
Release-Date: 14.01.2022
Genre:House
Configuration: 12"

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Revivis - "Neck Back" (7:10) (00:00) Revivis - "Neck Back" (7:10) (00:00) 1 Revivis - "Neck Back" (7:10)
Revivis - "What You Need" (6:52) (00:00) Revivis - "What You Need" (6:52) (00:00) 2 Revivis - "What You Need" (6:52)
Revivis - "Open Eyes" (6:35) (00:00) Revivis - "Open Eyes" (6:35) (00:00) 3 Revivis - "Open Eyes" (6:35)
Revivis - "Open Eyes" (Cinthie remix) (5:18) (00:00) Revivis - "Open Eyes" (Cinthie remix) (5:18) (00:00) 4 Revivis - "Open Eyes" (Cinthie remix) (5:18)

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Label: rutilance
Cat-No: RUTI022
Release-Date: 14.01.2022
Genre:House
Configuration: 12"

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Label: rutilance
Cat-No: RUTI022
Release-Date: 14.01.2022
Genre:House
Configuration: 12"

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Djoko - "Holding Onto You" (5:53) (00:00) Djoko - "Holding Onto You" (5:53) (00:00) 1 Djoko - "Holding Onto You" (5:53)
Djoko - "Daylight" (5:58) (00:00) Djoko - "Daylight" (5:58) (00:00) 2 Djoko - "Daylight" (5:58)
Djoko - "Step Han" (6:15) (00:00) Djoko - "Step Han" (6:15) (00:00) 3 Djoko - "Step Han" (6:15)
Djoko - "Lesson" (7:17) (00:00) Djoko - "Lesson" (7:17) (00:00) 4 Djoko - "Lesson" (7:17)
After one track already released on Rutilance, Kicks brings out a new effective EP, showing his taste for 90's rhythms and 2000's deep keyboards.

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Cat-No: HYPSPLP05
Release-Date: 10.01.2022
Configuration: LP

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Cat-No: HYPSPLP05
Release-Date: 10.01.2022
Configuration: LP

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Los Microwaves - Thin Ice (00:00) Los Microwaves - Thin Ice (00:00) 1 Los Microwaves - Thin Ice
Los Microwaves - I Can't Say (00:00) Los Microwaves - I Can't Say (00:00) 2 Los Microwaves - I Can't Say
Los Microwaves - Silent Screamers (00:00) Los Microwaves - Silent Screamers (00:00) 3 Los Microwaves - Silent Screamers
Los Microwaves - What's To Do (00:00) Los Microwaves - What's To Do (00:00) 4 Los Microwaves - What's To Do
Los Microwaves - And Ever (00:00) Los Microwaves - And Ever (00:00) 5 Los Microwaves - And Ever
Los Microwaves - Sniper (00:00) Los Microwaves - Sniper (00:00) 6 Los Microwaves - Sniper
Los Microwaves - Bride Of Suicide (live) (00:00) Los Microwaves - Bride Of Suicide (live) (00:00) 7 Los Microwaves - Bride Of Suicide (live)
Los Microwaves - My Baby Tried To Kill Me (live) (00:00) Los Microwaves - My Baby Tried To Kill Me (live) (00:00) 8 Los Microwaves - My Baby Tried To Kill Me (live)
Los Microwaves - My Name Is The Same (live) (00:00) Los Microwaves - My Name Is The Same (live) (00:00) 9 Los Microwaves - My Name Is The Same (live)
Los Microwaves - Too Many Humas (live) (00:00) Los Microwaves - Too Many Humas (live) (00:00) 10 Los Microwaves - Too Many Humas (live)
This playfully titled release features David Javelosa (on synth and vocals) along with Meg Brazill (on bass and vocals) plus drummer Todd "Rosa" Rosencrans. Side One features five studio tracks, none of which were included on the band's 1981 Posh Boy LP, Life After Breakfast. Three of these tracks were recorded in '82; there's no information regarding the provenance of the other two songs. The records' second side collects five live recordings, capturing Los Microwaves onstage in New York City (The Peppermint Lounge) and Boston as well as at San Francisco's own I-Beam, a venue that often played host to the band. Those tracks date form roughly the same ear, 1980-83. Sonically the songs variously recall Blondie, Flying Lizards, Gang of Four and a far less dour Human League. Importantly, the band rocks, even when it's employing a spare drum kit, solid but elemental bass, and monophonic analog synthesizers. The stripped down aesthetics of the group - necessitated by its minimalist instrumental approach - are nonetheless thrilling. Even if you weren't there in 1980, this'll take you back.

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